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Full-Text Articles in Education
Reflections, Relationships And Art Class, Rochelle St. Martin Pettenati
Reflections, Relationships And Art Class, Rochelle St. Martin Pettenati
Artizein: Arts and Teaching Journal
My homeroom class was 8H. At that time the district grouped students homogeneously by rank or GPA. The “lowest” ranking class was 8H and they were mine. I remember the first day I met them, I was full of knowledge after completing my Master of Art Education just a few months before. I knew just what to do, just what to say. Undoubtedly, the students would love and respect me, and I would inspire them and teach them to love art. They would use art as another language for learning, I would differentiate to meet their needs and identify their …
Co-Creation With Youth: Teaching Artistry And Art Outreach Programs, Hallie Morrison
Co-Creation With Youth: Teaching Artistry And Art Outreach Programs, Hallie Morrison
Artizein: Arts and Teaching Journal
This article shares my process and reflection as a teaching artist on a specific project with the Chicago Opera Theater (COT). An extension of my personal and professional practices that aims to provide larger painting experiences for students than they are normally provided, this project takes place in Chicago public schools through a model of Arts Partnership in which COT brings in multidisciplinary arts education. Beyond being an educational program, this school-based artistic co-creation resulted in opportunities for professional learning, intracultural bonding, and empowering moments for youth. This article includes images of the art teaching process, arts integration program tools, …
Art & Early Childhood: Personal Narratives & Social Practices
Art & Early Childhood: Personal Narratives & Social Practices
Occasional Paper Series
No abstract provided.
Art Education At Bank Street College, Then And Now, Edith Gwathmey, Ann Marie Mott
Art Education At Bank Street College, Then And Now, Edith Gwathmey, Ann Marie Mott
Occasional Paper Series
Takes readers through the history of art education at Bank Street College to show the innovative and child-centered approaches that continue to challenge dominant educational thinking.
Introduction: Art & Early Childhood - Personal Narratives And Social Practices, Kristine Sunday, Marissa Mcclure, Christopher Schulte
Introduction: Art & Early Childhood - Personal Narratives And Social Practices, Kristine Sunday, Marissa Mcclure, Christopher Schulte
Occasional Paper Series
In this issue of Bank Street’s Occasional Paper Series, we explore the nature of childhood by offering selections that re/imagine the idea of the child as art maker, inquire about the relationships between children and adults when they are making art, and investigate how physical space influences our approaches to art instruction. We invite readers to join a dialogue that questions long-standing traditions of early childhood art—traditions grounded in a modernist view of children’s art as a romantic expression of inner emotional and/or developmental trajectories. We have also selected essays that create liminal spaces for reflection, dialogue, and critique of …
The Peter London Papers, Aaron Darisaw
The Peter London Papers, Aaron Darisaw
Artizein: Arts and Teaching Journal
No abstract provided.
Art Therapy In Educational Settings: A Confluence Of Practices, Nicole M. Gnezda Ph.D.
Art Therapy In Educational Settings: A Confluence Of Practices, Nicole M. Gnezda Ph.D.
Artizein: Arts and Teaching Journal
Art educators solicit a range of images from students. Art therapists help clients respond to the images they create in ways that promote self-understanding and personal growth. This article describes two settings where art therapy perspectives have been integrated with art education practices in order to help students identify underlying issues impacting their education and well-being. As a result of information that arises in art therapy oriented art education programs, students can be offered guidance and directed to interventions that help them grow past their pain and self-defeating behaviors.
Socially Engaged Art Education Beyond The Classroom: Napping, Dreaming And Art Making, Barbara Bickel
Socially Engaged Art Education Beyond The Classroom: Napping, Dreaming And Art Making, Barbara Bickel
Artizein: Arts and Teaching Journal
Article and video offer a socially engaged art project as an example of dynamic lived curriculum. Through what the Gestare Art Collective call a Nap-In students , faculty and the community encounter and engage the unusual experience of communal napping, social dreaming and art making.
