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Full-Text Articles in Physical Sciences and Mathematics

Quantitative Criticism Of Literary Relationships, Joseph P. Dexter, Theodore Katz, Nilesh Tripuraneni, Tathagata Dasgupta, Ajay Kannan, James Brofos, Jorge A. Bonilla Lopez, Lea Schroeder Apr 2017

Quantitative Criticism Of Literary Relationships, Joseph P. Dexter, Theodore Katz, Nilesh Tripuraneni, Tathagata Dasgupta, Ajay Kannan, James Brofos, Jorge A. Bonilla Lopez, Lea Schroeder

Dartmouth Scholarship

Authors often convey meaning by referring to or imitating prior works of literature, a process that creates complex networks of literary relationships (“intertextuality”) and contributes to cultural evolution. In this paper, we use techniques from stylometry and machine learning to address subjective literary critical questions about Latin literature, a corpus marked by an extraordinary concentration of intertextuality. Our work, which we term “quantitative criticism,” focuses on case studies involving two influential Roman authors, the playwright Seneca and the historian Livy. We find that four plays related to but distinct from Seneca’s main writings are differentiated from the rest of the …


Quantification Of Artistic Style Through Sparse Coding Analysis In The Drawings Of Pieter Bruegel The Elder, James M. Hughes, Daniel J. Graham, Daniel N. Rockmore Jan 2010

Quantification Of Artistic Style Through Sparse Coding Analysis In The Drawings Of Pieter Bruegel The Elder, James M. Hughes, Daniel J. Graham, Daniel N. Rockmore

Dartmouth Scholarship

Recently, statistical techniques have been used to assist art historians in the analysis of works of art. We present a novel technique for the quantification of artistic style that utilizes a sparse coding model. Originally developed in vision research, sparse coding models can be trained to represent any image space by maximizing the kurtosis of a representation of an arbitrarily selected image from that space. We apply such an analysis to successfully distinguish a set of authentic drawings by Pieter Bruegel the Elder from another set of well-known Bruegel imitations. We show that our approach, which involves a direct comparison …