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Articles 1 - 16 of 16

Full-Text Articles in Television

Animating Gender: Conflicting Narrative And Character Design In Gravity Falls, Laine Marshall May 2024

Animating Gender: Conflicting Narrative And Character Design In Gravity Falls, Laine Marshall

Film and Media Studies (MA) Theses

This thesis analyzes the character designs from the Disney XD animated series Gravity Falls (Alex Hirsch, 2012-2016) through a third-wave feminist lens, arguing that these designs reflect an essentialized perception of gender that is in conflict with the themes of acceptance present in the series’ narrative. The series’ narrative pushes forth the idea that female characters are the moral center of the series and serve as an example to their peers, that they are self-assured and in control, and that men can push past any ignorance to care for the people around them, but this effort is undermined by the …


’90s “It Girls”: Britpop At The Postfeminist Intermezzo, Benjamin Halligan Jan 2023

’90s “It Girls”: Britpop At The Postfeminist Intermezzo, Benjamin Halligan

Journal of Feminist Scholarship

In considering the Britpop genre of music and its moment of popularity in the mid/late-1990s, the few female-fronted Britpop groups created space for more compelling articulations of existential matters than were to be found in standard Britpop fare. This article argues these articulations are most appropriately read as arising from a moment of feminist thought in transition: a premature “victory,” under the sign of postfeminism, in which the struggles of Second Wave feminists could be seen to have delivered equality. This moment results in an encroaching and contested sense of entry into maturity, and a loss of youth. The groups …


America's Next Top Model Magnified, Nina Violi Jan 2022

America's Next Top Model Magnified, Nina Violi

Capstone Showcase

America's Next Top Model was a reality television show that aired from 2003 to 2018 and the show gave women (and men in the later seasons) a chance to become models and be trained by the best in the business. While the show looked like a positive experience from the viewers' perspective, there were many situations when the models were put in uncomfortable situations. The show is related back to the feminism theory.


She-Ra And The Princesses Of Power: An Intersectional Analysis Of A Modern Reboot, Laine Marshall Dec 2021

She-Ra And The Princesses Of Power: An Intersectional Analysis Of A Modern Reboot, Laine Marshall

Student Scholar Symposium Abstracts and Posters

Children’s animation offers the viewer a unique window into the nuances of current societal norms. Because children’s animation is made for the young, sensitive, and impressionable, it is carefully controlled and often heavily censored. Any statements made regarding the protagonist’s heroism or the villain’s malignity are meant to be accepted as universal truths for the growing minds of our youth. The recent 2018 Netflix and DreamWorks Animation animated reboot of the classic 1980's series "She-Ra: Princess of Power," now titled "She-Ra and the Princesses of Power," shook the animation industry with its groundbreaking representation and astounding visuals. Following its predecessor’s …


Undoing The Unhinged Woman: An Examination Of Contemporary Media Representation Of Women And Ideology, Alyssa Scanlon Apr 2021

Undoing The Unhinged Woman: An Examination Of Contemporary Media Representation Of Women And Ideology, Alyssa Scanlon

Media and Communication Studies Presentations

The unhinged woman is a character trope that has popped up frequently in mainstream media for the past few years. This trope is utilized as a way to present an alternative representation of women; one that functions as being empowering, complex, and overall a new and positive representation of a constant misrepresented minority in media. Proceeding with a textual analysis of the 2014 film Gone Girl and the 2020 miniseries The Undoing, I was able to examine the salient attributes through a feminist lens. Further discovering that the unhinged woman trope is actually detrimental to the overall representation of women …


Is Everyone Hanging Out Without Me? (And Other Dramaturgical Concerns): Re-Centering Dramaturgy And Comedy As Feminist Tools For Social Change, Shaila Schmidt Aug 2020

Is Everyone Hanging Out Without Me? (And Other Dramaturgical Concerns): Re-Centering Dramaturgy And Comedy As Feminist Tools For Social Change, Shaila Schmidt

Masters Theses

Titled as a play on Mindy Kaling’s 2011 book, Is Everyone Hanging Out Without Me? (And Other Concerns), this thesis highlights the obstacles women, the genre of comedy, and dramaturgs face in order to be taken seriously in the arts. Using the work of Mindy Kaling, I explore how she uses comedy as a means of defying the expectations put upon her as an Indian American woman in order to provide context for the ways in which the marginal statuses of women of color and comedy overlap.

