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Full-Text Articles in Spanish and Portuguese Language and Literature
Para Donde Miran Los Ojos: Confluencias Entre Locura, (Des)Identidad Y Violencia En La Obra De João Guimarães Rosa, Silvina Ocampo Y Luis Martín-Santos, Giseli C. Tordin
Para Donde Miran Los Ojos: Confluencias Entre Locura, (Des)Identidad Y Violencia En La Obra De João Guimarães Rosa, Silvina Ocampo Y Luis Martín-Santos, Giseli C. Tordin
Doctoral Dissertations
This dissertation studies the representation of madness in the literary works of three twentieth-century authors, namely, João Guimarães Rosa (from Brazil), Silvina Ocampo (from Argentina), and Luis Martín-Santos (from Spain). The first chapter argues that madness in Ocampo’s “El castigo”, Rosa’s “Buriti”, and Martín-Santos, Tiempo de silencio, reveals a series of conflicts between tradition and modernity, rather than the alleged symptoms of an individual suffering from a mental illness. After comparing the three works, it is evident that the decisions of their characters reproduce certain values idealized by authoritarian cultures. The second chapter discusses Rosa’s “Substância”, Ocampo’s “La casa …
Uncommon Convergences: A Hemispheric And Comparative Approach To The Great Gatsby And Pedro Páramo, Ariel Jade Santos
Uncommon Convergences: A Hemispheric And Comparative Approach To The Great Gatsby And Pedro Páramo, Ariel Jade Santos
UNLV Theses, Dissertations, Professional Papers, and Capstones
Over the past thirty years, American literary scholarship has shifted focus away from a national approach centered on the United States to a hemispheric methodology that includes all of the countries within this hemisphere. As scholars begin to break down the once iron-clad borders that stood between the American canon and the authors of our hemispheric neighbors, new opportunities have arisen for literary exploration. As an original contribution to this field of scholarship, my thesis project uses a hemispheric and comparative methodology to identify and examine the manifestations of reification and patriarchy in F. Scott Fitzgerald’s The Great Gatsby (1925) …