Spanish and Portuguese Language and Literature Commons^™

La Identidad Ecuatoriana A Través Del Humor De Miguel Antonio Chávez, Luis Enrique Yanez

All Graduate Theses, Dissertations, and Other Capstone Projects

This thesis project provides a close reading of the literary work of Ecuadorian author Miguel Antonio Chávez. The analysis in this work discuses how the author use humor to criticize the discourses that have been produced in order to represent indigenous and Afro-descendants in the country, as well as the fragility of social and political institutions such as the church, the state, and the country's educational system in the pieces La puta madre patria, La kriptonita del Sinaí, and El electroshock nuestro de cada día. This thesis analyses humor as a narrative tool with its function to reproduce and criticize …

Imagen Y Percepción De La Inmigración Ecuatoriana En España, Jesús Calzas Millán

All Graduate Theses, Dissertations, and Other Capstone Projects

In the decade following the Ecuadorian financial crisis of 1988, Spain took in approximately half a million Ecuadorian immigrants. This study analyzes the social consequences of this migratory flow from a very particular point of view: the perspective offered by the mass media and literary works.

Using several reports as well as different newspaper articles and literary works, this project shows how this group has been stigmatized during their stay in the receiving country. The reader will be able to see that this stigmatization comes not only from the fact that it is possible to distinguish the Ecuadorian physically, but …

Manifestaciones Del Teatro Del Absurdo En Las Obras De Cristian Cortez, Angela Rocio Rodriguez-Mora

All Graduate Theses, Dissertations, and Other Capstone Projects

This work presents a study of the characteristics of the Theatre of the Absurd in Latin America and in particular Ecuador, through the study of the work of the Ecuadorian author Cristian Cortez. We review the origins of the genre from the original works of its founders -such as Samuel Beckett and Eugene Ionesco in Europe- and base our analysis in the classification made by Martin Esslin in his book Theatre of the Absurd. This study pays particular attention to the conditions in which this genre developed in Latin America, the cultural, political, social and economic aspects, and the main …