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Crystal Palaces: Copyright Law And Public Architecture, Matthew Rimmer
Crystal Palaces: Copyright Law And Public Architecture, Matthew Rimmer
Matthew Rimmer
This paper investigates copyright law and public architecture in the context of cultural institutions of Australia. Part 1 examines the case of the Sydney Opera House to illustrate the past position of architects in respect of copyright law. It goes onto consider the framework laid down by the Copyright Amendment (Moral Rights) Act 2000 (Cth) to resolve copyright disputes over moral rights and architecture. Part 2 considers the argument over the proposed renovations to the National Gallery of Australia between Dr Brian Kennedy and the original architect Colin Madigan. Part 3 finally deals with the allegations that Ashton Raggatt McDougall, …
Daubism: Copyright Law And Artistic Works, Matthew Rimmer
Daubism: Copyright Law And Artistic Works, Matthew Rimmer
Matthew Rimmer
Rip, Mix, Burn: The Politics Of Peer To Peer And Copyright Law, Kathy Bowrey, Matthew Rimmer
Rip, Mix, Burn: The Politics Of Peer To Peer And Copyright Law, Kathy Bowrey, Matthew Rimmer
Matthew Rimmer
Heretic: Copyright Law And Dramatic Works, Matthew Rimmer
Heretic: Copyright Law And Dramatic Works, Matthew Rimmer
Matthew Rimmer
The production of the play Heretic in 1996 prompted a debate over copyright and the dramatic arts in Australia. The playwright David Williamson argued that the role of the writer was supreme. Although he was willing to acknowledge the contributions of other collaborators, the playwright did not believe that these interpreters deserved copyright protection. The director Wayne Harrison advocated a more collaborative vision of the performing arts. He believed that the role of the director and the position of the producer deserved greater legal recognition. Furthermore he was also willing to countenance limited rights for performers. This article argues that …