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Articles 1 - 9 of 9
Full-Text Articles in Spanish and Portuguese Language and Literature
Ephemeral Elsewheres: Locating Narratives Of Resignation, Resistance, And Refusal In The Poetry Of Black Cuban And Black Brazilian Women, Aidan Keys
Comparative Literature M.A. Essays
This essay dissects the language of Latin American revolution and nationalism to locate the body of the black woman and the appropriation of her image. In two seemingly incommensurable radical movements—the Cuban Revolution (1952-1959) and the Brazilian Unified Black Movement (1978-)—the contributions of Black women are unevenly recognized. Reading the poetry of cubanas Nancy Morejón and Georgina Herrera and brasileiras Sônia Fátima and Esmeralda Ribeiro, this essay claims that in both contexts, the Black woman is marginalized to a geographic “elsewhere.” Expanding on this term, coined by scholar Carol Boyce Davies, this essay further identifies temporal and ephemeral “elsewheres.” The …
Pensar El Límite: El Símbolo Indígena En Los Proyectos Políticos Cubanos De Principios Del Siglo Xix, Jorge L. Camacho
Pensar El Límite: El Símbolo Indígena En Los Proyectos Políticos Cubanos De Principios Del Siglo Xix, Jorge L. Camacho
The Coastal Review: An Online Peer-reviewed Journal
This article investigates the way in which Cuban literature reflected on indigenous people during the early half of the nineteenth century and uses the symbol of the Amerindians to demonstrate a moral disjuncture between them and the colonizer. In this article, I call attention to the way Cuban independentists and Spanish nationalists used this figure to support their views and thus created a split in the Cuban creole imagination. I start by pointing out that these appropriations started at the end of the 18th century when historian José Martín Félix de Arrate, and poets such as Miguel González and Manuel …
Miedo, Celebración Y Otredad Racial En El Cambio De Siglo: Hacia La Construcción Del Negro En El Discurso Artístico-Literario Cubano (1880-1933), Alberto Sosa Cabanas
Miedo, Celebración Y Otredad Racial En El Cambio De Siglo: Hacia La Construcción Del Negro En El Discurso Artístico-Literario Cubano (1880-1933), Alberto Sosa Cabanas
FIU Electronic Theses and Dissertations
The disrupting visual and literary languages of the turn of the 19th century to the 1930’s constitute an area of research as a moment of crystallization of the Cuban national consciousness or identity. Writers and artists in Hispanic Caribbean region had to face the challenge of finding ways to include highly racialized elements (such as religion and popular culture) within the rhetorical space of the elites, in other words, what Angel Rama has labeled the "Republic of letters". The result of these efforts not only opened a new kind of negotiation of the idea of nation, but also meant …
Year Of Cuba 2019-2020, Nashieli Marcano, Leslie Drost
Year Of Cuba 2019-2020, Nashieli Marcano, Leslie Drost
Research Guides & Subject Bibliographies
No abstract provided.
Seropositivo: Queer Solidarity & Survival In Severo Sarduy’S Fiction, Huber Jaramillo Gil
Seropositivo: Queer Solidarity & Survival In Severo Sarduy’S Fiction, Huber Jaramillo Gil
Publications and Research
With the onset of the HIV epidemic, to prevent transmission, the Cuban government aggressively tested its sexually active population, sending infected people to live in quarantined sanitariums. It is in these establishments, in which an HIV-ridden Sarduy sets his last novel, entitled Pájaros de la playa (1993). Even as the reader witnesses the degradation and disintegration of sickened bodies, which the Nation rejected and discarded, Sarduy provides gender and sexual dissidents with a vision of themselves that does not compromise their queerness when confronting institutions of power. Instead, through subversion, appropriation and solidarity, he enacts a creative exploration of existence …
Los Cuatro Puntos Cardinales Del Lente De Juan Carlos Alom, Reynaldo Lastre
Los Cuatro Puntos Cardinales Del Lente De Juan Carlos Alom, Reynaldo Lastre
The Quiet Corner Interdisciplinary Journal
Breve análisis de los tópicos característicos en la obra fotográfica del fotógrafo cubano Juan Carlos Alom, en especial las que resumen su reciente exposición en el Jorgensen, Center for the Performing Arts, de la Universidad de Connecticut.
Perceptions On Santería: Then And Now, Ludmille Glaude
Perceptions On Santería: Then And Now, Ludmille Glaude
Undergraduate Research
This paper will examine how the Batista and Castro regimes were able to impact the perception of Santería amongst the Cuban public. Santeria is a polytheistic religion practiced in Cuba that combines elements of Yoruba beliefs and Catholicism. Recently, Santeria appears to be experiencing a growth in visibility in Cuba. The syncretic religion and its visibility, has become of interest to examine and report on, amongst many media outlets. According to a Vice News article published as recently as 2014, the author dubs Santería as “Cuba’s New Religion”. The article describes Santería as a dynamic form of worship, with participation …
Heroísmo Y Conciencia Racial En La Obra De La Poeta Afro-Cubana Cristina Ayala, Maria A. Aguilar
Heroísmo Y Conciencia Racial En La Obra De La Poeta Afro-Cubana Cristina Ayala, Maria A. Aguilar
Languages, Literatures and Cultures Faculty Scholarship
This article examines the poetry of Cuban writer Cristina Ayala emphasizing the political value of her use of a rhetoric of heroism, a discursive device that masks her demands for recognition of women’s rights and those of Afro-Cubans. The analysis of her poetry suggests that the symbolic manipulation of the “hero” and the representation of “colored” women as intellectuals and “heroes” expressed her desire to intervene in the public arena. By positioning herself within a political discourse that reconstructed slavery’s past, she narrated the revolutionary vicissitudes and created a utopian vision of the future for the Afro-Cuban community. Ayala expresses …
Fragmentation And Multiplicity In Cuban-American Identity: In Cuba I Was A German Shepherd By Ana Menéndez And Memory Mambo By Achy Obejas, Daimys E. Garcia
Fragmentation And Multiplicity In Cuban-American Identity: In Cuba I Was A German Shepherd By Ana Menéndez And Memory Mambo By Achy Obejas, Daimys E. Garcia
Dissertations, Theses, and Capstone Projects
Maria Lugones offers a new way of perceiving the world, which makes visible that fragmentation is not a valuable and transgressive understanding of identity, as Western philosophy and some political theory suggests. What Lugones believes in, as a strategy of resistance to the dominant gaze, is multiplicity – mestizaje. Using Lugones’s framework, this thesis will look at the different aspects of Cuban-American characters in In Cuba I was a German Shepherd by Ana Menéndez and Memory Mambo by Achy Obejas. Each novel offers insight into how characters develop and understand themselves (and others) when they use language that shows that …