Spanish and Portuguese Language and Literature Commons^™

Tragicomic Transpositions: The Influence Of Spanish Prose Romance On The Development Of Early Modern English Tragicomedy, Josefina Hardman

Doctoral Dissertations

The critical origin story for early modern English stage tragicomedy has frequently centered around Italian playwright and theorist Giambattista Guarini, who offered a tragicomic model in his play Il pastor fido (The Faithful Shepherd) and in his treatises on the genre. While Guarini’s impact on playwrights such as John Fletcher is undeniable, tragicomic critics have generally ignored the pervasive influence of Miguel de Cervantes’ work on seventeenth-century English playwrights. This project is the first sustained study of the influence of Cervantean prose romance on the development of early modern English tragicomedy. By looking at English tragicomedies with Spanish …

Para Donde Miran Los Ojos: Confluencias Entre Locura, (Des)Identidad Y Violencia En La Obra De João Guimarães Rosa, Silvina Ocampo Y Luis Martín-Santos, Giseli C. Tordin

Doctoral Dissertations

This dissertation studies the representation of madness in the literary works of three twentieth-century authors, namely, João Guimarães Rosa (from Brazil), Silvina Ocampo (from Argentina), and Luis Martín-Santos (from Spain). The first chapter argues that madness in Ocampo’s “El castigo”, Rosa’s “Buriti”, and Martín-Santos, Tiempo de silencio, reveals a series of conflicts between tradition and modernity, rather than the alleged symptoms of an individual suffering from a mental illness. After comparing the three works, it is evident that the decisions of their characters reproduce certain values idealized by authoritarian cultures. The second chapter discusses Rosa’s “Substância”, Ocampo’s “La casa …

Diversidad Y Comunidad: La Propuesta Del Grupo De Guayaquil En Tensión Perenne Frente A La Modernidad, Patricio Paúl Peñaherrera Cevallos

Doctoral Dissertations

This dissertation contributes to the study of Ecuadorian literature from the first fifty years of the twentieth century, not just as an isolated discourse, but as part of a multidisciplinary project of re-reading the nation-building project through literature. In that regard, the literary works of The Grupo de Guayaquil are examined as a primary resource to understand how the hegemonic social forces of the period imposed their one-dimensional perspective about the nation without considering the views held by those communities often referred to as subalternized. Special attention is given to how these same works of fiction constituted an expression of …

Back From Oblivion: Society And Literature In Ventura Ruiz Aguilera’S Ecos Nacionales And Proverbios Ejemplares, Bruce Milton Cole

Doctoral Dissertations

Ventura Ruiz Aguilera (1820-1881) enjoyed great popularity and influence throughout the mid- 19th century in Spain. He was most famous for his book of poems Ecos nacionales (1849), which was inspired by the people. Although he continued to attract attention amongst literary critics, shortly after his death Aguilera’s popularity declined. This investigation explores the representation of society in both Aguilera’s Ecos nacionales and his prose collection Proverbios ejemplares (1864). By reexamining these two texts, I reveal how Aguilera’s works partake in discussions of both literary and social issues with an emphasis on progress and modernity.

When Aguilera published Ecos nacionales …

Desaprendiendo Las Múltiples Significaciones De Emiliano Zapata: Hacia Una Lectura Decolonial., Andrea Perales Fernández De Gamboa

Doctoral Dissertations

My research examines how the image of General Zapata, the southern leader of the Mexican Revolution (1910-1920), has been utilized in diverse representations of Mexican cultural production of the twentieth and twenty-first centuries. According to my analysis, the different versions that Zapata has been given correspond to a diverse set of ideologies and local and state values that varied across the twentieth and twenty-first centuries. From the construction of the post-revolutionary state in the 1920s to contemporary literature, the figure of the southern hero has embodied the traits that constitute a national hero, in spite of the fact that he …

Comunidad Y Escritura En La Temprana Edad Moderna Española Teresa De Cartagena, María De Santo Domingo Y Teresa De Ávila (1420-1582), Borja Gama De Cossio

Doctoral Dissertations

My research focuses on the literary production of women in the late Middle Ages and the Renaissance. My dissertation studies the life and works of three religious women in their respective communities: Teresa de Cartagena, Sor María de Santo Domingo, and Santa Teresa de Ávila. I examine how these women interact with other members of their orders, thus creating symbolic, intellectual, and emotional communities. I argue that their contact with friends and enemies inside and outside of their order and the church displays a variety of empowerment strategies. To deploy these series of strategies, religious women fashioned images of themselves …

Moving Against Clothespins:The Poli(Poe)Tics Of Embodiment In The Poetry Of Miriam Alves And Audre Lorde, Flávia Santos De Araújo

Doctoral Dissertations

This dissertation examines literary representations of the black female body in selected poetry by U.S. African American writer Audre Lorde and Afro-Brazilian writer Miriam Alves, focusing on how their literary projects construct and defy notions of black womanhood and black female sexualities in dialogue with national narratives and contexts. Within an historical, intersectional and transnational theoretical framework, this study analyses how the racial, gender and sexual politics of representation are articulated and negotiated within and outside the political and literary movements in the U.S. and Brazil in the 1970s and 1980s. As a theoretical framework, this research elaborates and uses …

Mujer, Tradición Y Conciencia Histórica En Gertrudis Gómez De Avellaneda, Ana Lydia Barrios

Doctoral Dissertations

This dissertation studies the historical consciousness in the literary production of Gertrudis Gómez de Avellaneda (1814, Cuba – 1873, Spain). The numerous novels, plays, and legends, as well as articles written by her, display an array of female characters selected from history, traditions, and the Bible. This focus of women undoubtedly shows the author’s concern with the condition of women in society, which transcends her own time and place in history, nineteenth century Spain, as her stories attempt to establish a connection between herself and her readers, and women of different times in history. In doing so, Gómez de Avellaneda’s …