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Social and Behavioral Sciences Commons™
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Articles 1 - 8 of 8
Full-Text Articles in Social and Behavioral Sciences
Moving Beyond Gender Bias, Mariam Ayad Dr.
Moving Beyond Gender Bias, Mariam Ayad Dr.
Sociology, Egyptology & Anthropology Department: Faculty Work
No abstract provided.
Women's Self-Presentation In Ancient Egypt, Mariam Ayad Dr.
Women's Self-Presentation In Ancient Egypt, Mariam Ayad Dr.
Sociology, Egyptology & Anthropology Department: Faculty Work
No abstract provided.
Gender, Ritual, And Manipulation Of Power, Mariam Ayad Dr.
Gender, Ritual, And Manipulation Of Power, Mariam Ayad Dr.
Sociology, Egyptology & Anthropology Department: Faculty Work
No abstract provided.
Family, Ancient Egypt, Lisa Sabbahy Dr.
Family, Ancient Egypt, Lisa Sabbahy Dr.
Faculty Journal Articles
No abstract provided.
Re-Figuring The Past: The Architecture Of The Funerary Chapel Of Amenirdis I At Medinet Habu: A Re-Assessment, Mariam Ayad Dr.
Re-Figuring The Past: The Architecture Of The Funerary Chapel Of Amenirdis I At Medinet Habu: A Re-Assessment, Mariam Ayad Dr.
Sociology, Egyptology & Anthropology Department: Faculty Work
The funerary chapel of Amenirdis at Medinet Habu forms an intriguing link in the development of ancient Egyptian architectural forms. Utilizing older architectural traditions and later ones, its architecture anticipates several features that later appear in Ptolemaic temples.
Some Remarks On The Pyramid Texts Inscribed In The Chapel Of Amenirdis I At Medinet Habu, Mariam Ayad Dr.
Some Remarks On The Pyramid Texts Inscribed In The Chapel Of Amenirdis I At Medinet Habu, Mariam Ayad Dr.
Sociology, Egyptology & Anthropology Department: Faculty Work
No abstract provided.
On The Identity And Role Of The God’S Wife Of Amun In Rites Of Royal And Divine Dominion, Mariam Ayad Dr.
On The Identity And Role Of The God’S Wife Of Amun In Rites Of Royal And Divine Dominion, Mariam Ayad Dr.
Sociology, Egyptology & Anthropology Department: Faculty Work
In a striking scene from the Building of Taharqa by the sacred lake at Karnak, a slender athletic-looking woman draws a long, wide-feathered arrow through a double-curved bow. She aims at four round targets represented at the periphery of the scene. Next to her, a male figure uses his pear-headed mace as a bat with which to strike four balls. The male figure is identified as King Taharqa, the penultimate king of the 25th Dynasty. The female archer, on the other hand, is simply identified as a God’s Wife. Her name is not mentioned. Both the king and the God’s …
Some Thoughts On The Disappearance Of The Office Of The God's Wife Of Amun, Mariam Ayad Dr.
Some Thoughts On The Disappearance Of The Office Of The God's Wife Of Amun, Mariam Ayad Dr.
Sociology, Egyptology & Anthropology Department: Faculty Work
No abstract provided.