Education Commons^™

Beyond The Score: Interdisciplinary Connections In The High School Choral Ensemble, Kellie Clark

Theses and Dissertations--Music

An interest in interdisciplinary instruction, generally and within the arts, can be traced through numerous progressive educational movements extending back to the earliest philosophers. There has, however, been limited discussion regarding an interdisciplinary approach in high school ensemble classrooms. If a holistic teaching approach, one which examines a musical work from multiple angles while inviting and encouraging student curiosity and agency, can benefit music students in profound ways, why are secondary choral educators hesitant to employ such methods?

This monograph presents a concrete and practical application for the inclusion of interdisciplinary instruction in the high school choral classroom developed through …

A Narrative Case Study Of Transfer Students In Instrumental Music Education, Ashley Glenn

Dissertations

Transfer students in music fields face challenges that are different from other fields of study. Research has shown that transfer students in music are expected to acclimate and operate as upperclassmen with minimal onboarding while also potentially having to retake courses they received credit for at the community college level. This study examines the experiences of five transfer students in music education through the lens of Schlossberg’s transition theory and Dewey’s model of transaction. Building on existing transfer student research, it asks: what do transfer students experience in terms of acceptance and self-integration, and how do these experiences affect transfer …

Dialogue As Performance. Performance As Dialogue, Laura Lynn

Antioch University Full-Text Dissertations & Theses

This dissertation is an arts-based qualitative study in Leadership and Change that describes the qualities of dialogue revealed through the felt experience of Native and non-Native American music composers engaged in a dialogue through music composition. The fifteen co-collaborators who participated in the study range in age from three-years-old to elders. The study is theoretically embedded within Performance Studies, Dr. Carolyn Kenny’s music therapy model Field of Play, and aesthetic philosophy. Methodologically, this work is expressed through performance ethnography and autoethnography and privileges textual and non-textual modes of account including photographs, video excerpts, poetry, and music manuscript. The text is …