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Neutering Neoliberalism: Masculinities And Gore Capitalism In Rubem Fonseca’S Crime Novels, David William Hancock

Theses and Dissertations

This study presents close readings of Rubem Fonseca’s Agosto (1990), A grande arte (1983), Bufo & Spallanzani (1985), and O seminarista (2009), to suggest they condemn Neoliberalism’s role in creating a global culture of violence, as they problematize its rhetoric of domination and uncover its heteropatriarchal, consumerist ideology, disguised as fact or ‘common-sense.’ The four chapters are divided according to the different theoretical concepts that accompany the four principal texts’ common critique of Neoliberal masculinity, as it functions to uphold the interdependent hierarchies of race, class and gender. Fonseca’s texts also imply the reader's’ complicity in a global culture of …