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Full-Text Articles in Social and Behavioral Sciences
The Meaning And Relevance Of Video Game Literacy, Jeroen Bourgonjon
The Meaning And Relevance Of Video Game Literacy, Jeroen Bourgonjon
CLCWeb: Comparative Literature and Culture
In his article "The Meaning and Relevance of Video Game Literacy" Jeroen Bourgonjon argues that video gaming deserves scholarly attention as a social practice and a site for meaning-making and learning. Based on an overview of contemporary trends in literacy and cultural studies, he argues that video games cannot be approached like traditional text forms. He contends that video games serve as an important frame of reference for young people and call for informed decision making in the context of culture, education, and policy. Bourgonjon provides an integrated perspective on video game literacy by employing theoretical insights about their distinctive …
The Writing And Reading Of Fan Fiction And Transformation Theory, Veerle Van Steenhuyse
The Writing And Reading Of Fan Fiction And Transformation Theory, Veerle Van Steenhuyse
CLCWeb: Comparative Literature and Culture
In her article "The Writing and Reading of Fan Fiction and Transformation Theory" Veerle Van Steenhuyse discusses the experience of immersive reading fan fiction offers to fans based on her analysis of fan fiction about the television series House, M.D. (2004-). Van Steenhuyse postulates that a text is immersive when it evokes a mental construct with the presence of a text-independent reality. In the case of fan fiction, this reality is a "transformed universe" that builds on and deviates from particular primary texts. Following the work of Marie-Laure Ryan and Mihály Csíkszentmihályi, Van Steenhuyse argues that readers feel immersed when …
Fernández And Cinematic Propaganda In The U.S. And Mexico, Renae L. Mitchell
Fernández And Cinematic Propaganda In The U.S. And Mexico, Renae L. Mitchell
CLCWeb: Comparative Literature and Culture
In her article "Fernández and Cinematic Propaganda in the U.S. and Mexico" Renae L. Mitchell discusses the competing ideologies on both sides of the U.S.-Mexican border. As one of the foremost filmmakers of the Mexican Golden Age of cinema, Emilio Fernández established what would is recognized as "Mexicanness" by means of Indigenous characters in his films, most apparent in the film María Candelaria. RKO (Radio-Keith-Orpheum) Pictures, as the principal purveyor of US-American propagandist cinema, led Hollywood into the cinematic market of Mexico revealing its intentions by means of the RKO film The Falcon in Mexico. Fernández sought to …