Education Commons^™

Art And Symbolism: The Technique Of Applying Hidden Meaning And Communicating Specific Ideas Through Art, Andrea C. Macbean

Senior Honors Theses

Symbolism is an artistic style frequently used in the arts. Through the course of art history, it was its own artistic movement as well. The incorporation of specific symbols, shapes, colors, or identifiable images communicates to the viewer an intended message or statement. Frequently, symbolism appears to be hidden or initially unperceived by the intended audience. In some works, symbolism is so abstract that it needs explanation or clarification to be understood completely by the viewer. This thesis will analyze a few techniques of symbolism that can be incorporated in a work of art to communicate truth, entice thought, point …

Visual Literacy (Grade 9-12): Art Today -- Course Description And Outline, Kelli P. Dornbos

Department of Teaching, Learning, and Teacher Education: Dissertations, Theses, and Student Research

Process is hugely contrasting among all artists around the world. Each artist has their own way of developing a way of thinking, seeing and making to reach their need to get something out (or in simpler terms, create art). In this middle school art class, students will explore the different mediums of art with strict guidelines of craft and technique but freedom in the subject of what they can create on their own. It is important for 6th grade students to cooperate with each other to solve problems and create an identity through their own art making process. Dewey explains …

Styleless Style? What Photorealism Can Tell Us About “The Sixties”, Craig J. Peariso

Art, Design & Visual Studies Faculty Publications and Presentations

This essay reads 1960s “photorealist” painting and its critical reception against two sets of contemporary social analyses. First, it places these artistic and critical works next to Pierre Bourdieu's 1965 text Photography: A Middle-Brow Art, demonstrating that, although the critical literature surrounding “photorealism” tended to assume that its involvement with photography grew out of a desire for an objective realism, contemporary thought on photography was anything but convinced of the medium's transparency. Second, it looks to cultural critics like Susan Sontag and Jacob Brackman to propose that, rather than seeing the art of this period in opposition to the …

Overhaul Of A Graduate Program In Arts Administration: Repairing An Engine While It’S Still Running, Andrew Vorder Bruegge

College of Visual and Performing Arts Faculty Publications

Explanation of the alignment of a degree program's curriculum with program goals and SLOs for assessment purposes.

A Digital Learning Experience In Tertiary Design Education, Kerry Meakin, Neville Knott

Conference Papers

This paper documents the results of a study of trialing an innovative teaching method to first year students while studying for a BA in Visual Merchandising and Display in an Institute of Technology in Dublin. Due to lower staff levels it was perceived this student cohort were not attaining the practical skills necessary in their future careers therefore it was hoped that an innovative method of delivering practical tuition would be beneficial to students and lecturers from both learning and teaching perspectives. An Action Research approach was taken, which took the form of trialing a digital artefact, compiled by one …

Fearless: Sneha Shrestha, Sneha Shrestha

SURGE

Sneha Shrestha ’10, a native to Kathmandu, Nepal, recently received an Advancing Leaders Fellowship from World Learning for her fearless project. With it, she aims to provide a creative outlet for art and culture among young people in Nepal through the Kathmandu Children’s Art Museum (KCAM). This project will support a creative learning space for children as well as an opportunity for them to express themselves and investigate their own culture through art. [excerpt]

Former Students' Perceptions Of How Theatre Impacted Life Skills And Psychological Needs, Tia Cowart

Doctoral Dissertations and Projects

The purpose of this qualitative case study was to investigate former high school theatre students' perceptions of how theatre education addressed their psychological needs and impacted life skills. Participants were graduates of a large metropolitan high school, located near Atlanta, GA. A focus group, individual semi-structured interviews and collection of artifacts were the data collection procedures utilized to discover students' perceptions. Pseudonyms were used to protect the identities of the participants. The data analysis process included initial coding, axial coding and memo writing. Based on the information from the interviews, this case study showed the benefits of offering youth opportunities …

Developing A Creative Thinking Course For Community College Students, Noreen Mcginness Olson

Critical and Creative Thinking Capstones Collection

This project describes the development of an online Creative Thinking course designed specifically for community college students. This interdisciplinary college course will be one component of an entrepreneurial certificate program aimed at business students, but will be open to all students seeking to improve their creative thinking abilities. While developing the course the author engaged in the process described in Cameron’s The Artists Way as a structured reflective practice.