Other-Than-Ego Consciousness: Approaching The “Spiritual” In Secular Art Education, Nico Roenpagel
Other-Than-Ego Consciousness: Approaching The “Spiritual” In Secular Art Education, Nico Roenpagel
Artizein: Arts and Teaching Journal
Alternative worldviews bring forth alternative visions of education. This article sheds light on one contemporary approach to a spiritual worldview and its implications for secular art education. It proposes that high school visual art is a particularly conducive environment to engaging teenagers with existential and spiritual questions. An approach to spirituality grounded in a worldview of “profound interconnectedness” and “other-than-ego consciousness,” rather than religious systems, offers a timely basis for renegotiating the spiritual in secular art education settings. Through five concepts, the article bridges broader discussions on spirituality with concrete learning and teaching in the art classroom. For example, it …
Inverse Inclusion: A Model For Preservice Art Teacher Training, Angela M. La Porte
Inverse Inclusion: A Model For Preservice Art Teacher Training, Angela M. La Porte
Artizein: Arts and Teaching Journal
A university community-based intercession course offers preservice art teachers a unique opportunity to experience inverse inclusion in an art class for special needs adults. Inverse inclusion allows preservice teachers to become students working side-by-side with an equal or greater number of special needs learners, and also places them in occasional roles as teacher, teacher’s assistant, and videographer. Their observations and interactions within these roles provide preservice teachers with perceptive insights and perspectives about teaching, and nurture a better understanding of special needs students’ personal interests and abilities. Applying, reflecting upon, and adapting open-ended art curriculum theory and practice from multiple …
Misunderstandings And Consequences Of Labeling Artists As Self-Taught, Kristin Congdon
Misunderstandings And Consequences Of Labeling Artists As Self-Taught, Kristin Congdon
Artizein: Arts and Teaching Journal
I have championed artists who have been invisible and underrepresented for decades. Sometimes these artists have been labeled by race or ethnicity and many of them have fallen into the categories of folk and self-taught. When writing about artists who have fallen into one of these categories, I have often tried to avoid labeling them, hoping to have them viewed simply (and complexly) as artists worthy of (high) art consideration. However, I have found that sometimes labeling has been necessary and even useful. Labeling helps a writer, curator, scholar, educator, or arts facilitator focus on a particular cultural group, worldview, …
Where Visual Literacy And Identity Meet: Adolescents Define Themselves Through Participation In A University Video And Art Enrichment Program, Susan Daniels, Patricia Little, Linda M. Reynolds, Alayne Sullivan
Where Visual Literacy And Identity Meet: Adolescents Define Themselves Through Participation In A University Video And Art Enrichment Program, Susan Daniels, Patricia Little, Linda M. Reynolds, Alayne Sullivan
Journal of Critical Issues in Educational Practice
This article summarizes a project that oriented one hundred and twenty-five gifted and talented middle-school students to university culture through a series of summer workshops that emphasized visual media. Various workshops introduced students to methods of video and art production. The middle-school students created short videos and artistic collages to represent their identity in response to two activities: (a) in-depth explorations of the California State University campus at San Bernardino; and (b) literary reading. Art and video production are revealed as a powerful means of middle-school students’ identity formation and expression; the work summarized herein gains credence through its alignment …
Discipline Based Art Education: One Classroom Approach, Ashley Byrd Kittrell
Discipline Based Art Education: One Classroom Approach, Ashley Byrd Kittrell
Perspectives In Learning
In many school districts across the country, the arts are no longer confined to a room in the far wing where students draw, paint, and, if they are lucky, make some pottery or jewelry. Instead, art is front and center in every subject taught in the classroom thanks to the teachings and research of Dwaine W. Greer, director of the Getty Institute for Educators on the Visual Arts. Known as Discipline Based Art Education (DBAE), this concept is being developed and implemented in schools all across the nation. DBAE treats art as an actual subject for study, rather than as …
Evolving Practices In Art Education, Todd Applegate, Kristen Evans
Evolving Practices In Art Education, Todd Applegate, Kristen Evans
Perspectives In Learning
More than 100 years ago, university-dominated educational commissions began ascribing a priority to school subjects in primary and secondary education. In defining the roles and purposes of the modern secondary school, educators struggled with how best to determine the relative importance of individual school subjects. In 1894, Harvard president Charles Eliot led the Committee of Ten on Secondary School Studies, established by the NEA to recommend that all secondary school students study a common curriculum focusing on sciences, history, reading, writing and arithmetic. Art and music were eventually placed in positions of curricular inferiority.