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Full-Text Articles in Social and Behavioral Sciences
Somewhere Between Anti-Heroism And Pantomime: Song Kang-Ho And The Uncanny Face Of The Korean Cinema, Brian Yecies
Somewhere Between Anti-Heroism And Pantomime: Song Kang-Ho And The Uncanny Face Of The Korean Cinema, Brian Yecies
Brian Yecies
This article explores the trajectory of Song Kang-ho’s on-screen performances from the release of his fourth film, Number 3 (1997), to one of his most recent films, Thirst (2009). As a case study, it reveals new insights about this popular and representative actor’s numerous screen personae and how they have enabled audiences to peer into a cinematic surface that reflects back a mixture of anti-heroism and pantomime. Beneath the many costumes and performance styles he adopts, audiences have come to see a human being with everyday problems and concerns. In a way reminiscent of the French pantomime clown Pierrot, Song’s …
Somewhere Between Anti-Heroism And Pantomime: Song Kang-Ho And The Uncanny Face Of The Korean Cinema, Brian Yecies
Somewhere Between Anti-Heroism And Pantomime: Song Kang-Ho And The Uncanny Face Of The Korean Cinema, Brian Yecies
Brian Yecies
This article explores the trajectory of Song Kang-ho’s on-screen performances from the release of his fourth film, Number 3 (1997), to one of his most recent films, Thirst (2009). As a case study, it reveals new insights about this popular and representative actor’s numerous screen personae and how they have enabled audiences to peer into a cinematic surface that reflects back a mixture of anti-heroism and pantomime. Beneath the many costumes and performance styles he adopts, audiences have come to see a human being with everyday problems and concerns. In a way reminiscent of the French pantomime clown Pierrot, Song’s …
Inroads For Cultural Traffic: Breeding Korea’S Cinematiger, Brian Yecies
Inroads For Cultural Traffic: Breeding Korea’S Cinematiger, Brian Yecies
Brian Yecies
The Golden Age of Hallyuwood – the fusion of Hallyu and Hollywood – facilitated and was facilitated by new spaces for creative and cultural expression. Domestic market share of local films, lucrative pre-sales, a robust screen quota and fresh genre-bending narratives and styles reached a peak of acclaim at home and abroad in 2005. This period of success was notably inspired internally after the establishment of a civilian government in 1993 and the subsequent elimination of censorship in 1996. However, external pressures involved in the (re)opening of Korea to Hollywood in the mid-1980s also had an impact on the rise …