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2013

CLCWeb: Comparative Literature and Culture

Diasporic, exile, (im)migrant, and ethnic minority writing

Articles 1 - 2 of 2

Full-Text Articles in Education

Franco-Maghrebi Rap And Benyoucef's Le Nom Du Père, Keith Moser Dec 2013

Franco-Maghrebi Rap And Benyoucef's Le Nom Du Père, Keith Moser

CLCWeb: Comparative Literature and Culture

In his article "Franco-Maghrebi Rap and Benyoucef's Le Nom du père" Keith Moser discusses Messaoud Benyoucef's controversial play Le Nom du père and rap as a hybrid art form that has been (re)-appropriated by disenfranchised minorities from all corners of the planet. Exploited and ignored by those at the top of the social ladder, rappers express their anxiety concerning the present situation of inequality in contemporary consumer society. The rending melodies or portraits of human anguish created by rappers give testament to the fact that the interconnected processes of urbanization and globalization have not benefited everyone. In Le Nom …


Hearing The Cry In Black Diasporic And Latina/O Poetics, Rachel E. Ellis Neyra Dec 2013

Hearing The Cry In Black Diasporic And Latina/O Poetics, Rachel E. Ellis Neyra

CLCWeb: Comparative Literature and Culture

In her article "Hearing the Cry in Black Diasporic and Latina/o Poetics" Rachel Ellis Neyra expands upon Edouard Glissant's notion of "the cry of the Plantation" and shows how to listen for it in literary arrangement of Derek Walcott, Piri Thomas, Pedro Pietri, Ralph Ellison, Miguel Algarín, and James Baldwin. Ellis Neyra also reads musical lyrics by Oscar D'León and Billie Holiday and the melodic nuances of salsa, jazz, the blues, and bomba for how they sound out what she calls the New World Cry, a mnemonic figure of the Plantation of the Americas and a metaphor for how estrangement …