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Exploiting The Artist's Commercial Identity: The Merchandizing Of Art Images, Jane C. Ginsburg
Exploiting The Artist's Commercial Identity: The Merchandizing Of Art Images, Jane C. Ginsburg
Faculty Scholarship
"Merchandizing properties" are not a recent arrival on the copyright and trademark scene. As early as the 1930s, the Walt Disney Company foresaw the substantial economic gains from licensing the images of its animated motion picture characters in a variety of consumer media, from publications, to soft toys, clothing and household items. Most recently, the World Intellectual Property Organization has prepared a substantial comparative law study of "Character Merchandising." The merchandizing of fine arts images, however, is a more recent development, and is one that has so far received less attention from academic commentators. This article offers some preliminary observations, …
Public Institutions Of Culture And The First Amendment: The New Frontier, Lee C. Bollinger
Public Institutions Of Culture And The First Amendment: The New Frontier, Lee C. Bollinger
Faculty Scholarship
The general subject of my lecture today is the relationship between the First Amendment and public institutions of culture, which I take to be those sponsored and supported by the state with the clear purpose of preserving and promoting high culture in the United States. These include universities, museums, theaters, libraries, public broadcasting networks, programs for art in public places, and the national endowments for the arts and the humanities. All of these institutions or programs are vested with the responsibility of insuring the preservation of high human achievement in the areas to which they are devoted (knowledge, art, music, …