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Communication

CLCWeb: Comparative Literature and Culture

Literary theory

2000

Articles 1 - 5 of 5

Full-Text Articles in Social and Behavioral Sciences

Theory, Period Styles, And Comparative Literature As Discipline, Slobodan Sucur Dec 2000

Theory, Period Styles, And Comparative Literature As Discipline, Slobodan Sucur

CLCWeb: Comparative Literature and Culture

In his article, "Theory, Period Styles, and Comparative Literature as Discipline," Slobodan Sucur attempts to answer the following question: Can a rapprochement be brought about between various, often antagonistic, literary-theoretical views and the concept of comparative literature itself, which requires accord, consensus, agreement, etc., for it to function as a concrete body and discipline? Sucur attempts dealing with this question in three parts of the paper: First, he establishes a relationship/link between the theoretical discord of today (humanism, formalism, deconstruction, etc.) and the high theorizing which began during the Jena-Berlin phase of Romanticism (Shelling, Hegel, F. Schlegel, etc.); secondly, he …


Thematizing The Subject From Gothicism To Late Romanticism, Slobodan Sucur Sep 2000

Thematizing The Subject From Gothicism To Late Romanticism, Slobodan Sucur

CLCWeb: Comparative Literature and Culture

In "Thematizing the Subject from Gothicism to Late Romanticism," Slobodan Sucur takes Habermas's suggestion that "modern art reveals its essence in Romanticism; and absolute inwardness determines the form and content of Romantic art" and offers an analysis of a spectrum of primary texts in relation to the statement. The texts analysed range from Walpole’s The Castle of Otranto to Odoyevsky’s Russian Nights. The texts are analyzed in chronological fashion, in an attempt to see how the thematization of the subject shifts as the Early Gothic novel (Walpole, Radcliffe) develops into High Romanticism (Hoffmann, Maturin) and finally into Late Romanticism (Poe, …


How Is A Genre Created? Five Combinatory Hypotheses, Johan F. Hoorn Jun 2000

How Is A Genre Created? Five Combinatory Hypotheses, Johan F. Hoorn

CLCWeb: Comparative Literature and Culture

In his article, "How is a Genre Created? Five Combinatory Hypotheses," Johan F. Hoorn discusses that in genre theory, the creation of a genre is usually envisioned as a complex selection procedure in which several factors play an equivocal role. First, he advances that genre usually is investigated at the level of the phenomenon. For instance, questions may drawn on the effects of social status, education, or "intrinsic values" on forming a genre, on an author's decision with regard to in which genre to express his/her creativity. Second, Hoorn attempts to formulate a general mechanism that explains the forming of …


Bakhtin, Genre Formation, And The Cognitive Turn: Chronotopes As Memory Schemata, Bart Keunen Jun 2000

Bakhtin, Genre Formation, And The Cognitive Turn: Chronotopes As Memory Schemata, Bart Keunen

CLCWeb: Comparative Literature and Culture

In his article, "Bakhtin, Genre Formation, and the Cognitive Turn: Chronotopes as Memory Schemata," Bart Keunen proposes a new reading of Bakhtin's notion of the chronotope. Bakhtin is widely taken to be a pioneer of genological thinking, but one of his key concepts -- the chronotope -- is still subject to highly divergent interpretations. Moreover, the epistemological implications of his genology have not yet been fully realized. In this article, a methodological grounding in schema theory is proposed. Bakhtin's concept can be used to study the way in which literary communication functions through what the psychologist Frederic Bartlett first called …


On Literariness: From Post-Structuralism To Systems Theory, Marko Juvan Jun 2000

On Literariness: From Post-Structuralism To Systems Theory, Marko Juvan

CLCWeb: Comparative Literature and Culture

In his article, "On Literariness: From Post-Structuralism to Systems Theory," Marko Juvan argues that the question of literariness concerns the very identity and social existence of not only literature per se but of literary theory as a discipline. A literary theorist is not only an observer of literature; he/she is also a participant who -- at least indirectly, via the a priori systems of science and education -- is engaged in constructing both the notion and the practice of literature as well as the study of literature. Literariness is neither an invariant cluster of "objectively" distinctive properties of all texts …