Education Commons^™

Honoring And Utilizing The Preoperational Thinkers' Artistic Processes In Art Education, J. B. Paquette

Master's Theses, Dissertations, Graduate Research and Major Papers Overview

Examines the relationship between thought processes and artmaking in preoperational learners (children from about two to seven years of age). Suggests that these children learn and communicate in the art room in a natural, revelatory, and quite ephemeral, way. Includes a sample art lesson plan for preoperational learners and investigates ways to connect with children's youthful thought processes in elementary art instruction.

Under The Dome - Fall 2005, Mckissick Museum--University Of South Carolina

Under the Dome, McKissick Museum Newsletter

Contents:

Pets in America.....p. 1
Mimicry and Magic: The Metaphors of David Voros.....p. 2
The Jean Laney Harris Folk Heritage Awards.....p. 2
An Intimate Look: Works by Sigmund Abeles.....p. 3
Acting "Foolish" Pays Off.....p. 3
The Southeast Printmaking Invitational.....p. 3
Courage Wins National Museum Award.....p. 4
Exhibitions.....p. 4

Taking In: Aib Photography 2005, Aib Students

Taking In

This book is the third edition in the Taking In: series. As was the case in Taking In: I and II, the work, dedication, detail, and graphic design is extraordinary and impressive. The work submitted by our students, and selected by our distinguished judges, reflects the eclectic vision, visual intelligence, perception, and promise of a talented student body. During this first year as a class, Taking In: worked through twice as many submissions than the previous years in half the amount of time. The stable class structure allowed a dependable process to support creativity and enabled the students, as artists, …

Linking Art To Science: Digital Media As A Technology Translation Tool, W. Andrew Clark, Cher L. Cornett, Peter M. Hriso

ETSU Faculty Works

Technology translation can be achieved through the blending of the sciences and arts in the form of digital imagery. Digital animation and video can be utilized to portray molecular events where the mechanism of action is known but the process occurs at a sub-microscopic level. There needs to be a strong collaboration between scientific advisors and digital artists when creating the animation such that the artistic interpretation of the molecular event conforms to the known and accepted confines of science. The finished animation may be used for information, education or persuasion as entrepreneurial biotechnical companies attempt to find markets, customers …

(Un)Becoming Working Class? Living Across The Lines, Ed Check

Journal of Social Theory in Art Education

I am writing this piece as a white self-identified gay male raised working class associate professor in art who is actively reconnecting with my past/roots, trying to better understand my sense of isolation in academe and my slowly seething anger directed at many of my academic colleagues. By working class I mean 2nd and 3rd generation Polish-American, devout Catholic, white privilege, contractor father, housewife mother, large family, in and out of poverty at times, racist with no real information. By academe I mean working for six years to achieve and be granted tenure at Texas Tech University in visual studies.

Un/Becoming Digital: The Ontology Of Technological Determinism And Its Implications For Art Education, Alison Colman

Journal of Social Theory in Art Education

Artists have been experimenting with analog and digital technologies since the 1960's; early examples include Billy Khiver's Experiments in Art and Technology (E.A.T.) and Nam June Paik (1966). While countless artists have since made highly innovative use of new media such as the computer, artificial intelligence (AD, biotech, the Internet and the World Wide Web, LED, motion capture, gesture tracking, CPS, open source, and robotics, artist/ theorists such as Penny (1995), Lovejoy (1997), Weibel (1996; 2001) and Wilson (2002) have cautioned against appropriating deterministic engineering models underlying such technologies.(l)These models, predominant in commercial industry, government and the military, embrace efficiency, …

Taylor: A Magazine For Taylor University Alumni And Friends (Winter 2005), Taylor University

The Taylor Magazine (1963-Present)

The Winter 2005 edition of Taylor Magazine, published by Taylor University in Upland, Indiana.

Character Cars : How Computer Technology Enhances Learning In Terms Of Arts Ideas And Arts Skills And Proceses In A Year 7 Male Visual Arts Education Program, Gemma E. Scarparolo

Theses: Doctorates and Masters

'The possibilities that the technology can offer are seemingly endless and remain to be fully explored in [visual] art education." (Callow. 2001. p,43) The aim of this research is to investigate whether the integration of Visual Arts Technology Tools (TECH-TOOLS) into Traditional Visual Arts Programs (TRAD-['ROG) enhance the students' learning in terms of Arts Ideas (AI) and Arts Skills and Processes (ASP) and whether it is a cost effective option for Western Australian primary schools. To determine whether it is worth the inclusion of TECH-TOOLS in terms of enhancing learning. this research will statistically state whether the combination of TECH-TOOLS …

Suburbia : A Postmodern Artistic Investigation And An Examination Of How Postmodern Approaches Can Be Effectively Adopted In The Context Of The New Western Australian Post-Compulsory Visual Arts Course Of Study, Lisa Young

Theses: Doctorates and Masters

In 2007, Western Australia art educators will be required to teach a new post-compulsory visual arts curriculum. This course written in a postmodern context, will need a paradigm shift in approach. As a visual arts educator and a visual artist working in a contemporary context what are valid and effective methods of creatively investigating the postmodern world? How can postmodern themes be taught and strategies employed effectively and with integrity in a visual arts curriculum? What are effective and valid approaches to teaching visual arts in the context of the post-complusory Visual Arts Course of Study?

An Investigation Of The Impact Of Visual Culture On Visual Arts Practice And Visual Arts Education, Robyn Roper

Theses: Doctorates and Masters

This research project is based on the premise that school students have a right to an education that assists them to "develop a sense of personal meaning and identity, and be encouraged to reflect critically on the ways in which that occurs." (Curriculum Frameworks, 1998, Values, Statement 2.2 Personal meaning: 325). Not only should education offer students a sense of well being, it should make a difference to their lives and foster an appetite for life long learning. A key ingredient that makes for a rich, fulfilling and rewarding life, is an understanding of visual culture, that according to Freedman …