Law Commons^™

Copyright Co-Ownership In Uncertain Times: How Security Interests Can Save The Day, Evie Whiting, Ashleigh Stanley

Vanderbilt Journal of Entertainment & Technology Law

Films and television series are increasingly being created undera co-production model, making copyright co-ownership a common occurrence in the world of Hollywood content creation. So long as each co-owner’s rights are pre-negotiated and specifically delineated in their contracts, the co-owners can rest assured that their rights to the project and any potential derivative works are safe. Or can they?

In the modern entertainment landscape, where tentpole programming and related spinoffs and derivatives are the gold standard of content creation, the proper protection of co-owned copyrights is more important than ever. But tenuous financial outlooks pose a looming, existential threat to …

Spam Vs. Ms. Piggy: An Entertainment Law Cautionary Tale, Candi Henry

Vanderbilt Journal of Entertainment & Technology Law

In terms of blockbusters, 1996 was a good year for film. Action-packed movies like Twister, Independence Day, and Mission Impossible competed for ticket sales with popular comedies Jerry Maguire, The First Wives Club, and The Birdcage. The critical favorite, The English Patient, also made a strong showing. Together, those films grossed almost $1.2 billion in domestic ticket sales alone, yet it was the modestly-performing family flick, Muppet Treasure Island that arguably made the biggest impact in entertainment law that year. That impact was not, however, the result of a landmark ruling. Rather, Hormel Foods Corporation v. Jim Henson Productions serves …

From The Editor, David W. Dulabon

Vanderbilt Journal of Entertainment & Technology Law

In this issue, the Vanderbilt Journal of Entertainment Law & Practice (JELP) explores two such themes. In the Film/TV section, we present views on the degree to which First Amendment protection extends to expression that arguably entails a negative influence on some audiences. In the Music section, we are pleased to offer two variations on a common theme, in the form of two accounts of the copyright law's reaction to advances in technology. Accompanying these recurrent themes are those of our own, as sections dealing with the Internet and Sports round out this, our fifth issue.

From The Editor, Steven Lopez Editor

Vanderbilt Journal of Entertainment & Technology Law

Two years ago, thirty-six law students embarked on an uncertain journey to create a new law journal-a legal publication that would fuse creative form with engaging content. The result, the Vanderbilt Journal of Entertainment & Technology Law & Practice, you hold in your hands.

From The Editor, Steven Lopez - Editor

Vanderbilt Journal of Entertainment & Technology Law

Welcome to the second issue of The Vanderbilt Journal of Entertainment Law & Practice. As always, we have blended legal scholarship, readable style, and engaging design to create a publication that we hope is as informative as it is entertaining. In the areas of Music, Internet, Film/TV, and Sports, you'll hear from scholars, practitioners, students, and even a United States Congressman on issues that are timely, compelling, and relevant, to life and practice. We'd like to thank the professional and student writers whose sleep- less nights and deadline-driven efforts made this publication possible. We also owe a great debt of …

Truckin' In Style Along The Avenue: How The Grateful Dead Turned Alternative Business And Legal Strategies Into A Great American Success Story, Brian C. Drobnik

Vanderbilt Journal of Entertainment & Technology Law

That the Grateful Dead were "different" undoubtedly is true on a broad social level. But it is not so easy to ascertain how they were different in the business and legal aspects of their enterprise. The ephemeral nature of their approach stems from the fact that they conducted their affairs within and alongside the world of statutes and contracts and yet provided themselves with a great degree of independence from that world. This Note will comment on the Dead's perspective on and their ultimate rejection of many of the business and legal strategies traditionally ascribed to in the industry. After …