In an effort to demonstrate the ways in which comedy can be …


The Rise And Fall Of Gilmore Girls' Feminist Legacy, Mckenna Ahlgren Oct 2018

The Rise And Fall Of Gilmore Girls' Feminist Legacy, Mckenna Ahlgren

Honors Theses

This thesis explores the feminist legacy that the television series Gilmore Girls (2000-2007, 2016) built during its original airtime and how its later revival diminished that legacy. Gilmore Girls’ main characters are three generations of women within the Gilmore family, providing a unique opportunity to analyze their feminist identities and characterizations relative to different iterations of feminism. This paper examines how the youngest Gilmore, Rory, is influenced by her mother’s and grandmother’s embodiments of feminism. Their expressions of femininity and sexuality, their approaches to motherhood, and their behaviors in their romantic relationships throughout the series correlate with the predominate feminism …


Nasty Women: Television Portrayals Of Societal Anxieties Toward Female Leaders, Emily Sullivan Jun 2018

Nasty Women: Television Portrayals Of Societal Anxieties Toward Female Leaders, Emily Sullivan

Honors Theses

Historically, women have been excluded from leadership positions around the world, while instead men occupy the highest positions of power in society. The lack of female leadership is especially prevalent in the United States, where there has never been a female president, and the majority of high political offices are still held by men. In a similar manner, women have also been excluded from the sphere of comedy throughout history. Women have constantly had to deal with the assertion that women are not funny. This double exclusion from both leadership and comedy has led to the development of my concept …


Dolls Who Speak: Sex Robots, Cyborgs And The Image Of Woman, Victoria E. Pihl Sorensen May 2018

Dolls Who Speak: Sex Robots, Cyborgs And The Image Of Woman, Victoria E. Pihl Sorensen

Dissertations, Theses, and Capstone Projects

This thesis examines the emerging phenomenon of sex robots from a feminist materialist perspective. I explore the current scholarly and popular debates on sex robots, and suggest a reading of sex robots in their machinic, literary and cinematic expressions to move beyond the moral-ethical impasse that seems to dominate sex robot discussions. Employing Donna Haraway’s “Cyborg Myth” on a methodological and theoretical level, I argue for an interdisciplinary approach to studying sex robots, which proceeds carefully so as to avoid contributing to sex panic, and which thinks critically about what it might mean to assess sex robots from a feminist …


The Parton Paradox: A History Of Race And Gender In The Career Of Dolly Parton, Lindsey L. Hammers Jan 2017

The Parton Paradox: A History Of Race And Gender In The Career Of Dolly Parton, Lindsey L. Hammers

Electronic Theses and Dissertations

With a career that has spanned over five decades, country music artist Dolly Parton has continually redefined her image and her music to remain relevant. By incorporating the musical and lyrical stylings of disco and other popular music genres into her songs, Parton moved beyond music’s color line to increase her popularity as an artist. This thesis shows how Parton established a distinct career that catered to different audiences as she traversed the musical color line and repackaged what feminism looked like to country music fans during the Women’s Movement of the 1960s. Placing Parton’s actions in conversation with music’s …


The Road Trip As Artistic Formation In Defeo's Work, Frida Forsgren Dec 2016

The Road Trip As Artistic Formation In Defeo's Work, Frida Forsgren

CLCWeb: Comparative Literature and Culture

In her article "The Road Trip as Artistic Formation in DeFeo's Work" Frida Forsgren discusses previously unpublished photographic material documenting Jay DeFeo's road trip in Europe and North Africa in the 1950s. Forsgren argues that the Beat road trip is by no means an exclusively masculine enterprise and quest: DeFeo's journey helped open the door to her emancipation as a female artist and propelled her artistic development. Moreover, the global experience represented by the trip helped shape her local Beat milieu upon her return to San Francisco. While European, Medieval, Italian Renaissance, and Hebrew influences in DeFeo's oeuvre have been …


