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Full-Text Articles in Education

The Importance Of Our Performing Arts, Gina Parker, Russell Brakefield Feb 2023

The Importance Of Our Performing Arts, Gina Parker, Russell Brakefield

DU Undergraduate Research Journal Archive

This essay is titled "The Importance of Our Performing Arts" and it was written in February 2022. I was taking an argumentative writing class at the time where we have free range to choose a topic to write about, so naturally, I choose something I am passionate about, the impact of youth theatre on our adolescents. The prompt was to identify a driving question or phenomenon related to the arts to investigate and develop a complex thesis you could argue in the paper through the use of rhetorical strategies, I decided on the discussion between funding in STEM (science, technology, …


Slime Bash Social: A Tactile Manipulative For Child And Youth Play, Joyce A. Levingston, Marie E. Adebiyi, Brian Hadley, Younis Al-Hassan, Dongyub Back, Michelle Cook, Christopher R. Edginton Jun 2019

Slime Bash Social: A Tactile Manipulative For Child And Youth Play, Joyce A. Levingston, Marie E. Adebiyi, Brian Hadley, Younis Al-Hassan, Dongyub Back, Michelle Cook, Christopher R. Edginton

Journal of STEM Arts, Crafts, and Constructions

The play product of slime has gained increasing popularity amongst children and youth throughout the United States. Slime can be thought of as a tactile manipulative that can be shaped, stretched, expanded, lumped together, twisted, squeezed, squashed, folded, rolled, shredded, twirled, swirled, pounded, and cut or pulled apart. As a learning tool, slime can and does support STEM initiatives and programs. Slime can be created using simple ingredients that are easily measured, combined, and prepared by children and youth. In addition, slime can incorporate components such as glitter, beads, shaving cream, color dyes and other items. This paper offers an …


¡Pendejo! Preschoolers’ Profane Play: Why Children Make Art, Marissa Mcclure Jan 2011

¡Pendejo! Preschoolers’ Profane Play: Why Children Make Art, Marissa Mcclure

Journal of Social Theory in Art Education

In this article, I address the concept of critical coalitions in play from two perspectives. First, I consider young children’s art making with digital video through contemporary play frames that propose moving beyond the dichotomy of subject (child as actor; active meaning-maker) and object (child as dupe; susceptible to media and moral panic). This reaffirms that play is at once contradictory, pleasurable, fantastic, and culturally purposeful. Analysis of young children’s digital video as play within frameworks proposed by Wilson (1976), Walkerdine (2007), and Freud (1922/1948) allows for an expansion of philosophical ideas about young children’s art making. This coalition between …


From Out Of Sight To 'Outta Sight!' Collaborative Art Projects That Empower Children With At-Risk Tendencies, Debrah Sickler-Voight Jan 2006

From Out Of Sight To 'Outta Sight!' Collaborative Art Projects That Empower Children With At-Risk Tendencies, Debrah Sickler-Voight

Journal of Social Theory in Art Education

Children with at-risk tendencies are often left out of sight/ site/ cite because of their potential for academic and social failure. Like all children, children with at-risk tendencies have something of value to contribute to society and yearn for opportunities to show of their talents. This article discusses how three different groups of children with at-risk tendencies in Florida and Tennessee participated in site specific community art projects that targeted their needs. Although each student population worked a different theme, the children expressed similar learning outcomes when describing their involvement with the project. This study demonstrates how collaborative community art …


The War Of Labels: An Art Educator In Search Of A Sign, Jan Jagodzinski Jan 1993

The War Of Labels: An Art Educator In Search Of A Sign, Jan Jagodzinski

Journal of Social Theory in Art Education

I recently had the occasion to go shopping with my twelve year old son Jeremy who is now finishing grade seven in a Canadian public school. He had somehow (mysteriously) saved twenty dollars and was determined to buy a T-shirt. Coming from the boomer generation, T-shirts for me where either those funny Stanfield undergarments that my dad wore under his dress shirt (to absorb the sweat during hard work, I suppose?) or what gang members with duck-tails in the '50s wore under their leather jackets to look cool-like the 'Fonz' of Happy Days. During my college art school days, the …


The Need For Openness In Art Education, Dan Nadaner Jan 1990

The Need For Openness In Art Education, Dan Nadaner

Journal of Social Theory in Art Education

Can art education tolerate art? It looks more and more like the answer is no. Art requires imagination, play, openness and critical questioning. Art education, as an institution, tends to produce practices inconsistent with imagination, play, openness, and critical questioning. The dominant practices of the field tend to define, to reify, to certify, to enshrine.


Playing In Public Or Creatively Expressing The Aesthetic Dimension In Social Life, Duke Madenfort Jan 1985

Playing In Public Or Creatively Expressing The Aesthetic Dimension In Social Life, Duke Madenfort

Journal of Social Theory in Art Education

This philosophical study is in part a critical examination of Richard Sennett's sociological account of what it means to be out in public in the company of strangers and expressing oneself aesthetically in a playful, self-distanced encounter with them. His urging for a rediscovery of the classic mid-eighteenth century connection between actors on the stage and persons on the street in order to make social life aesthetic once again is seen as having significant implications for art educators concerned with putting into practice the aesthetic and social function of art and art education. The arguments developed in the paper take …