Open Access. Powered by Scholars. Published by Universities.®
Articles 1 - 2 of 2
Full-Text Articles in Law
Photography, Cinema And Time In Jane Campion's The Piano And Gail Jones' Sixty Lights, Sukhmani Khorana
Photography, Cinema And Time In Jane Campion's The Piano And Gail Jones' Sixty Lights, Sukhmani Khorana
Faculty of Law, Humanities and the Arts - Papers (Archive)
Using the logic of the absence-presence of light (through mimicking shadows and remnant ghosts) in the images/time-images of Gail Jones’ Sixty Lights and Jane Campion’s The Piano, this paper attempts to frame time such that the over-exposed past becomes the blank page of the future. I propose that history, when viewed in the light of the present, enables a truly open future for female and postcolonial subjects. It is important, therefore, to think of the blank page emerging from the over-exposed image not as symbolic of a psychoanalytic lack of the phallus, but as an open response in the wake …
'Kylie Tennant: A Life, By Jane Grant', Anne Collett
'Kylie Tennant: A Life, By Jane Grant', Anne Collett
Faculty of Law, Humanities and the Arts - Papers (Archive)
Book review of:
Jane Grant. Kylie Tennant: a Life. An Australian Life Series. Canberra: National Library of Australia, 2006, 156pp. ISBN: 064227617X (pb) AU $24.95