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Curriculum and Instruction

Proceedings of the 18th National Conference on the Beginning Design Student

2002

Architectural design -- Study and teaching

Articles 1 - 3 of 3

Full-Text Articles in Education

The Space Of Mondrian, Lori Brown Mar 2002

The Space Of Mondrian, Lori Brown

Proceedings of the 18th National Conference on the Beginning Design Student

How does one introduce a beginning design student to spatial concepts and spatial ways of seeing? As John Hejduk states the architect begins from the abstract - a world of ideas, of concepts, of aspirations - and gravitates toward built form. Students must first see and critically assess and question this abstract world before they can make the jump toward the real world. They arrive with so many misconceptions about architecture yet have no conceptions about the abstract world.


Rhetorical Investigations: A General Theory Of Design And Architectural Education, Simon Tomkinson Mar 2002

Rhetorical Investigations: A General Theory Of Design And Architectural Education, Simon Tomkinson

Proceedings of the 18th National Conference on the Beginning Design Student

This paper focuses on the common difficulties in architectural education - its role, and its motives. The construction industry has consistently needed more qualified project managers, more technicians, and better business practices. Yet, a primary tenet of architectural education is that the industry is more qualified to train the student in the intricacies of practice. The education about practice is limited primarily due to the emphasis on design education. What is it that we, as educators, teach in design education?


While Mind Dances With Heart: Nurturing Design Vocabularies Through Personal And Cultural Identities, Shenglin Chang Mar 2002

While Mind Dances With Heart: Nurturing Design Vocabularies Through Personal And Cultural Identities, Shenglin Chang

Proceedings of the 18th National Conference on the Beginning Design Student

Although there are many ways of approaching design. my aims "in teaching young student designers was to have them understand the importance of finding the balance between the intuitive with the rational." (Mirochnik, 2000: 65) The approach that I take in teaching my beginning landscape design studio is one in which I draw upon my former career as a dancer/ choreographer. I have found that within the process of creating and performing dance, the rational and the visceral constantly intersect: choreography and performance are processes in which the mind dances with the heart. I educate my beginning design students to …