Education Commons^™

Kinesthetic Language: A Dialect Of Kinesics, Terrill Suzanne Corletto

Electronic Theses, Projects, and Dissertations

Human communication requires the disciplines regarding physical fitness, codified language, and the performing arts to overlap, and exist symbiotically. Within the realm of artistic performance, the three disciplines working together deliver a deliberate message in a way unique to performing artists. The general tendency to compartmentalize sports, communication, and the performing arts into their pigeonhole categories of Kinesiology, Linguistics, and Theatre Arts is impractical, particularly for performing artists simply because all of the disciplines are mutually dependent in the context of all kinesthetic communications.

The purpose of this paper is to define and discuss several concepts and the ways in …

Speak The Speech: Lessons In Projection, Clarity And Performance, James Hagerman

Masters Theses/Capstone Projects

This study compared two classes and their responses to a controlled curriculum versus an experimental curriculum based on teaching high school students in acting classes to project and speak with clarity during onstage performances. The experimental group had fifteen days of instruction, extensive feedback and an additional two lessons, while the control group participated in two out of the four lessons and had eight days of instruction with limited feedback. The driving question of this study was, “How do you get teenagers to project and speak with clarity on stage, so the audience is not left asking, ‘What did they …

Carousel: Performance And Ritual Of A Child's Play, Erik Maniscalco

Theses

Carousel is a series of oil paintings inspired by my seven year old

daughter, as well as my work towards becoming a childhood educator. My

aim with this project is to explore the performative and ritualistic nature of

children’s play: focusing on the creative ways children stretch and reshape

their reality through imagined play narratives. Upon the carousel’s stage,

children select a character and take part in a performed ritual. I’ve long felt

connected to the visual vocabulary found within baroque and renaissance

styles, and I am fascinated by the mixture of amusement, tradition,

religion, and distortion imbued within the …

Dance: Music, Movement, And Performance, Elise Beal

Theses/Capstones/Creative Projects

Dance is an art form that incorporates many different mediums. Music is selected to determine the quality of movement that is visualized. Movement becomes realized through repetition of listening to music and outside influences. All dances require collaboration between choreographer and dancers to construct the piece and prepare for performance. The process of development, refinement, and completion is known as the choreographic process. The methods for the process include determining the style of movement and choosing music to satisfy the inspiration. Once music is selected, movement and steps can be determined with influences from previous pieces or other choreographers. The …

Lynne Ramsey, Violist: Biography, Pedagogical Background, Teaching Techniques, And Career Advice, Ignacio Cuello

Graduate Theses, Dissertations, and Problem Reports

This research document explores teaching methods, career advice, and major influences that shaped the professional course of the violist Lynne Ramsey. Ramsey teaches viola at the Cleveland Institute of Music and is first assistant principal viola in the Cleveland Orchestra. For over thirty years, she has taught countless viola students in the US while maintaining a full-time performance career.

The introductory chapter covers Ramsey’s biographical and educational backgrounds during her time as a student of Ramon Scavelli, David Dawson, and Karen Tuttle. It is worth mentioning that Tuttle was the primary student of one of the best-known violists in …

Examining Teaching As Performance: A Study Of Developed Persona, Justin Hopper

Master's Theses and Doctoral Dissertations

This study explores teaching as performance in relation to Richard Schechner’s view on “performance in everyday life.” The focus of the investigation centered on why teachers in higher education develop teaching personas. The phenomenographic study used observation and interview to better understand the topic. The sample included nine lecturers from higher learning institutions in Southeast Michigan; data from field notes and audio recordings were used. Four of the lecturers taught or had professional experience with the performing arts. The correlation between those with performance backgrounds and those without was studied. Reasons for specific teaching personas being developed include the teacher’s …

Efficient Strategies For Playing The Horn, Jon Allan Holloway

UNLV Theses, Dissertations, Professional Papers, and Capstones

In their pursuit of becoming accomplished performers, horn players spend a great deal of time studying proper brass playing techniques from the great pedagogues. The modern horn is a fairly young instrument (less than two hundred years old) and the most efficient pedagogical approach is still evolving. Because of this, horn players spend a great deal of time studying proper brass playing techniques from the great pedagogues. Books by Philip Farkas, Arnold Jacobs, Raphael Mendez, and more have many theories and exercises on how to breathe, the best way to perfect embouchure development, performance techniques, and more.

Modern pedagogues have …

The Changing Role Of The Bass Clarinet: Support For Its Integration Into The Modern Clarinet Studio, Jennifer Beth Iles

UNLV Theses, Dissertations, Professional Papers, and Capstones

The bass clarinet of the twenty-first century has come into its own. Composers often treat it as a solo instrument and clarinetists are more often expected to play bass clarinet. In the last half of the twentieth century, the amount of literature for bass clarinet has grown and the quality of the instruments have improved exponentially. Still, most university studios focus primarily on B-flat clarinet. This document is intended as a pedagogical guide for the inclusion of the bass clarinet in the clarinet studio. As support for incorporating the bass clarinet into the undergraduate curriculum, this document describes three areas …

An Orchid In The Land Of Technology: Embodied Presence In A Mediatized World, Kevin Dodd

Masters Theses

This thesis applies the Aesthetic philosophy of John Dewey to the current discourse about mediatization and performance in an effort to explain how a Deweyan conception of embodied aesthetic experience can contribute to meaningful experience and human flourishing in a mediatized culture. The relationship between live presence and technological mediatization is often characterized as oppositional. Through an explication of the process of mediatization and manifestations of presence, this relationship can instead be viewed as reciprocal. An overview of Dewey's theories of experience and aesthetics refutes dualistic thinking and demonstrates how faculties of perception can be engaged and our capacity for …

Remembering Thespis: How Former Student Actors Value Their Experiences In High School Plays, Michael Edgar Butterworth

Wayne State University Dissertations

The high school play is an iconic pastime in many schools across the United States. Historically, educators, and scholars often characterize the school play as a performance of a script by an established playwright presented in a school in a manner that replicates the standards of professional theatre. Current scholars and educators discuss the school play as the latter part of a continuum that runs from informal dramatic play to formal presentation in front of an audience. Although scholarship in theatre education regularly discusses the school play as one of the most prevalent forms of theatre education, scholarly studies of …

Choreography And Performance With Deaf Adults Who Have Mental Illness: Culturally Affirmative Participatory Research, Sondra H. Malling

Creative Arts Therapies Theses

Dance/movement therapy (DMT) techniques—particularly choreography and performance techniques—have not been well-researched with Deaf adults who have mental illness. This study investigated the use of DMT, choreography, and performance techniques with Deaf adults with severe and chronic mental illness through participatory artistic inquiry. Primary research questions addressed pragmatic matters of participatory artistic inquiry: What aesthetic choices will the co-researchers make in the dance-making process? How does the researcher provide structure and incorporate her experience as a choreographer without overshadowing the contributions of the co-researchers? Broader philosophical research questions included: How do choreography and performance techniques impact this population’s well-being? How does …