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Literature In The World: A Critical Discourse Study Of World Literature Pedagogy, Elisa Cogbill-Seiders

UNLV Theses, Dissertations, Professional Papers, and Capstones

“Literature in the World” is a critical discourse analysis of world literature pedagogy in U.S. higher education. It investigates the ways discourse communities in higher education produce and shape the field of world literature. The dissertation begins by establishing and analyzing the generic conventions of university mission statements, finding they are primarily dominated by discourse on global learning. It follows with an analysis of world literature course descriptions from the same schools. World literature course descriptions alternatively replicate, resist, or subvert global learning discourses. The last chapter uses findings from the first two chapters to trace how university and instructor …

Going Old School: Using Eighteenth Century Pedagogy Models To Foster Musical Skills And Creativity In Today's Students, Monique Arar

UNLV Theses, Dissertations, Professional Papers, and Capstones

Recent research has illuminated a pedagogical approach to keyboard improvisation of the Italian conservatories of the seventeenth and eighteenth centuries, namely that of partimenti: single-stave, multiple clef exercises in which students were trained to improvise (Gjerdingen 2007, Sanguinetti 2012, van Tour 2015). This approach was passed down through oral instruction until the mid-twentieth century, when pedagogical priorities shifted away from improvisation and compositional creativity towards virtuosity, technique and adherence to the printed page. Simultaneously, the tradition of decade-long musical apprenticeship was replaced with semester-long courses in music theory and harmony.

The existing research on partimenti presents a compelling historical narrative …

The Changing Role Of The Bass Clarinet: Support For Its Integration Into The Modern Clarinet Studio, Jennifer Beth Iles

UNLV Theses, Dissertations, Professional Papers, and Capstones

The bass clarinet of the twenty-first century has come into its own. Composers often treat it as a solo instrument and clarinetists are more often expected to play bass clarinet. In the last half of the twentieth century, the amount of literature for bass clarinet has grown and the quality of the instruments have improved exponentially. Still, most university studios focus primarily on B-flat clarinet. This document is intended as a pedagogical guide for the inclusion of the bass clarinet in the clarinet studio. As support for incorporating the bass clarinet into the undergraduate curriculum, this document describes three areas …