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Art Education

Virginia Commonwealth University

Journal of Social Theory in Art Education

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Full-Text Articles in Education

Black Hawk Down And The Silences Of Ridley’S Scott’S Realism, Robert Nellis Jan 2004

Black Hawk Down And The Silences Of Ridley’S Scott’S Realism, Robert Nellis

Journal of Social Theory in Art Education

A telling moment occurs in the film Black Hawk Down (Bruckheimer & Scott, 2001) when the "reliable" Shawn Nelson is literally struck deaf by the gunfire of his partner. Nelson can no longer hear his fellow American soldiers, their gunfire, or the screams of his dying enemies. Prior to losing his hearing, Nelson puts in a mouth protector, explaining that on his last mission, he almost bit off his tongue. Thus, Nelson ensures that he will be able to speak of any evil he hears, but, alas, he becomes deal. Nelson's predicament somewhat parallels that of the audience of Ridley …


Unromancing The Stone Of “Resistance:” In Defense Of A Continued Radical Politics In Visual Cultural Studies, Jan Jagodzinski Jan 2003

Unromancing The Stone Of “Resistance:” In Defense Of A Continued Radical Politics In Visual Cultural Studies, Jan Jagodzinski

Journal of Social Theory in Art Education

The question of resistance as a pleasurable activity continues to be a theme within cultural studies. This essay argues that the ideology of pleasurable resistance is precisely the way that capitalist patriarchy maintains its hegemony through seduction. By focusing mainly on the writings of John Fiske and his employment of Foucault´s power/knowledge couplet and Barthe´s appropriation of jouissance, it is argued that the discursive subject position overlooks the value of the psychoanalytic understanding of fantasy identification. It is suggested that a more radical understanding of jouissance as developed within a psychoanalytic view of the split-subject needs to be addressed (or …


Wrestling With Tv “Rasslin”, Paul Duncum Jan 2002

Wrestling With Tv “Rasslin”, Paul Duncum

Journal of Social Theory in Art Education

TV wrestling stretches the envelope of what art educators might consider legitimate content under the emerging art educational paradigm of visual culture. (Duncum & Bracey, 2001) TV wrestling. Or "rasslin" as it’s known to its audience, is a significant cultural site because it is very popular and, under analysis, has much to say about contemporary cultural experience, especially that of its audience. While it provides pleasures and reference points to its audience, these reference points are often sexist, xenophobic, homophobic, and in terms of familial relationships, dysfunctional. They are also violent and obscene. This paper both acknowledges the lived experience …


Revisiting Social Theory In Art Education: Where Have We Been? Where Are We Today? Where Are We Going? Where Could We Go?, Jan Jagodzinski Jan 2001

Revisiting Social Theory In Art Education: Where Have We Been? Where Are We Today? Where Are We Going? Where Could We Go?, Jan Jagodzinski

Journal of Social Theory in Art Education

The title's spin-off from Gauguin's self-reflective statement: D'où vernons-nouse? Que sommes-raus? Où allons-nous? painted towards the closing of the 19th century when colonialist expansion and Imperialism were at their heights, seems to be an appropriate allusion as this year's 21st Social Caucus journal inaugurates the beginning of a new millennium. The irony of the title should be apparent, as should the fortuitousness of the volume's number. The epic proportions of the questions (and the painting) compressed into the bit size of an editorial seems laughable. Yet the questions are worth deliberating in the context of the essays that have been …


The War Of Labels: An Art Educator In Search Of A Sign, Jan Jagodzinski Jan 1993

The War Of Labels: An Art Educator In Search Of A Sign, Jan Jagodzinski

Journal of Social Theory in Art Education

I recently had the occasion to go shopping with my twelve year old son Jeremy who is now finishing grade seven in a Canadian public school. He had somehow (mysteriously) saved twenty dollars and was determined to buy a T-shirt. Coming from the boomer generation, T-shirts for me where either those funny Stanfield undergarments that my dad wore under his dress shirt (to absorb the sweat during hard work, I suppose?) or what gang members with duck-tails in the '50s wore under their leather jackets to look cool-like the 'Fonz' of Happy Days. During my college art school days, the …


Seeking Cultural Understanding: Knowing Through The Art Of The Picturebook As One Of Five Modalities, Rogena M. Degge, Kenneth Marantz Jan 1988

Seeking Cultural Understanding: Knowing Through The Art Of The Picturebook As One Of Five Modalities, Rogena M. Degge, Kenneth Marantz

Journal of Social Theory in Art Education

Caught in the maelstrom of scholarly debate about cross-cultural values, we seek some straws for our intellectual salvation. Groups of theoreticians and practitioners, like schools of fish roiling in the seas, create waves. Some groups, like those who supported the exhibition of Primitive and Modern artifacts at the Museum of Modern Art in New York City, are historical revisionists seeking new values through the alleged "influences and affinities" they attempt to demonstrate. Others more mundanely offer youngsters cardboard and paint so they may produce their own Kachina dolls in order to come to grips with the fundamental values of an …


Another Look At The Aesthetics Of The Popular Arts, Edward G. Lawry Jan 1988

Another Look At The Aesthetics Of The Popular Arts, Edward G. Lawry

Journal of Social Theory in Art Education

About twenty years ago, Abraham Kaplan delivered a lively and memorable paper to the American Philosophical Association on the aesthetics of the popular arts. Appearing during the heyday of formalist criticism of the arts in America, the clear condemnation of the popular arts in his opening paragraph surprised no one. But many things have happened in the last twenty years to make us want to rethink the casual identification of popular art with "dis-value" that Kaplan takes for granted: the rise in popularity of folk music, the transformation of rock and roll by the Beatle's and others, the advent of …


Art As A Social Study: Theory Into Practice, Graeme Chalmers Jan 1985

Art As A Social Study: Theory Into Practice, Graeme Chalmers

Journal of Social Theory in Art Education

The concept of dialogue is one that is rarely applied in art education. The attitude prevails that teachers of art know what is best, that students are ignorant of "real" art, that student aesthetic experiences are trivial or worthless, and so they, the teachers, settle for a curriculum and teaching approach that reaches less than 5% of the students. The remaining 95% plus are regimented in activities less meaningful than Trivia Pursuit or are ignored altogether. Dialogue is not one sided. For knowledge to take place, the learner must have access to meaning and meaning cannot be handed down like …


Elitism Versus Populism: The Continuing Debate, Ralph A. Smith Jan 1983

Elitism Versus Populism: The Continuing Debate, Ralph A. Smith

Journal of Social Theory in Art Education

"Elitism vs. populism" identifies dichotomous stances that are increasingly causing acrimony among those concerned with defining cultural and educational relations. Not surprisingly, the controversy is one of the sundry things touched on by the Rockefeller Commission Report the Humanities in American Life.


The Getting Of Taste: A Child’S Apprenticeship, Cathy Brooks Jan 1982

The Getting Of Taste: A Child’S Apprenticeship, Cathy Brooks

Journal of Social Theory in Art Education

Childhood art experience reflects an apprenticeship to the taste systems which a child's family and the public school subscribe to. This paper sketches my own taste experiences as a school child advancing from age six to eleven. Taste is used here to mean a person's ability to discern among alternatives. Taste judgments rely on not only aesthetic criteria but also status and economic criteria that are part of the social context in which one makes choices in objects and images. Understanding this childhood apprenticeship reveals some of the factors influencing participation in art activity and aesthetic choice. I will outline …