Education Commons^™

Performing Identities Of The Auditory-Verbal Deaf Students In The Classrooms: A Teacher's Performative Memoir, Tracy Edenfield

Electronic Theses and Dissertations

My dissertation, that incorporated performative storytelling and dance, is a memoir reflecting over fifty years of my lived experiences related to deafness as a multidimensional illustration that spans from my experience as a young child with a family member affected by Usher’s Syndrome; as an educational sign language interpreter; as a teacher of the deaf (TOD); and as an early intervention auditory-verbal therapist. Theoretically, my dissertation builds upon critical pedagogy (e.g., Baglieri & Shapiro, 2012; Freire, 1970/2009; McLaren & Crawford, 1998) and disability studies (e.g., Davis, 2002; Goodley, 2011; Siebers, 2008; Kitchens, 1998). The physical disability of deafness continues to …

Campus Recreation Inclusion For People With Disabilities: A Qualitative Investigation Of Current Inclusive Practices., Tyler C. Spencer

Electronic Theses and Dissertations

This study investigated the current practices of campus recreation professionals to create inclusive campus recreation programs, services, and facilities. The researcher identified twelve campus recreation programs known by their peers and the industry to be at the forefront of providing inclusion efforts to people with disabilities. Through in-depth discussions with campus recreation practitioners at the twelve identified institutions, the investigation elicited a variety of interesting results. Utilizing the frameworks of Critical Disability Theory and Universal Design, this investigation identified how campus recreation practitioners perceive the inclusiveness of their campus recreation departments and how the campus recreation practitioners developed their inclusive …

Let's Keep In Touch : Conversations About Access And Tactility., Whitney E. B. Mashburn

Electronic Theses and Dissertations

Let’s Keep in Touch: Conversations about Tactility, a project collaboratively organized by social practice artist Carmen Papalia and curator Whitney Mashburn, presents conversations between Papalia and artists selected by Mashburn, in regard to tactile access of the chosen artists’ works. The project aims to challenge visual biases in museum engagement, through dialogue with living artists.

Carmen Papalia takes social practice in a new direction as he applies it to the topic of accessibility. Using the tool of conversation, he creates strategic infrastructural activism and prompts exploration of non-visual perception.

In this thesis, Papalia’s work will be examined and discussed …