Physical Sciences and Mathematics Commons^™

Exploration Of Digital Synthesis, Angelo Indre

Williams Honors College, Honors Research Projects

“An Exploration of Digital Synthesis” is a comprehensive investigation into the world of digital audio and music production. The paper explores the fundamental concepts of sound synthesis, including MIDI, virtual instruments (VSTs), and the JUCE framework. The central focus of the paper is the implementation of a custom synthesizer, which serves as a case study for the practical application of digital synthesis. The paper addresses the key question of how to create a functioning synthesizer from scratch, providing detailed insights into the programming and design process. Overall, the paper represents a significant contribution to the fields of digital audio and …

The Significance Of Sonic Branding To Strategically Stimulate Consumer Behavior: Content Analysis Of Four Interviews From Jeanna Isham’S “Sound In Marketing” Podcast, Ina Beilina

Student Theses and Dissertations

Purpose:
Sonic branding is not just about composing jingles like McDonald’s “I’m Lovin’ It.” Sonic branding is an industry that strategically designs a cohesive auditory component of a brand’s corporate identity. This paper examines the psychological impact of music and sound on consumer behavior reviewing studies from the past 40 years and investigates the significance of stimulating auditory perception by infusing sound in consumer experience in the modern 2020s.

Design/methodology/approach:
Qualitative content analysis of audio media was used to test two hypotheses. Four archival oral interview recordings from Jeanna Isham’s podcast “Sound in Marketing” featuring the sonic branding experts …

Computational Approaches To Facilitate Automated Interchange Between Music And Art, Rao Hamza Ali

Computational and Data Sciences (PhD) Dissertations

Recently, there has been a tremendous increase in generating and synthesizing music and art using various computational techniques. An area that is still under-researched, however, is how one medium can be converted into the other, while maintaining the overall aesthetics. Over the last few centuries, artists, composers, and scholars, have attempted to use substitute one form of art for the other: by proposing techniques where music notes are synonymous to colors, by inventing instruments that combine the aesthetics of music and visual art, and by incorporating the two media in live performances. A widely accepted computational approach, for the conversion, …

The Spiral Model For Generative Harmony, Jackson Guy Spargur

Senior Projects Spring 2020

Generative music is a broad and well-explored field, in which researchers have attempted various approaches at creating algorithmic models for the creation of music. Researchers may attempt to model the composition of melody, or of musical phrase structure, or, as is the focus of this paper, the harmonization of multiple voices. I use as the core of my model Elaine Chew’s “Spiral Array”, outlined in her 2000 thesis “Towards a Mathematical Model Of Tonality”. Chew’s applications for this model were all analytical, gaining insights about human-composed pieces of music by running them through her model. My project is comprised of …

Queue: A Mobile Application For Collaborative Music Playlists, Vlad Mirea

Williams Honors College, Honors Research Projects

This paper focuses on the design and development of the mobile application “Queue”. Queue is an app for creating music playlists that anyone can add songs to while a host controls playback. The app connects to music streaming services such as Spotify to allow users access to their favorite songs while providing functionality not found in those services.

Algorithmic Music Composition And Accompaniment Using Neural Networks, Daniel Wilton Risdon

Senior Projects Spring 2016

The goal of this project was to use neural networks as a tool for live music performance. Specifically, the intention was to adapt a preexisting neural network code library to work in Max, a visual programming language commonly used to create instruments and effects for electronic music and audio processing. This was done using ConvNetJS, a JavaScript library created by Andrej Karpathy.

Several neural network models were trained using a range of different training data, including music from various genres. The resulting neural network-based instruments were used to play brief pieces of music, which they used as input to create …

Exploring Algorithmic Musical Key Recognition, Nathan J. Levine

CMC Senior Theses

The following thesis outlines the goal and process of algorithmic musical key detection as well as the underlying music theory. This includes a discussion of signal-processing techniques intended to most accurately detect musical pitch, as well as a detailed description of the Krumhansl-Shmuckler (KS) key-finding algorithm. It also describes the Java based implementation and testing process of a musical key-finding program based on the KS algorithm. This thesis provides an analysis of the results and a comparison with the original algorithm, ending with a discussion of the recommended direction of further development.

Using Spectral Analysis To Evaluate Flute Tone Quality, Ron Yorita

Master's Theses

Many skilled flutists place a high priority on "good" tone quality, or timbre. Timbre can be defined as the audible difference in character that a listener perceives for two notes played at the same pitch. Different timbres are determined by the combination and balance of harmonics that comprise a note. Unlike pitch and rhythm, timbre is difficult to objectively quantify. This project explores (1) how tone quality is described by skilled flutists, (2) whether the harmonic spectrum has some correlation with tone quality, (3) whether certain harmonic spectra are preferred, or considered "good".

Thirty-one flutists ranging from high school students …

Functional Reactive Musical Performers, Justin M. Phillips

Master's Theses

Computers have been assisting in recording, sound synthesis and other fields of music production for quite some time. The actual performance of music continues to be an area in which human players are chosen over computer performers. Musical performance is an area in which personalization is more important than consistency. Human players play with each other, reacting to phrases and ideas created by the players that they are playing with. Computer performers lack the ability to react to the changes in the performance that humans perceive naturally, giving the human players an advantage over the computer performers.

This thesis creates …