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Full-Text Articles in Law

Conversation With Lee Bollinger - 1985, Wendy J. Gordon May 1985

Conversation With Lee Bollinger - 1985, Wendy J. Gordon

Scholarship Chronologically

First, Lee Bollinger (and others) seem to feel that the misappropriation "urge" makes sense when seen against a background where most things one creates DO get property treatment. Lee therefore says it's my burden as a writer to explain why this area is different--both to succeed in making a case clear, AND to create barriers between this area and others. Essentially, he argues, people will be afraid that less-than-complete property here will erode property elsewhere.


Conversation With Whit Gray - 1985, Wendy J. Gordon Jan 1985

Conversation With Whit Gray - 1985, Wendy J. Gordon

Scholarship Chronologically

Whit Gray argued that even for things most of us would feel comfy saying AREN'T property, like the "idea" of shopping malls, we wouldn't feel so comfy with copying if the blueprints for the idea were copied prior to the time they became public. He argues also, that something more than "privacy" is at issue in our anger at visualizing such an intrusive prepublication copying.


High Technology, The Human Image, And Constitutional Value, Patrick L. Baude Jan 1985

High Technology, The Human Image, And Constitutional Value, Patrick L. Baude

Articles by Maurer Faculty

No abstract provided.


Copyright And The Moral Right: Is An American Marriage Possible?, Roberta R. Kwall Jan 1985

Copyright And The Moral Right: Is An American Marriage Possible?, Roberta R. Kwall

Vanderbilt Law Review

The 1976 Copyright Act (the 1976 Act) embodies the most extensive reforms in the history of our nation's copyright laws. One proposed reform that is noticeably absent from the statutory scheme, however, is the explicit adoption of protections for the personal rights of creators with respect to their works. Instead,the 1976 Act continues this country's tradition of safeguarding only the pecuniary rights of a copyright owner. By assuring the copyright owner the exclusive rights to reproduce and distribute the original work, to prepare derivative works, and to perform and display publicly certain types of copyrighted works, the 1976 Act focuses …