Open Access. Powered by Scholars. Published by Universities.®
Articles 1 - 2 of 2
Full-Text Articles in Education
Power To Transform: Teaching In Educational Leadership Preparation Programs, Ericka L. Roland
Power To Transform: Teaching In Educational Leadership Preparation Programs, Ericka L. Roland
USF Tampa Graduate Theses and Dissertations
The pervasiveness of injustices is rooted in structures and ideology that reinforce and reinvent oppression; there is a need to engage in transformative change to dismantle systems of domination and subordination. Educational leadership is essential in the social transformation of educational settings and the wider society. In the collective responsibility for transformative change, educational leadership preparation programs serve as spaces to encourage the development of students’ capacity to address issues of oppression and create new power relations for social justice. Faculty play a role in preparation programs to enact teaching that uncover to power dynamics of oppression and domination for …
The Effects Of Technical And Imagery-Based Instruction On Aspiring Performing Artists’ Acquisition Of Learning Newly Composed Pieces And Improvisation And On Listeners’ Perceived Expressivity, José Valentino Ruiz-Resto
The Effects Of Technical And Imagery-Based Instruction On Aspiring Performing Artists’ Acquisition Of Learning Newly Composed Pieces And Improvisation And On Listeners’ Perceived Expressivity, José Valentino Ruiz-Resto
USF Tampa Graduate Theses and Dissertations
The purpose of this study was to explore the union of technical and imagery-based instruction (hereinafter, T-I instruction) in two phases. Phase one: The researcher (1) explored T-I instruction’s influences on aspiring performing artists’ acquisition of learning and performing newly composed pieces and improvisation, and; (2) observed aspiring performing artists’ feelings of learning with T-I instruction versus technical instruction. Phase two: The researcher investigated (1) listeners’ perceived expressivity of aspiring performing artists’ performances that were either influenced by T-I instruction or technical instruction; (2) listeners’ perceived expressivity of aspiring performing artists’ performances of newly composed pieces versus improvisations; (3) whether …