Education Commons^™

Visions Of A Captured Mind: Using Expressive Film Techniques To Convey The Experience Of Liberty Deprivation As A Neurodiverse Individual, Sam H. Grant, Ken Fero

Ought: The Journal of Autistic Culture

In this article, I make the case for the use of expressive film techniques to convey the emotional, or affective, experience of neurodiverse people who have been subjected to liberty restricting practices and policy. I do this by discussing my own experience with film practice as a man living with autism, presenting a broader philosophical case for how artistic modes of communication can close affective and social divisions between neurodiverse and neurotypical people, explaining why it is the cinematic techniques I advocate for are uniquely suited to neurodiverse people, and then I showcase some of my own work as a …

Studenting And Teaching With Chronic Pain: Accessibility At The Intersection Of Contingency And Disability, Beth Greene

Academic Labor: Research and Artistry

While much attention is given to undergraduate students with disabilities, far less is devoted to graduate students, particularly those who also act as faculty: Graduate Teaching Assistants (GTAs). This article discusses issues of accessibility encountered by these contingent faculty members, specifically GTAs who have invisible disabilities, and how approaching discussions of contingency and disability with an ethos of transparent vulnerability—a level of transparency that necessarily leads to vulnerability—can help combat the stigma that continues to surround contingency and disability in higher education.

The More You Know, The More You Owe, Megan Price

School of Information Student Research Journal

No abstract provided.

“On Your Feet!”: Addressing Ableism In Theatre Of The Oppressed Facilitation, Caitlin E. Ray

Pedagogy and Theatre of the Oppressed Journal

Theatre of the Oppressed workshops strive to be inclusive and democratic; however, the facilitation of such workshops may actually limit inclusiveness when facilitators assume a certain level of physical ability in its participants. By considering disability scholarship and Universal Design pedagogy, I introduce specific ways in which facilitators can be more inclusive to the diversity of bodies in our workshops. I also include an example Image Theatre activity that applies my disability-conscious suggestions.

Transmedial Documentation For Non-Visual Image Access, Melody J. Mccotter

Proceedings from the Document Academy

In my doctoral studies on information accessibility for the individual who is blind or visually impaired, I’ve been exploring the ways we can make image documents more accessible. This requires using an alternative sensory modality, and translating the document into a different format. The questions that arise when we consider this process are many, but among them are:

• Is it the same document once we’ve converted it to an audio narrative about the work, or a 3D topographic map of an artwork, or a musical interpretation?
• If it is not the same document, how truthful can the “trans-medial” translation be …