Spanish and Portuguese Language and Literature Commons^™

A Cinematographic Comparison Of The Representation Of Las Cholitas In Two Bolivian Films: Los Andes No Creen En Dios Directed By Antonio Eguino (2007) And Zona Sur By Juan Carlos Valdivia (2010), Mackenzie Scheer

Honors Program Theses

From its founding on a colonial system to the current socioeconomic class structure in Bolivia, indigenous rights have been improving in the state. Las cholitas are an Aymaran, indigenous group within Bolivia. This essay looks at the portrayal of cholitas in two different Bolivian films: Los Andes no creen en Dios directed by Antonio Eguino (2007) and Zona sur by Juan Carlos Valdivia (2010). The former is set in the 1920s and the latter in 2010, thus showing the change in status of indigenous people over a 90-year gap. This cinematographic analysis focused on the indicators of the separation of …

The Networked Fictional Narrative: Seriality And Adaptations In Popular Television And New Media., Nandita Dutta

Electronic Thesis and Dissertation Repository

From creating elaborate fan-worlds to driving large amounts of revenue into the economy, popular culture has proved to be the motivation behind, as well a reflection of, large scale acquisitions of conglomerates that have governed popular interests since the mid-20th Century. If its movements across geographic space, time, and media can be traced, popular culture production is an apt subject of research into how a cultural entity is conceptualised, transported and appropriated within another. In this study, adaptations of fictional products in the 20th and 21st Centuries are considered as manifestations of neobaroque forms of culture production and consumption. Some …

Film And The Culture Of Memory In Argentina, Theresa Jo Thomas

Undergraduate Honors Theses

This project examines the culture of memory in modern-day Argentina in the context of the last civic-military dictatorship that took place between 1976 and 1983. Argentina is a country with a long history of filmmaking, a tradition that was suddenly interrupted during the long and dark seven years of military rule. Since the arrival of democracy in 1983, however, filmmakers have explored the trauma created by this period and have created a significant record of films that deal with loss, memory, and trauma. This thesis analyzes several films produced between the return of democratic rule and present-day Argentina in order …

Precariedad En La Pantalla: El Género Fílmico De La Crisis Española, Lauren M. Grant

Honors Theses

La crisis económica española (2008—Presente) impactó España con mucha fuerza, dejando a mucha gente en estados de precariedad y vulnerabilidad. Estas experiencias de la crisis se reflejan en cine de crisis español, lo que frecuentemente pone a los protagonistas en situaciones de precariedad física que representan metafóricamente las realidades de la crisis. Además, el cine de crisis puede tener aplicaciones activistas a través de animar a la gente de tomar acción contra la corrupción política y desigualdad económica. Esta tesis analiza tres películas españolas de distintos géneros fílmicos que son ejemplos del cine de crisis: Los amantes pasajeros (Almodóvar, 2013), …

"Al Gaucho Que Llevo En Mí, Sacramente, Como La Custodia Lleva La Hostia”: Ideología Política Y Literatura Gauchesca En El Contexto Cinematográfico De La Revolución Argentina, Ramiro Garcia-Olano

Doctoral Dissertations

This doctoral dissertation studies Manuel Antín’s Don Segundo Sombra (1969), the cinematographic adaptation of Ricardo Güiraldes celebrated “novela de la tierra” of the same title, in the context of the so called “Revolución Argentina”, the military dictatorship that ruled this country between 1966 and 1973. This investigation seeks to shed light on the political struggle for control of the “gauchesca” literary genre that was taking place at this time in the Argentinean cinematographic field. In a time of rampant nationalism, the different political actors that were vying for political power saw in the “gaucho”, who by then had come to …

Bodies Of Light: Affect And The Filmic Gaze In Horacio Quiroga's Cinema Stories, Morgan Keith Stewart

Theses and Dissertations

Though Horacio Quiroga is better known for his jungle tales, he was also a prolific film critic. Writing in the early days of silent cinema, Quiroga channeled his love for the new art into a series of four short stories about film: "Miss Dorothy Phillips, mi esposa" (1919), "El espectro" (1921), "El puritano" (1926), and "El vampiro" (1927). These stories not only reveal Quiroga's passion for the cinema, but also showcase the power of film to affect the spectator. The theoretical basis of my study comes from the Deleuzian concept of affect, being defined as the invisible force or intensity …

Found In Translation: An Analysis Of Popular American Film In Spain, Emily Dushek

Honors Projects

This research examines American popular film in Spain with the aim of understanding if and how removing a popular text (such as a film) from its original language and socio-cultural context and translating it for consumption in a different language and culture affects the interpretation of the film. The study delves into the very successful 2012 films The Avengers (Joss Whedon) and Django Unchained (Quentin Tarantino) and uses textual analyses and comparisons of the original English and the translated Castellano Spanish versions of the films, specifically focusing on the translations, as well as analyses of film reviews and critiques written …

La Guerra Civil Española En La Memoria Histórica: Una Conversación Continua Con El Pasado, Jordan C. Hensley

Honors Papers

Este ensayo enfoca en una variedad de obras españoles de cine y literatura contemporanea, incluidos novelas, documentales, peliculas y una novela grafica, que narran las historias de españoles que experimentaron la epoca de la Guerra Civil Española, la represion nacionalista durante la dictadura de Francisco Franco y el proceso de transmitir los recuerdos de aquellas epocas a una generacion mas joven que no las vivio. Investiga los papeles que desempeñan estas obras en el proyecto de narrativizar eventos centrales de la memoria historica de una epoca que sigue siendo importante en el presente.

