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Full-Text Articles in Education
Quilting Between The Revivals: The Cultural Context Of Quilting, 1945--1970, Colleen Rose Hall-Patton
Quilting Between The Revivals: The Cultural Context Of Quilting, 1945--1970, Colleen Rose Hall-Patton
UNLV Retrospective Theses & Dissertations
Quilting is a reflection of women's roles in the family. What happened to quilting between 1940 and 1970 is important to examine because it tells us much about the transformation of women from producers to consumers. In the twentieth century, quilts were increasingly replaced by mass produced blankets. While quilting literature has argued that quilting, for all practical purposes, ceased between 1940 and 1970, women resisted the change to consumerism by continuing to produce quilts and negotiating their use of mass production; The portrayal of quilting in magazines shifted from an integral role as thrifty and decorative to being almost …
The Relationship Between The Use Of Developmentally Appropriate Practice And The Inclusion Of Product-Producing Art Activities In Infant Programs., April D. Moore
Electronic Theses and Dissertations
Product-producing art activities (PPAA) produce visual products, disregarding developmentally appropriate practice (DAP) and the creative learning experience. Infant programs in Northeast TN were examined to determine if as PPAA levels increased DAP levels decreased, which was unfounded: t (2) = 1.80, n.s. In fact, significant differences were found between programs with high PPAA levels and DAP as indicated by scores on the Infant/Toddler Environment Rating Scale (Harms, Cryer, & Clifford, 1990) sub-scales: Furnishings and Displays, t (2) = 7.59, p < .05; Listening and Talking, t (2) = 6.71, p < .05; and Learning Activities, t (2) = 7.29, p < .05. Caregivers' main reason for including PPAA was: positive sensory experience; main reason for exclusion: infant/teacher relationship is more important.
Cultural Hybridity And Visual Practice: Towards A Transformative-Repair Multicultural Pedagogy For Visual Arts Education, Kim Le
Theses: Doctorates and Masters
This research project examines how transitional multiculturalism, cultural hybridity and transformative-repair are practiced by a professional artist-researcher and novice artists. Transitional multiculturalism and cultural hybridity are examined through a series of artworks by a Vietnamese-born artist-researcher. This series of artwork, which reflects 35 years of creating art in both Vietnamese and Australia, demonstrate a personal engagement with issues of cultural diversity, upbringing, and related aesthetic studies. The intention of this exhibition is to chart the characteristics of the artist's expression, which is culturally hybridised. This part of the study aims to identify those artistic conventions associated with specific visual traditions …