Physical Sciences and Mathematics Commons^™

Three Creativity-Fostering Projects Implemented In A Statistics Class, Margaret Adams

Journal of Humanistic Mathematics

Undergraduates in an introductory statistics class at a rural Southeastern college were assigned three creativity-fostering projects: statistics vocabulary crossword puzzle, word wall, and graffiti art poster. Given math anxiety, fear of failure, and lack of enthusiasm, it seemed imperative to spark interest and involvement. Rhodes 4P’s model (1961) served as the framework for this intrinsic case study involving 62 students. Independent thinking and research, peer collaboration, and use of art supplies within this model (person, press, process and product) generated remarkable learning outcomes. Grading rubrics focused on originality, quality and statistics content. Projects were classified into three qualitative categories ranging …

Tactivities: Fostering Creativity Through Tactile Learning Activities, Angie Hodge-Zickerman, Eric Stade, Cindy S. York, Janice Rech

Journal of Humanistic Mathematics

As mathematics teachers, we hope our students will approach problems with a spirit of creativity. One way to both model and encourage this spirit – and, at the same time, to keep ourselves from getting bored – is through creative approaches to problem design. In this paper, we discuss ``TACTivities'' – mathematical activities with a tactile component – as a creative outlet for those of us who teach mathematics, and as a resource for stimulating creative thinking in our students. We use examples, such as our ``derivative fridge magnets'' TACTivity, to illustrate the main ideas. We emphasize that TACTivities can …

Going Beyond Promoting: Preparing Students To Creatively Solve Future Problems, Kristin M. Arney, Kayla K. Blyman, Jennifer D. Cepeda, Scott A. Lynch, Michael J. Prokos, Scott Warnke

Journal of Humanistic Mathematics

While we cannot know what problems the future will bring, we can be almost certain that solving them will require creativity. In this article we describe how our course, a first-year undergraduate mathematics course, supports creative problem solving. Creative problem solving cannot be learned through a single experience, so we provide our students with a blend of experiences. We discuss how the course structure enables creative problem solving through class instruction, during class activities, during out of class assessments, and during in class assessments. We believe this course structure increases student comfort with solving open-ended and ill-defined problems similar to …

Does Your Course Effectively Promote Creativity? Introducing The Mathematical Problem Solving Creativity Rubric, Kayla K. Blyman, Kristin M. Arney, Bryan Adams, Tara A. Hudson

Journal of Humanistic Mathematics

As believers in the power of blending the creative with the quantitative, we design our courses with an eye towards developing creative problem solvers. However, when it comes time to evaluate our course's success in developing creative problem solvers we come away with a plethora of qualitative evidence and yet we are left hungry for the quantitative evidence we desire as mathematicians.

In this article we describe the development of the Mathematical Problem Solving Creativity Rubric and its pilot use in a freshman-level Mathematical Modeling and Introduction to Calculus course at the United States Military Academy. We not only come …

College Students’ Images Of Mathematicians And Mathematical Careers, Katrina Piatek-Jimenez, Miranda Nouhan, Michaela Williams

Journal of Humanistic Mathematics

In this paper we report our findings of college students’ images of mathematicians and we reflect on different methodologies used to assess this information. The study reported in this paper was conducted in two stages. During the first stage, we asked 179 college students to “draw a mathematician” and also asked them to list five characteristics and five careers for a mathematician. In the second stage of the study, we conducted four focus group interviews with a total of twelve college students. During the focus group interviews, we showed the students 16 photos of real people and asked them to …