In this writing, selected theories of creativity are described in their connection to course content and approach. The course was informed by traditional western ideas on creativity as well as an …

Stem + Visual Art: The Development Of An Art Integrated Curricular Resource For K-12 Educators In Idaho, Drew Elaine Williams

Art Graduate Theses and Projects

The purpose of this M.A. Art Education project is to explore the reasoning, methods and justification for integrated art curricula in K-12 education, drawn from the belief that art is essential and inseparable from academics. In Idaho, the need for art teaching resources is especially great, as present funding circumstances and educational mandates have shifted away from the arts. Teachers do not always have access to resources and high-quality curricular materials. They do not always feel that they possess the knowledge, skills or confidence to successfully implement art lessons within their classrooms. The rationale and methods used to develop a …

Who Am I? Identity Curriculum, Daisy Ayon, Maryjane Brodzki

Curricula

No abstract provided.

Together, Science And Art Can Provide Answers In Search For Truth, Carla Poindexter

UCF Forum

As we celebrate the 50th anniversary of UCF this year, we are reminded that the core benefit of an upper-level education is the opportunity to pursue and obtain insight and knowledge over blindness and ignorance.

Incorporating Historic Preservation Into An Accredited Interior Design Program, Reasoning And Application, Jenna M. Woodcox

Mid-America College Art Association Conference 2012 Digital Publications

Due to the recent decline of the economic situation in the United States, more credibility needs to be established in regard to the professions that are deemed “luxury career paths”. This essay focuses on interior design and historic preservation integration. This literature is intended to bring more credibility and awareness to the interior design field to show outsiders the potential and importance it holds. Most importantly, this proposal is for current designers who are not working in the field, to not give up hope for their design careers and think of ways to reinvent themselves (like choosing a specialty) to …

Hyper-Realism And Surrealism, Community Based Art

Curricula

No abstract provided.

What Is Art? Ages 5-7, Alma Porras, Lilybeth Valencia

Curricula

No abstract provided.

Introductory History Of Photography, Community Based Art

Curricula

No abstract provided.

The Artist Avengers: The Power Of Art, Marina Santana, Ashley Dee Abarca

Curricula

No abstract provided.

World Of Art, Marina Moreno

Curricula

No abstract provided.

Stage As Street: Representation At The Juncture Of The Arts And Justice, E. Gabriel Dattatreyan, Daniel L. Stageman

Publications and Research

Arts educators working with court-involved youth face a set of complex and imbricated challenges. First, how do we gain the interest of the young people we would have participate in what we imagine are col-laborative and mutually generative projects? Second, how do we mediate representational tensions when the project is not solely therapeutic but has a broader public pedagogical purpose—to disrupt the simplistic and pathologizing discourses of poverty and violence that so often capture young men and women of color in the United States? (Bourgois, 2002; Noguera, 2008). Third, and not least, how do we navigate the institutional settings where …

Exhibit Curriculum For Condition: My Place Our Longing (Planning And Overview), Sarah Aponte, Dania Diaz

Open Educational Resources

Exhibit curriculum for the CUNY Dominican Studies Institute exhibit, Condition: My Place Our Longing.

The exhibit highlights the work of two young Dominican immigrant artists living in New York: Julianny Ariza and Leslie Jiménez and showcases original pieces produced between 2011 and 2012 that explore the subject of living in between two worlds, and other conditions of living.

