Open Access. Powered by Scholars. Published by Universities.®

Education Commons

Open Access. Powered by Scholars. Published by Universities.®

PDF

Journal of Social Theory in Art Education

Journal

Postmodernism

Articles 1 - 9 of 9

Full-Text Articles in Education

The Terror Of Creativity: Art Education After Postmodernism, Jan Jagodzinski Jan 2012

The Terror Of Creativity: Art Education After Postmodernism, Jan Jagodzinski

Journal of Social Theory in Art Education

This essay addresses two problematics. The first concerns the question of creativity, which has become a key signifier for art and its education in the 21st century. I try to situate this interest in creativity within the broader context of neoliberalism and capitalist designer capitalism. The second problematic addresses the term ‘after postmodernism,’ which has left us in a state of relativity by rejecting universality. My interest is to show how these two problematics are at play in the well-known documentary film, Waiting for Superman, directed by Davis Guggenheim. An attempt is made to expose the structure of this film …


Unromancing The Stone Of “Resistance:” In Defense Of A Continued Radical Politics In Visual Cultural Studies, Jan Jagodzinski Jan 2003

Unromancing The Stone Of “Resistance:” In Defense Of A Continued Radical Politics In Visual Cultural Studies, Jan Jagodzinski

Journal of Social Theory in Art Education

The question of resistance as a pleasurable activity continues to be a theme within cultural studies. This essay argues that the ideology of pleasurable resistance is precisely the way that capitalist patriarchy maintains its hegemony through seduction. By focusing mainly on the writings of John Fiske and his employment of Foucault´s power/knowledge couplet and Barthe´s appropriation of jouissance, it is argued that the discursive subject position overlooks the value of the psychoanalytic understanding of fantasy identification. It is suggested that a more radical understanding of jouissance as developed within a psychoanalytic view of the split-subject needs to be addressed (or …


Critical Creativity: On The Convergence Of Medium Education And Media Education, Michael J. Emme Jan 2002

Critical Creativity: On The Convergence Of Medium Education And Media Education, Michael J. Emme

Journal of Social Theory in Art Education

Days after the September 11, 2001 attacks on the World Trade Center in the United States I heard an interview on the radio. The short exchange, with peace educator and activist Johan Galtung, not surprisingly in light of world events, focused on conflict resolution. While I was impressed by professor Galtung's commitment to peacemaking and his real experience serving as a mediator in world conflicts, what struck me most was the word he used to describe the key ingredient in conflict resolution. That word was 'creativity'. As an artist, art educator, academic and parent I suppose it makes sense that …


Art Education And Technology: These Are The Days Of Miracles And Wonder, Paul Duncum Jan 1996

Art Education And Technology: These Are The Days Of Miracles And Wonder, Paul Duncum

Journal of Social Theory in Art Education

This paper examines the impact on human consciousness of the exponential proliferation of electronic images, and offers suggestions concerning how educators should respond. A postmodern critique includes the ideas of an inverted Kantian aesthetics which embraces the everyday, a dramatic compression of space and time, and personal disorientation. A further critique grounds these views of consciousness in new economic arrangements and the rapaciousness of capitalism. I argue that the only viable educational response to this new consciousness is a critical examination of mass media imagery. Basic components of media education in schools are signposts of an appropriate response.


The Clash Between The Sacred And The Profane: An Examination Of Controversial Art In The Postmodern Era, Rosalie H. Politsky Jan 1996

The Clash Between The Sacred And The Profane: An Examination Of Controversial Art In The Postmodern Era, Rosalie H. Politsky

Journal of Social Theory in Art Education

Using mythic criticism, this paper examines the current cultural and religious in stability that may serve as the impetus for the appropriation of ancient religious myths and symbols by various visual and performance artists. The paper concludes with implications of ritual, personal mythology, and controversial art for art education.


Behind, The Road Is Blocked: Art Education And Nostagia, Paul Duncum Jan 1994

Behind, The Road Is Blocked: Art Education And Nostagia, Paul Duncum

Journal of Social Theory in Art Education

Proponents of high culture have trusted its power as an antidote to contemporary social ills. However, art educators should be aware that the history of such attempts is a history of failure. It is a history of gradual marginalization, both of the critique and the critics, and of increasingly conservative political reaction. The critique represents, today as it has always done, a nostalgia for an idealized past. But the failure of the critique suggests that there can be no going back. It is argued that the increasing failure of this critique to positively influence social and cultural life is a …


Finding Meaning For Postmodernism, John Wilton Jan 1992

Finding Meaning For Postmodernism, John Wilton

Journal of Social Theory in Art Education

Recent media hype throughout the land has brought wide-spread conversation on the phenomenon known as postmodernism. True to its nature, the media (while propelling the rapid dissemination of the term itself) gives us very little insight into the history/meaning/concepts/origin/definition or effects of the now quite fashionable designation.


Popular Culture’S Revolt Against The Normalizing Consequences Of Tradition, Pat Rafferty Jan 1990

Popular Culture’S Revolt Against The Normalizing Consequences Of Tradition, Pat Rafferty

Journal of Social Theory in Art Education

For several years there has been an ongoing debate regarding whether street art (graffiti) qualifies as art or could be more aptly described as vandalism. While this paper does not claim to resolve the issue, a discussion of the corollary of that - the extent to which we are willing to tolerate divergence from normative expectations, lends insight into the topic of the means and limitations of what is representable as art.


Sandra Rowe: Androgyny And The Janusian Split, Charles Gaines Jan 1990

Sandra Rowe: Androgyny And The Janusian Split, Charles Gaines

Journal of Social Theory in Art Education

The work of Sandra Rowe cannot be understood within the specific concerns of social/political discourse alone. Indeed, her subject matter suggests a deeper, more complex polemic. Rowe is interested in the postmodern controversy surrounding the nature of the subject, i.e., she is not only questioning the centralized and linear notion of subject as constructed by modernist discourse, but in fact positing an abstract notion of the subject, a theory of "lack" or "absence'" that stands as the privileged object of her investigation. The issues raised by her work are not important because of their social commentary alone, but also because …