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Critically Assessing Forms Of Resistance In Music Education, Brent C. Talbot, Hakim Mohandas Amani Williams
Critically Assessing Forms Of Resistance In Music Education, Brent C. Talbot, Hakim Mohandas Amani Williams
Education Faculty Publications
In their classrooms, music educators draw upon critical pedagogy (as described by Freire, Giroux, and hooks) for the express purpose of cultivating a climate for conscientização. Conscientização, according to Paulo Freire (2006), “refers to learning to perceive social, political, and economic contradictions and to take action against the oppressive elements of reality” (p. 35). This consciousness raising is a journey teachers pursue with students, together interrogating injustices in communities and the world in order to transform the conditions that inform them. Learning to perceive social, political, and economic contradictions often leads to multiple forms of resistance in and …
Some Things You Can Do To Support Public Education Now, Dave Powell
Some Things You Can Do To Support Public Education Now, Dave Powell
Education Faculty Publications
Yesterday a group of students here at Gettysburg College, where I teach, organized a Solidarity Rally. It consisted largely of teach-ins designed to start conversations, and hopefully it will the first of many events that bring people together to think more carefully about how we should respond to things going on outside of our college and town. [excerpt]
Funding The Arts And Humanities Is Worth Fighting For, Dave Powell
Funding The Arts And Humanities Is Worth Fighting For, Dave Powell
Education Faculty Publications
There’s an old story about Winston Churchill that is not true but is worth repeating. When approached about cutting funding for the arts so the money could go to the war effort during World War II, Churchill supposedly replied: “Then what are we fighting for?”
As far as we can tell Churchill never actually said this, but you can be forgiven for being taken by the sentiment. This apocryphal quote still makes the rounds because it suggests that even in times of war art can help us realize what it is, exactly, that’s worth defending. [excerpt]