Politics Of Feminist Revision In Di Prima's Loba, Polina Mackay Dec 2016

Politics Of Feminist Revision In Di Prima's Loba, Polina Mackay

CLCWeb: Comparative Literature and Culture

In her article "Politics of Feminist Revision in di Prima's Loba" Polina Mackay explores Diane di Prima's two-volume epic Loba (1998) and, through a comparison of di Prima to the work of Adrienne Rich, argues that Loba practices a politics of feminist revision. Further, Mackay examines the ways in which di Prima starts to move away from the recovery project of female voices in patriarchal culture, associated with late twentieth-century Feminism, towards a women's literature which need not be defined entirely through its resistance to patriarchal narratives of gender in men's literature. Here it focuses on di Prima's revisionist …


No Girls Allowed: Television Boys’ Clubs As Resistance To Feminism, Pamela Hill Nettleton Phd Dec 2016

No Girls Allowed: Television Boys’ Clubs As Resistance To Feminism, Pamela Hill Nettleton Phd

College of Communication Faculty Research and Publications

This article analyzes the male-only spaces present in four television series, FX’s The Shield, Nip/Tuck , Rescue Me, and ABC’s Boston Legal, which each include a gendered territory as a recurring feature. I argue that these homosocially segregated environments enforce boundaries against women and shelter intense bromance relationships that foreclose romantic relationships of any kind, acting as physical incarnations of troubling retrograde sexual politics and ideologies. I also assert that the “boys’ clubs” in which these narratives take place, enabled and empowered by the aesthetic dimensions of architecture and design, help establish workplace patriarchy as commonplace, reasonable, and …


#Likeagirl: Realizing The Communicative Potential Of Fourth Wave Feminism, Samantha Keville Jun 2016

#Likeagirl: Realizing The Communicative Potential Of Fourth Wave Feminism, Samantha Keville

Communication Studies

Although the notion of feminism has existed among humanity for centuries, it continues to remain one of the most ambiguous and controversial terms in today's society. Throughout history, there have been numerous efforts enacted among humanity aimed at honing women's rights, typically falling under the categories of first, second, and third wave feminism. Recent discussion has taken place regarding the emergence of a new wave of feminism existing today, known as fourth wave feminism. Fourth wave feminism is a movement characterized by the utilization of technology to enhance feminist ideals. Many companies have developed an association with the feminist movement …


Gynecologists, Bureaucrats, And Stoners: The Rise Of Women In Television Comedies And Critiquing The Postfeminist Perspective, Victoria Montecillo Jan 2016

Gynecologists, Bureaucrats, And Stoners: The Rise Of Women In Television Comedies And Critiquing The Postfeminist Perspective, Victoria Montecillo

Scripps Senior Theses

This thesis looks to explore the rise of women in television comedy and the accompanying implications of this phenomenon. Using a historical framework, this thesis looks at the progression of representations of women in television comedies beginning in the 1950s up to today. Considering factors such as the rise of social media, as well as online television streaming services such as Hulu and Netflix as more legitimate avenues to distribute content, this thesis traces women’s place within television comedy, and argues that shows such as Parks and Recreation, The Mindy Project, and Broad City serve as examples of the progress …


It's A Bird! It's A Plane! It's...Cultural Anxiety? Using Detective Comics' Three Biggest Heroes To Identify And Explore Cultural Anxieties As Depicted Through Television, Jonathan Vander Lugt Apr 2015

It's A Bird! It's A Plane! It's...Cultural Anxiety? Using Detective Comics' Three Biggest Heroes To Identify And Explore Cultural Anxieties As Depicted Through Television, Jonathan Vander Lugt

Media and Communication Studies Honors Papers

This collection of essays uses the mythic nature of superheroes to examine and discuss specific cultural anxieties as they’re navigated and alleviated in superhero television texts. First, I examine the way that anxiety over feminism and the women’s rights movement manifested itself in Wonder Woman, the 70s television series starring Lynda Carter. Next, I use Smallville and its depictions of a teenaged Superman to explore its handling of anxieties over the September 11, 2001 terrorist attacks. Finally, I performed a content analysis of six different series of Batman cartoons to examine the way they respond to national concerns over …