Law Commons^™

Regulation Theory And Australian Labour Law: From Antipodean Fordism To Liberal-Productivism, Brett Heino

Faculty of Law, Humanities and the Arts - Papers (Archive)

This paper employs the methodology of the Parisian Regulation Approach to periodise Australian political economy into distinct models of development. Within such models, labour law plays a key role in articulating the abstract capitalist need to commodify labour-power with the concrete realities of class struggle. Given the differential ordering of social contradictions and the distinct relationship of social forces within the fabric of each model of development, such formations will crystallise distinct regimes of labour law. This is demonstrated by a study of the two successive models of development which characterised Australian political economy since the post-World War II era; …

Spying On Dissent: It's The Australian Way, Rowan Cahill

Faculty of Law, Humanities and the Arts - Papers (Archive)

The clandestine involvement of military folk in the political and industrial affairs of the nation has a long history. Dissenting organisations should adopt counter-intelligence measures 'Oppositional, dissident organisations owe it to themselves and their supporters to adopt counter-intelligence procedures.' Photograph: Guardian Australia Allegations this week that the anti-mining camp at Maules creek in NSW was infiltrated by corporate spies should come as no surprise. While one activist told the Guardian Australia she felt "a sickening feeling of betrayal", in reality this is the Australian way. The clandestine involvement of military folk in the political and industrial affairs of the nation, …

Tone It Down A Bit!: Euphemism As A Colonial Device In Australian Indigenous Studies, Colleen Mcgloin

Faculty of Law, Humanities and the Arts - Papers (Archive)

In a previous article discussing the politics of language in Australian Indigenous Studies teaching and learning contexts, my colleague and I stated our objective in writing that article was to ‘‘instill’’ a sense of the importance of the political nature of language to our student body (McGloin and Carlson 2013). We wanted to engage students in the idea that language, as a conduit for describing the world, is not a neutral channel for its portrayal or depiction; rather, that it is a political device that is often a contributing force to racism and the perpetuation of colonial violence.While reviews of …

History Foundation To Year 12 (In Review Of The Australian Curriculum - Supplementary Material), Gregory Melleuish

Faculty of Law, Humanities and the Arts - Papers (Archive)

The Australian history curriculum is compulsory for Years Foundation through to Year 10. It states that its rationale is as follows: ‘The curriculum generally takes a world history approach within which the history of Australia is taught.’ The curriculum is also defined, and limited, by its three cross-curriculum priorities:

* Aboriginal and Torres Strait Islander histories and cultures

* Asia and Australia’s engagement with Asia

* Sustainability.

The Minerals Resource Rent Tax: The Australian Labor Party And The Continuity Of Change, John Passant

Faculty of Law, Humanities and the Arts - Papers (Archive)

Purpose - The purpose of this paper is to look at the recent history of proposals to tax resource rents in Australia, from Australia's Future Tax System Report (the "Henry Tax Review") through to the proposed Resource Super Profits Tax ("RSPT") and then the Minerals Resource Rent Tax ("MRRT"). The process of change from Henry to the RSPT to the MRRT can best be understood in the context of the Australian Labor Party (ALP) as a capitalist workers' party. The author argues that it is this tension in the ALP, the shift in its internal balance further towards capital and …

Sovereign Bodies: Australian Indigenous Cultural Festivals And Flourishing Lifeworlds, Lisa Slater

Faculty of Law, Humanities and the Arts - Papers (Archive)

In 2008, I was an observer at a two-day workshop concerned with the future of the Laura Aboriginal Dance Festival. The delegates were Aboriginal and Torres Strait Islander peoples from across Cape York Peninsula, representing communities (Indigenous townships) that dance at this long-running event. There was an openfloor discussion; following cultural protocols, one by one elders got to their feet to speak for country. A highly respected elder told of how he and his family cared for country - walked, talked, sung, hunted, burned - to keep their ancestral lands healthy, as the land looked after them. He then passionately …

Hayloft's Thyestes: Adapting Seneca For The Australian Stage And Context, Margaret Hamilton

Faculty of Law, Humanities and the Arts - Papers (Archive)

This essay examines The Hayloft Project's theatre production Thyestes, first performed at the Malthouse Theatre in Melbourne in 2010. It takes as its starting point public criticism of the practice of adaptation as a derivative form. Contrary to this position, the essay applies recent theorizations of theatre as a hypermedium in order to argue that adaptation is an integral, structural component of theatre rather than simply an intertextual, representational strategy. In doing so, it positions Brechtian approaches to the medium as a historical precedent through which to consider the dramaturgical strategies at work in the production, and it extrapolates on …

The Nation Or The Globe?: Australian Literature And/In The World, Antonio Simoes Da Silva

Faculty of Law, Humanities and the Arts - Papers (Archive)

Although far more nuanced and complex than am I suggesting here, I want to take the central thesis in Philip Mead’s ‘Proust at Caloundra’, a review-essay of Robert Dixon and Brigid Rooney’s Scenes of Reading: Is Australian Literature a World Literature? (2013), as a reminder of the importance of the national, and indeed the local, in the transnational turn in literary studies of the last decade or so. As Mead notes, slightly tongue-in-cheek, ‘[a]ll models of the world literary system … are structured according to complex political and cultural geometries and desires, as much as by national cultural genetics. There …

Moya Dyring: An Australian Salon In Paris, Melissa J. Boyde

Faculty of Law, Humanities and the Arts - Papers (Archive)

Part of the early Heide circle, Moya Dyring left Melbourne for Europe in the late 1930s and lived much of her life in Paris, in an apartment on the Ile St Louis which became known as Chez Moya. This exhibition follows Dyring’s transition from art student at the National Gallery School in Melbourne (1929-1932), where she met her future husband Sam Atyeo, to Parisian resident and charismatic salonnière – from Heide to the Left Bank.

As a young artist, Dyring was among the first painters in Melbourne to respond to the influence of Cubism, evident in her painting Melanctha (1937), …

Review Of "Speaking The Earth's Languages: A Theory For Australian-Chilean Postcolonial Poetics', Michael R. Jacklin

Faculty of Law, Humanities and the Arts - Papers (Archive)

Critical connections between Australian and Latin American literature are few and far between. Equally rare are readings which place Aboriginal literary production in Australia alongside that of Indigenous writing from Hispanic or Lusophone America. While a number of scholars have drawn comparisons between Australian Aboriginal writing and English-language Indigenous literature from North America, Indigenous writing from South and Central America has remained an almost terra incognita for Australian scholarship. Stuart Cooke’s study Speaking the Earth’s Languages: A Theory for Australian-Chilean Postcolonial Poetics reads Aboriginal poetic works by Paddy Roe, Butcher Joe Nangan and Lionel Fogarty along with poetry by Chilean …