Social and Behavioral Sciences Commons^™

Noted With Honor: Intersections Between Theology, Music Therapy, Psychotherapy, And Original Music Compositions For Hospice Patients, Stanton Nelson

Doctor of Pastoral Music Projects and Theses

This thesis investigates the intersections between theology, music therapy, and psychotherapy when creating a music composition that honors a hospice patient’s walk of faith. A pioneer organization inspiring this thesis is Swan Songs in Austin, Texas, where musical moments are created for the patient and family. However, its model is primarily based on collating previously composed pieces for recitals without a personalized honoring of the patient’s witness of faith. Noted with Honor is an emerging non-profit organization that creates an original work that reflects upon the testimony of the patient and forms a new narrative towards the end of one’s …

Energy Portraits For Flute, Clarinet In B-Flat, Violin, Cello, Piano, And Percussion, Luis Solis

Music Theses and Dissertations

Energy Portraits is a 25-minute work for flute, clarinet, violin, cello, piano, and percussion based on the nine Enneagram personality types. The Enneagram system delves into underlying motivations and thought patterns of different people rather than only external behaviors, so this piece incorporates the typical overall energy of each number as a miniature portrait. The movements are not in the same order as the nine types from the Enneagram but are reordered and renamed for musical reasons. This allows the listeners who are not familiarized with the Enneagram to still understand the theme and energy of each movement.

Flourish is …

"I Can't Breathe": Toward A Pneumatology Of Singing And Missional Musicking For Racial Justice In Jacksonville, Florida, Thomas Shapard

Doctor of Pastoral Music Projects and Theses

This thesis develops a philosophy of musicking that intersects with missional ecclesiology and expands the role of music-making beyond the church walls. The central hypothesis assumes that predominantly white congregations in the Free Church tradition located in the southern United States incorporate ways of singing that reinforce, albeit inadvertently, attitudes toward others that buttress white ethnocentricity. Musical practices arising from a Western European heritage can promote cultural exclusivity as well as a perceived—yet false— sense of superiority. Is there an implicit theology of singing in white churches that engenders a culture of complicity and apathy in matters of racial injustice, …