Art Education: Perspectives From Lonergan, Langer And Maslow, Richard Liddy

Department of Religion Publications

Educare attraverso l’arte: il pensiero di Lonergan, Langer e Maslow. Bernard Lonergan (1904-1984), il filosofo-teologo canadese, spesso faceva riferimento alle opere di Susanne K. Langer (1895-1985) nei suoi scritti sulla coscienza artistica e sim¬bolica. Le analisi sull’arte di Langer, in particolare il suo lavoro del 1953, Sen¬timento e forma, considerava l’arte come l’oggettivazione di modelli puramente esperienziali che ci permettono di prestare attenzione e di «vedere» ciò che altrimenti potremmo ignorare. L’arte educa l’attenzione in modo che vedia¬mo – o sentiamo o percepiamo – le piùprofonde dimensioni dell’esperienza. Congruenti con queste idee di Lonergan e Langer sono quelle di Abraham …

Voices Of Hope: Designing Social Change, Donald Tarallo

Presidential Fellows Program

Proposal Abstract:

If awarded this fellowship, I will devote my time to employ graphic design toward creating positive social change for youth living in the underprivileged neighborhoods of Providence, Rhode Island. The change my project will embody addresses a paradigm shift taking place in the graphic design community as the focus moves from design as a practice that fuels a market to the awareness that graphic design is a social practice and that it can be vehicle for powerful and sustainable social change. This effort will inform my teaching, resulting in a model for art and design education addressing social …

Arts Enrichment And Emotion Expression And Regulation For Young Children At Risk, Eleanor D. Brown, Kacey L. Sax

Psychology Faculty Publications

No abstract provided.

Bitter Milking Art Education? (Re)Orienting, (Re)Deeming, (Re)Claiming, (Re)Presenting M(Other)Work In Art Education, Anniina Suominen Guyas, Linda Hoeptner Poling, Kathleen Keys

Art, Design & Visual Studies Faculty Publications and Presentations

Reviewing the existing literature of women and/or mothers in academic roles paints a pretty grim picture. Even worse is the prediction for success that shies far from optimistic. Some inequities in higher education need to be considered: "women lag behind their male counterparts in tenure status, promotion to full professor, and salary. Overall, considering all full-time faculty at all types of institutions, women earn about 80 percent of what men earn" ("Inequities Persist", 2005, p. 1). The adherence to Family Medical Leave Act provisions or other familial and maternal related leave are inconsistent across academia and, even in their most …

Exhibit Curriculum For Condition: My Place Our Longing (Lesson 1 Of 2), Sarah Aponte, Dania Diaz

Open Educational Resources

Exhibit curriculum for the CUNY Dominican Studies Institute exhibit, Condition: My Place Our Longing.

The exhibit highlights the work of two young Dominican immigrant artists living in New York: Julianny Ariza and Leslie Jiménez and showcases original pieces produced between 2011 and 2012 that explore the subject of living in between two worlds, and other conditions of living.

Exhibit Curriculum For Condition: My Place Our Longing (Lesson 2 Of 2), Sarah Aponte, Dania Diag

Open Educational Resources

Exhibit curriculum for the CUNY Dominican Studies Institute exhibit, Condition: My Place Our Longing.

The exhibit highlights the work of two young Dominican immigrant artists living in New York: Julianny Ariza and Leslie Jiménez and showcases original pieces produced between 2011 and 2012 that explore the subject of living in between two worlds, and other conditions of living.

Using Digital Representations Of Practical Production Work For Summative Assessment, C. Paul Newhouse

Research outputs 2013

This paper presents the findings of the first phase of a three-year study investigating the efficacy of the digitisation of creative practical work as digital portfolios for the purposes of high-stakes summative assessment. At the same time the paired comparisons method of scoring was tried as an alternative to analytical rubric-based marking because we believed that it was likely that a more holistic approach to scoring would be more appropriate. Researchers created digital representations of the practical submissions of 75 Visual Arts and 82 Design students graduating from secondary school in Western Australia. These digital portfolios were scored using the …

In Situ Vision: The Student Experience Of Collaborative Learning In A Virtual Drawing Class, Annette Cohen

Antioch University Full-Text Dissertations & Theses

The purpose of this study was to elucidate the construct of collaboration and the co-construction of knowledge in a distance learning drawing class. Distance learning drawing classes are rare, due to resistance by fine arts departments holding onto traditions that date back to Renaissance times. As a result, there is a paucity of literature on the subject. This multiple method study seeks an understanding of how students collaborate in critiques, form virtual communities and socially construct knowledge about learning how to draw. The study commences with the following three research questions: what social processes facilitate learning to draw from the …