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A Queered Exhibition: Lgbtqia+ Artists Expressing Identity And Visibility Through Art-Based Research, Christy D. Paris
A Queered Exhibition: Lgbtqia+ Artists Expressing Identity And Visibility Through Art-Based Research, Christy D. Paris
USF Tampa Graduate Theses and Dissertations
Too often museums, galleries, and art curriculum ignore or erase the lives and art of LGBTQIA+ individuals. This exhibition aimed to make the diverse lives and art from the queer community visible. Integrating queer perspectives and visibility is empowering and creates a sense of belonging. Queering the art world can present alternative perspectives, promote diversity, and provide exposure to a more inclusive experience for all. The aim of this inquiry is to inform institutional practices within museums on queer inclusivity and further scholarship on this topic by engaging with the queer art community and public during an exhibition held in …
A Queered Exhibition: Lgbtqia+ Artists Expressing Identity And Visibility Through Art-Based Research, Christy D. Paris
A Queered Exhibition: Lgbtqia+ Artists Expressing Identity And Visibility Through Art-Based Research, Christy D. Paris
USF Tampa Graduate Theses and Dissertations
Too often museums, galleries, and art curriculum ignore or erase the lives and art of LGBTQIA+ individuals. This exhibition aimed to make the diverse lives and art from the queer community visible. Integrating queer perspectives and visibility is empowering and creates a sense of belonging. Queering the art world can present alternative perspectives, promote diversity, and provide exposure to a more inclusive experience for all. The aim of this inquiry is to inform institutional practices within museums on queer inclusivity and further scholarship on this topic by engaging with the queer art community and public during an exhibition held in …
Chawton House And Its Library: Legacies And Futures, Kim Simpson
Chawton House And Its Library: Legacies And Futures, Kim Simpson
ABO: Interactive Journal for Women in the Arts, 1640-1830
In a review of Women’s Writing, 1660-1830: Feminisms and Futures, Paula Backscheider draws attention to “the miracle that is Chawton House, whose conferences nurtured these essays” in the collection. This essay will examine the legacy of this unique institution and explore the futures for the organization both as heritage site and as home to a substantial collection of women’s writing of the long eighteenth century. The community encouraged and nurtured by Chawton House since it opened to the public in 2003, as is so often the case with all things related to Jane Austen, complicates divisions between the academic …