Education Commons^™

Coherence Of Dysfunctions, Ayesha Rumi

Theses - ALL

"Colonization" is by far the most sophisticated word for the attempts made to make a society financially broke and culturally orphaned. My work is a product of thoughts that occur in the midst of cultural and linguistic existential crises left by the white man's burden . My focus on Pakistani society goes beyond its relevance as the culture I call home; my focus is intended to provide a microscopic view of how culture, traditions, and norms often work in concert to dictate the course of history and the future of nations. In my work I have used western philosophy to …

Coherence Of Dysfunctions, Ayesha Rumi

Theses - ALL

“Colonization” is by far the most sophisticated word for the attempts made to make a society financially broke and culturally orphaned. My work is a product of thoughts that occur in the midst of cultural and linguistic existential crises left by the white man’s burden . My focus on Pakistani society goes beyond its relevance as the culture I call home; my focus is intended to provide a microscopic view of how culture, traditions, and norms often work in concert to dictate the course of history and the future of nations. In my work I have used western philosophy to …

Kinesthetic Language: A Dialect Of Kinesics, Terrill Suzanne Corletto

Electronic Theses, Projects, and Dissertations

Human communication requires the disciplines regarding physical fitness, codified language, and the performing arts to overlap, and exist symbiotically. Within the realm of artistic performance, the three disciplines working together deliver a deliberate message in a way unique to performing artists. The general tendency to compartmentalize sports, communication, and the performing arts into their pigeonhole categories of Kinesiology, Linguistics, and Theatre Arts is impractical, particularly for performing artists simply because all of the disciplines are mutually dependent in the context of all kinesthetic communications.

The purpose of this paper is to define and discuss several concepts and the ways in …

Dancing My Way Through Life; Embodying Cultural Diversity Across Time And Space: An Autoethnography, Nan Zhang, Maria Gindidis, Jane Southcott

The Qualitative Report

In this paper, I research how my background, in different times and within diverse spaces, has led me to exploring and working with specific Content and Language Integrated Learning (CLIL) programs. I am forever motivated to engage students learning second languages by providing them with possibilities to find out who they are, to know other ways of being and meet diverse peoples, to maintain languages more effectively and maintain culture(s) more authentically. I employ autoethnography as a method to discover and uncover my personal and interpersonal experiences through the lens of my dance related journeys. The method of Interpretative Phenomenological …

Drawing As Language, Rebecca B. Whitson

Theses and Dissertations

All too often, the “I can’t draw” sentiment is believed by both the frustrated adolescent and adult alike. This is especially evident within the school environment. This paper aims to discuss how visual art --specifically drawing-- is structured, formed and expressed as a type of language, similar to a verbal, written, or physical one. This may give hope to even the most reluctant drawer that they can learn how to draw, opening another means of communication. An individual attains fluency when they are adept at drawing through the use of expression, technical, and observational skills, through practice and motivation, and …

Ethics In Exhibitions: Considering Indigenous Art, Rachel Bonner

Richard T. Schellhase Essay Prize in Ethics

No abstract provided.

Familial Dialects, Amanda King

MFA in Photography and Integrated Media Theses

Using the framework of scientific investigation, ‘Familial Dialects’ explores the languages – systems of signs and codification of those signs - of individual members of my family, and the metaphors that arise from their interaction with pieces of the natural world. Each of the pieces combine an inherent form and an organizing action as a means of representing an individual’s form of expression. These familial dialects are created and translated using the methodologies of a naturalist - collection, dissection, observation, and classification. The pieces draw meaning from the connotative associations built from familial connections as well as from broader cultural …

The Limits Of Linear Modes Of Inquiry Into Naturalistic World-Views: A Case Study Of Cherokee Culture, Karen L. Sorensen, Charles G. Wieder

Journal of Social Theory in Art Education

We begin with the cultural-anthropological assumption that a people’s world-view is based in concepts of time and process, and is reflected in the ceremonies, customs, rituals, and other traditional patterns of social conduct within the society. In a case study of the Native American Cherokee, linear modes of inquiry, characteristic of Western science, are shown to be limited in their capacity to examine and appreciate these dimensions of culture in pre-literate societies. It is suggested that those aspects of our own culture which are grounded in aesthetic value may also be relatively inaccessible for the same reason. By examining meanings …

The Not So Mysterious Ways Of Mystification, Georgia Collins

Journal of Social Theory in Art Education

According to my reading of Men in Feminism, in the Modern Language Association, male interest in feminist issues is already considerable: MLA men lecture and write in the feminist mode; want to be acknowledged for doing so; and ask that discussions of male responsibilities and roles be placed on the feminist agendas. The task of defining roles for sympathetic males in what is otherwise understood to be a woman's “do-it-yourself" movement may be a real problem for our MLA sisters. But back in the NAEA, we have a different set of problems and, I would submit, a unique opportunity for …

Sandra Rowe: Androgyny And The Janusian Split, Charles Gaines

Journal of Social Theory in Art Education

The work of Sandra Rowe cannot be understood within the specific concerns of social/political discourse alone. Indeed, her subject matter suggests a deeper, more complex polemic. Rowe is interested in the postmodern controversy surrounding the nature of the subject, i.e., she is not only questioning the centralized and linear notion of subject as constructed by modernist discourse, but in fact positing an abstract notion of the subject, a theory of "lack" or "absence'" that stands as the privileged object of her investigation. The issues raised by her work are not important because of their social commentary alone, but also because …

A Gender Exposition: Black And White Images In The Grey Chain Of Being, Jim Paul

Journal of Social Theory in Art Education

It is interesting how the numerical demarcation of a decade spurs one to reflective stock-taking and visionary anticipation. We know that the beginning or termination of long-term social trends do not “naturally” fall into neat groups of tens. Still, as empirically-entrenched and categorically-minded consumers we must quench our never-ending thirst to link events until we have reduced them into man”age”ableness. We are more at ease when we can name where we have been and visualize where the future will be.

Design: A Critique Of A Metaphor, Nancy R. Johnson

Journal of Social Theory in Art Education

Teaching art is basically a process of sharing socially derived knowledge about art with other persons. In order to communicate the cognitive configuration of art as it appears in our culture, it is necessary to use language. In art education, the visual arts are often thought of as a non-verbal symbol system for encoding experience. For this symbol system to be socially known about, however, it must be codified in language. As Hertzler has pointed out, "The key and basic symbolism of man is language. All the other symbol systems can be interpreted only be means of language?". Language is …