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Social and Behavioral Sciences Commons

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Arts and Humanities

University of South Florida

Theses/Dissertations

Autoethnography

Publication Year

Articles 1 - 5 of 5

Full-Text Articles in Social and Behavioral Sciences

When The Beat Drops: Exploring Hip Hop, Home And Black Masculinity, Marquese Lamont Mcferguson Apr 2020

When The Beat Drops: Exploring Hip Hop, Home And Black Masculinity, Marquese Lamont Mcferguson

USF Tampa Graduate Theses and Dissertations

In this autoethnographic dissertation, I take readers on a narrative journey to three of my storied homeplaces and explore my lived experiences within each site. In the process of exploring my homeplaces, I analyze how I perform my black masculine self within the context of each location, how my cultural body supports and challenges hegemonic black masculinity, and how each location constrains and frees up my performance of self. With this dissertation, I will contribute to the field of communication studies by extending the method and writing practice of autoethnography, the theorization of the black masculine, and the exploration of …


Elemental Climate Disaster Texts And Queer Ecological Temporality, Laura Mattson Mar 2020

Elemental Climate Disaster Texts And Queer Ecological Temporality, Laura Mattson

USF Tampa Graduate Theses and Dissertations

This thesis approaches climate disaster texts as an opportunity to challenge constructions of the body, space, and time. Developed from embodied experiential knowledge about hurricanes, my work will explore how climate disasters can teach us to reimagine human-nature relationships. In my two analysis chapters, I use critical textual analysis and autoethnography to challenge particular representations of the human-nature relationship as a binary between nature and culture. By intervening in the nature-culture binary, I theorize queer ecological temporality as an opportunity to reveal and challenge constructions of nature and time. Working at the intersections of queer and ecocritical theory, this thesis …


"The Afro That Ate Kentucky": Appalachian Racial Formation, Lived Experience, And Intersectional Feminist Interventions, Sandra Louise Carpenter Mar 2016

"The Afro That Ate Kentucky": Appalachian Racial Formation, Lived Experience, And Intersectional Feminist Interventions, Sandra Louise Carpenter

USF Tampa Graduate Theses and Dissertations

This thesis examines selections of Appalachian women’s personal narrative as well as Affrilachian Poetry written by Kentuckians Bianca Spriggs and Nikki Finney. This project’s goal lies in resisting oppression and erasure of Appalachian culture’s heterogeneity. Contrary to constructions of Appalachians as lazy, complacent, and white, many Appalachians organize communities of resistance from within the region itself. Challenging these representations, I argue that Appalachian feminists as well as Affrilachian poets create countercultures that disrupt monolithic, colonialist, and unquestioned constructions of Appalachia.


The Meaning Of Stories Without Meaning: A Post-Holocaust Experiment, Tori Chambers Lockler Jan 2015

The Meaning Of Stories Without Meaning: A Post-Holocaust Experiment, Tori Chambers Lockler

USF Tampa Graduate Theses and Dissertations

Dissonance exists in efforts to communicate about suffering and despair. Showcasing common societal flawed reactions to despair begs for discourse to create a more communicatively healthy response. Attempting to communicate the suffering of others and feeling like I was failing at that goal led to my own suffering. Using writing as a method of personal healing created an intersection of personal narratives of suffering and victim’s narratives (which can arguable only allow for the co-opting of the story and narcissism). Grappling with the limits of writing to heal provided a lens to see the victim’s narratives in such a way …


My Bad Romance: Exploring The Queer Sublimity Of Diva Reception, Blake Paxton Jan 2011

My Bad Romance: Exploring The Queer Sublimity Of Diva Reception, Blake Paxton

USF Tampa Graduate Theses and Dissertations

This study explores the historic relationship between pop music divas and gay male fandom. It charts fan experiences from the early 60s with Judy Garland to contemporary times with pop diva Lady Gaga. This project also gives a description of the embodied experience of Brett Farmer’s “queer sublimity of diva reception.” Farmer (2005) argues that diva worship among gay men has become a queer sublimity, “the transcendence of a limiting heteronormative materiality and the sublime reconstruction, at least in fantasy, of a more capacious, kinder, queerer world” (p. 170). Using the methods of participant observation in drag performance and karaoke …