Spanish and Portuguese Language and Literature Commons^™

Making Machines Learn. Applications Of Cultural Analytics To The Humanities, Javier De La Rosa Pérez

Electronic Thesis and Dissertation Repository

The digitization of several million books by Google in 2011 meant the popularization of a new kind of humanities research powered by the treatment of cultural objects as data. Culturomics, as it is called, was born, and other initiatives resonated with such a methodological approach, as is the case with the recently formed Digital Humanities or Cultural Analytics. Intrinsically, these new quantitative approaches to culture all borrow from techniques and methods developed under the wing of the exact sciences, such as computer science, machine learning or statistics. There are numerous examples of studies that take advantage of the possibilities that …

Interstory: A Study Of Reader Participation And Networked Narrative In Media Convergence, Elika Ortega Guzman

Electronic Thesis and Dissertation Repository

Recently we have seen the proliferation of narratives developing in media convergence: simultaneously on websites, blogs, multimedia platforms, books, magazines, etc. In this thesis, I propose the term interstory to characterize this narrative tendency. Interstory is a narrative constituted by a network of story pieces published in different media and compiled by readers. To illustrate the concept of interstory I take as a study case Hernán Casciari’s and Christian Basilis’ Orsai, which in two years has incorporated into its narrative three blogs, a print magazine, and a web magazine. Orsai has been a successful project thanks to the formation of …

El Gracioso En El Teatro De Calderón: Un Análisis Desde Las Humanidades Digitales, Miriam A. Peña-Pimentel

Electronic Thesis and Dissertation Repository

This study has two equally important objectives: firstly, the design of a new methodology for analyzing literary texts that make use of new technologies to facilitate the task of the researcher. Secondly, the application of the methodology to a selection of Calderón de la Barca´s comedies to analyze the central role that the character of the gracioso plays in defining the essential characteristics of such plays.

The methodology presented here helps to manage large amounts of information while maintaining the semantic structure inherent in the dramatic text. It is divided into five distinct phases: manual annotation of the works following …