Spanish and Portuguese Language and Literature Commons^™

Presentation Of Bicultural Identity In Hispanic Children’S Literature, Elena B. Lofton

Honors Theses

Children of all backgrounds can use literature as a means to understand the world in which they live. Therefore, it is important that children’s books represent diverse cultures and experiences. This study analyzed Hispanic children’s literature published in the U.S. that contained child characters with bicultural Hispanic-American identities. The aim of this study was to determine how the linguistic and literary elements in five books, which contained bilingual Spanish-English interwoven text, combined to present a bicultural identity and lifestyle in the United States today. The literary elements analyzed included themes, character portrayal, the roles of family and the elderly, and …

Quixano As Reader, Quixote As Author, Stephanie Bowar

Oglethorpe Journal of Undergraduate Research

Cervantes' 17th century novel, Don Quixote, details the story of passive, stagnant Alonso Quixano, who then abruptly declares himself Don Quixote, a chivalric knight who goes on to fight passionately for his identity and reality. In his dying moments, however, he once more becomes Alonso Quixano, just as abruptly renouncing his previously-claimed identity. Cervantes' work demands discussions of reality, identity, and above all, authenticity. The following paper explores the differences between Alonso Quixano and Don Quixote on these fronts, and argues that Don Quixote, author of his own life, demonstrates authenticity, while Alonso Quixano does not.

Between Confession And Realism: Lack, Vision, And The Construction Of Identity In Rafael Arévalo Martínez’S Una Vida And Manuel Aldano, Maria Spitz

School of American and Global Studies Faculty Publications with a Focus on Modern Languages and Global Studies

The present study explores the relationship between generic ambiguity in Una vida (1914) and Manuel Aldano (1922) by the Guatemalan Rafael Aróvalo Martínez, and the Darwinian/Spencerian discourse with which the narrator attempts to construct an identity that will grant him a legitimate speaking subjectivity in the face of his inability to adapt to the changes in the Spanish American letrado’s role within societies at the periphery of modernization. Through an analysis of the narrator’s development and the emerging relationships between sexuality, language, genre, and vision in Arévalo Martínez’s short novels, the reader will note the irresolute tension between confession and …

Estrategias Desestabilizadoras En La Narrativa De Silvina Ocampo, Lorena Loguzzo

FIU Electronic Theses and Dissertations

La narrativa de Silvina Ocampo (1903-1993) no goza del lugar que merece en la ficción argentina y latinoamericana como obra de la principal cuentista del siglo XX. Hace relativamente poco que su obra comenzó a despertar el interés de la crítica, atención que se evidencia en la cantidad de artículos y disertaciones recientes.

Mediante una disección de la narrativa ocampeana a partir de las grandes coordenadas que la intersectan se pueden caracterizar los aspectos peculiares y distintivos de su estilo. Desarrollada tras la consolidación del psicoanálisis y su influencia en la estética surrealista, la narrativa de Ocampo incorpora algunos de …

Considering Triple Self-Portraiture In The Work Of María Izquierdo, Brooke Lashley

The Quiet Corner Interdisciplinary Journal

This paper looks to María Izquierdo’s paintings, Prisioneras (Prisoners) of 1936 and Sueño y presentimiento (Dream and Premonition) of 1947, as case studies for activating a theory of triple self-portraiture. The theory reflects how plurality arises in the singular or in single significations of the self and disrupts homogeneity in thinking about identities for the self and others within the genre of self-portraiture. In activating a theory of triple self-portraiture, I found three forms of the self in Izquierdo's works: the self as oppressed (the past); the self as oppressing (the current); and the self as an emancipator (future). Although …