Navegando Las Barreras Entre El Patriarcado Y El Poder Femenino: Un Análisis De La Representación De La Mujer En El Cine Español Desde 1948 A 2014, Olivia Sloan Marple

Honors Theses and Capstones

Este ensayo tratará del papel de la mujer en el cine español y como las representaciones de la mujer en el cine se conectan con lo que pasa en la sociedad española. Específicamente, mostrará que el poder del papel de la mujer se correlaciona con la deconstrucción de los roles de género en la sociedad patriarcal y la fluidez de género representadas en las películas.

Además, este ensayo intenta demostrar que no vemos una trayectoria directa de la representación de la liberación femenina en el cine español. Efectivamente, el poder de los papeles femeninos no tienen que ver con la …

Making Fun Of Franco: Representations And Caricatures Of Spanish Fascism In The Films El Espiritú De La Colmena, Cría Cueros And El Laberinto Del Fauno, Elizabeth Pruchnicki

Honors Capstone Projects - All

The end of the Spanish Civil War marked the beginning of Francisco Franco’s dictatorship, which lasted more than 35 years. Throughout this time, he systemized terror, executing more than 100,000 republican sympathizers in the first few years of his regime and marginalizing the remainder of the population. Therefore, the Fascist Era lasting from 1940-1975 is one plagued with strained relationships, ambiguous loyalties and distant relatives. The films El espiritú de la colmena by Victor Erice, Cría cuervos by Carlos Saura and El laberinto del fauno by Guillermo del Toro’s illustrate these kinds of challenges, from the point …

Telling The Story Of Mexican Migration: Chronicle, Literature, And Film From The Post-Gatekeeper Period, Ruth Brown

Theses and Dissertations--Hispanic Studies

This study examines how the social process of undocumented Mexican migration is interpreted in the chronicle, literature, and film of the post-Gatekeeper period, which is defined here at 1994-2008. Bounded on one side by the Mexican economic crisis of 1994, and increased border security measures begun in that same year, and on the other by the advent of the global economic crisis of 2008, the post-Gatkeeper period represents a time in which undocumented migration through the southern U.S. border reached unprecedented levels. The dramatic, tragic, and compelling stories that emerged from this period have been retold and interpreted from a …

Spanish Translation Of Sze-Man Lam's “All About Sexuality: Gender Studies In Pedro Almodovar's Films”, Kurt Ryan Schultheis

World Languages and Cultures

I started researching possible senior project options with the idea in mind of writing a scholarly paper about the films of Pedro Almodóvar. When I looked at all that had been written about him already, I suddenly felt overwhelmed. It seemed that everything that could possibly be said about Almodóvar had already been said, and what could I possibly have to add? Then I found Sze-man Lam's Master of Arts thesis that she wrote in 2004 at the University of Hong Kong. As I read it, I thought, “This is the paper that I wanted to write!” I had all …

The Indigenismo Of Emilio "El Indio" Fernández: Myth, Mestizaje, And Modern Mexico, Mathew J. K. Hill

Theses and Dissertations

As one of the major directors of Mexico's Golden Age of Cinema (1936-1956), Emilio “El Indio” Fernández (1904-1986) created films which for many came to express the official vision of Mexican identity. Part of this identity was based on the ideology of indigenismo, which posited that the pre-Columbian past held the basic kernel of Mexico's national essence while advocating the incorporation of modern Indian groups into mainstream society. El Indio's films reflect the paradox of indigenismo: praise for indigenous cultures and a simultaneous effort to make them disappear. The following study examines three of his indigenista films, Marí­a …

Beyond Fidelity: The Translation Process In Two Adaptations Of Juan Marsé’S El Embrujo De Shanghai, Jessie Louise Christensen

Theses and Dissertations

In the past, the study of film adapted from literature has focused largely on the question of fidelity. This thesis explores new ways to look at the relationship between literature and film by showing how concepts from the field of translation studies, particularly literary translation, can enrich the study of adaptation theory. An application is made to the case of Spanish novelist Juan Marsé’s work El embrujo de Shanghai, which has been adapted to film by Fernando Trueba and to screenplay by Victor Érice. Rather than taking a hierarchical approach to the novel and its two variations, a comparative approach …