Spanish and Portuguese Language and Literature Commons^™

Huérfanos De Orfeo: Poesía Y Música En La Cultura De Los Siglos De Oro, Lorena Uribe Bracho

Dissertations, Theses, and Capstone Projects

This dissertation is an attempt to elucidate some aspects of one of the central issues in the history of lyric poetry, which is the complicated interlace of connections between poetry and music. It focusses on the case of early modern Spain, and it studies a large corpus of poetry in Spanish from 1500 to 1700. The corpus includes Renaissance and Baroque poems of many genres and from many sources, both printed and manuscript, by canonical and by lesser known poets, all of which engage with music and musical practice.

I address the questions of how music is involved in poetry’s …

Aurality As Methexis And The Rise Of Castilian Literature: The Case Of The Siete Partidas, Maristela Verastegui

Dissertations, Theses, and Capstone Projects

Participation is the engine of cultural production. In the case of literature, the privileged modality that enables participation is auditory perception. In order to articulate a theory of literary cultural production based on auditory perception, participation needs to be analyzed in the context of Platonic methexis, understood as an embodied experience facilitated by brain mechanisms of sensory processing and cognition, which manifest in specific ways in written texts. The Siete Partidas, the first complete and systematic legal code of the Western World, provides the perfect case study to test a theory of literary cultural production based on methexis via …

Acoustic Epistemologies And Aurality In Sor Juana Inés De La Cruz, Sarah E. Finley

Theses and Dissertations--Hispanic Studies

This dissertation considers the intersection of aurality and visuality in seventeenth-century New Spanish poet Sor Juana Inés de la Cruz’s (1648/1651-95) acoustico-poetic discourse. Prior scholarship has focused either on the author’s engagement with Western music theory and compositional practices or else the role of musical references in her works. This has resulted in the marginalization of Sor Juana’s engagement with sound through disciplines that are not strictly musical or poetic, including: acoustics, cognitive theory and visual art. I address these lacunae by considering such concepts as echo, reflection, Ear, Voice, musica poetica (links between music and rhetoric) and musical pathos …