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Get A Grip: An Anatomical Survey Of Four-Mallet Grips For Solo Marimba, Kyle Steven Bissantz

UNLV Theses, Dissertations, Professional Papers, and Capstones

This document examines the three primary grips used in playing four-mallet concert marimba. It focuses on each grip’s relationship to the anatomy of the fingers, wrist, and forearm, with particular attention to the grips’ movement characteristics. The discussion aims to support professionals, students, and teachers interested in developing a greater understanding of each grip’s similarities, differences, and basic physicalities. The first section is a detailed examination of Traditional, Stevens, and Burton Grips. The primary focus is the hand’s composition around the mallets and the movement characteristics of standard stroke types. The second section provides a comparative analysis of each grip’s …

Going Old School: Using Eighteenth Century Pedagogy Models To Foster Musical Skills And Creativity In Today's Students, Monique Arar

UNLV Theses, Dissertations, Professional Papers, and Capstones

Recent research has illuminated a pedagogical approach to keyboard improvisation of the Italian conservatories of the seventeenth and eighteenth centuries, namely that of partimenti: single-stave, multiple clef exercises in which students were trained to improvise (Gjerdingen 2007, Sanguinetti 2012, van Tour 2015). This approach was passed down through oral instruction until the mid-twentieth century, when pedagogical priorities shifted away from improvisation and compositional creativity towards virtuosity, technique and adherence to the printed page. Simultaneously, the tradition of decade-long musical apprenticeship was replaced with semester-long courses in music theory and harmony.

The existing research on partimenti presents a compelling historical narrative …