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Well, Daw! That’S Why I Don’T Sound Like The Recording: Music Production In Elementary School Music Education, Johnny Touchette
Well, Daw! That’S Why I Don’T Sound Like The Recording: Music Production In Elementary School Music Education, Johnny Touchette
Electronic Thesis and Dissertation Repository
In this dissertation, I discuss how elementary students responded to a music curriculum that foregrounds music production practices. The following question guided this inquiry: How can music industry professionals, music teachers, and students collaborate, share ideas and their experiences to inform a curricular design for public elementary school music education? I theorized that music production practices should be introduced at an earlier stage of learning than discussed by other educators, i.e., at the secondary level. The study consisted of adapting, implementing, and reflecting on a music production curriculum in public elementary school music education through participatory action research, alongside three …
Moments Of Meeting: 'Intersubjective Encounters' And ‘Emancipatory’ Experiences Of Individuals With (Intellectual) Disabilities In Inclusive Musical Contexts, Caroline Blumer
Electronic Thesis and Dissertation Repository
The purpose of this study was to explore an intersubjective framework to better understand the relational aspects of two inclusive musical programs in London, ON. I focused on mutual recognition moments, called moments of meeting (MoM), researching how they are formed and manifested while music is shared, created, or experienced within these two environments. Approaching such programs as potentially intersubjective spaces, this study investigated the impact of MoM and intersubjective experiences on the participation of individuals with Intellectual Disabilities (ID) in music making as well as on their perceptions of themselves as subjects. Equally significant, this study looked at emerging …