Open Access. Powered by Scholars. Published by Universities.®
Spanish and Portuguese Language and Literature Commons™
Open Access. Powered by Scholars. Published by Universities.®
- Discipline
-
- Modern Literature (9)
- Latin American Literature (8)
- Spanish Literature (3)
- American Literature (2)
- American Studies (2)
-
- Film and Media Studies (2)
- Latin American Languages and Societies (2)
- Social and Behavioral Sciences (2)
- Aesthetics (1)
- Anthropology (1)
- Art and Design (1)
- Biology (1)
- Feminist, Gender, and Sexuality Studies (1)
- French and Francophone Language and Literature (1)
- French and Francophone Literature (1)
- German Language and Literature (1)
- German Literature (1)
- History of Art, Architecture, and Archaeology (1)
- Interdisciplinary Arts and Media (1)
- Life Sciences (1)
- Linguistics (1)
- Modern Languages (1)
- Other Life Sciences (1)
- Philosophy (1)
- Race, Ethnicity and Post-Colonial Studies (1)
- Religion (1)
- Religious Thought, Theology and Philosophy of Religion (1)
- Social and Cultural Anthropology (1)
- Institution
- Publication Year
- Publication
-
- Studies in 20th & 21st Century Literature (6)
- Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía (2)
- Global Tides (1)
- International Journal of the Linguistic Association of the Southwest (1)
- The Coastal Review: An Online Peer-reviewed Journal (1)
Articles 1 - 12 of 12
Full-Text Articles in Spanish and Portuguese Language and Literature
Antes Muerta Que Sencilla: Language And The Construction Of Feminine Beauty In The Spanish-Speaking World, Eva Michelle Wheeler
Antes Muerta Que Sencilla: Language And The Construction Of Feminine Beauty In The Spanish-Speaking World, Eva Michelle Wheeler
International Journal of the Linguistic Association of the Southwest
Much has been written on the topic of feminine beauty, and existing studies suggest that ideas about beauty are a powerful cultural mirror that reveal what we value as a society and how we are valued by society (e.g., Etcoff 1999; Rhodes 2006; Whitefield-Madrano 2016; Wolf 2002). Despite critical advances made in beauty research, few existing studies in this area explicitly examine the lexicon of beauty as a critical site of analysis (e.g., Démuth et al. 2022; Gladkova 2021; Gladkova & Romero-Trillo 2021; Miller & Stevens 2021; Tayebi 2021; Wong & Or 2021). In the context of Spanish, no existing …
Ignacio M. Sánchez Prado, Editor. Mexican Literature As World Literature. Bloomsbury Academic, 2022., Caroline E. Tracey
Ignacio M. Sánchez Prado, Editor. Mexican Literature As World Literature. Bloomsbury Academic, 2022., Caroline E. Tracey
Studies in 20th & 21st Century Literature
Review of Ignacio M. Sánchez Prado, editor. Mexican Literature as World Literature. Bloomsbury Academic, 2022. 266 pp.
Rielle Navitski. Public Spectacles Of Violence: Sensational Cinema And Journalism In Early Twentieth-Century Mexico And Brazil. Duke Up, 2017., Ernesto R. Acevedo-Muñoz
Rielle Navitski. Public Spectacles Of Violence: Sensational Cinema And Journalism In Early Twentieth-Century Mexico And Brazil. Duke Up, 2017., Ernesto R. Acevedo-Muñoz
Studies in 20th & 21st Century Literature
Review of Rielle Navitski. Public Spectacles of Violence: Sensational Cinema and Journalism in Early Twentieth-Century Mexico and Brazil. Duke UP, 2017. xiv + 344pp.
Postcolonial Pandemics And Undead Revolutions: Contagion As Resistance In Con Z De Zombie And Juan De Los Muertos, Sara A. Potter
Postcolonial Pandemics And Undead Revolutions: Contagion As Resistance In Con Z De Zombie And Juan De Los Muertos, Sara A. Potter
Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía
Argentinian director Alejandro Brugués’s 2011 Cuban-Spanish film Juan de los muertos and Mexican playwright Pedro Valencia’s 2013 play Con Z de zombie spring from similar roots: both initially place the blame for each country’s zombie apocalypse at the feet of the United States. In Brugués’s film, the accusation is clear but never proven: news reports interspersed through the film state that the country is being invaded by “dissidents” paid by the U.S. government, though there is no political or military U.S. presence in the film beyond the symbolic presence of the country’s flag. In Valencia’s Mexico, the cause is entirely …
The Construction Of A Transatlantic Subject: Family And Nation In "Sola" By María José De Chopitea, Valeriya F. Fritz
The Construction Of A Transatlantic Subject: Family And Nation In "Sola" By María José De Chopitea, Valeriya F. Fritz
The Coastal Review: An Online Peer-reviewed Journal
This article explores the articulation of exile identity in the novel Sola by María José de Chopitea published in Mexico in 1954. Until now, critics have approached this text as lacking ideological argument. I propose an alternative reading of the novel as an ideologically charged narrative that articulates the nation beyond state borders and in terms of a transatlantic bond between Mexico and the Spanish Republic. Sola creates space in the nation for Catalan female writers who were previously excluded due to both their gender and their status as political exiles and cultural minorities.
Considering Triple Self-Portraiture In The Work Of María Izquierdo, Brooke Lashley
Considering Triple Self-Portraiture In The Work Of María Izquierdo, Brooke Lashley
The Quiet Corner Interdisciplinary Journal
This paper looks to María Izquierdo’s paintings, Prisioneras (Prisoners) of 1936 and Sueño y presentimiento (Dream and Premonition) of 1947, as case studies for activating a theory of triple self-portraiture. The theory reflects how plurality arises in the singular or in single significations of the self and disrupts homogeneity in thinking about identities for the self and others within the genre of self-portraiture. In activating a theory of triple self-portraiture, I found three forms of the self in Izquierdo's works: the self as oppressed (the past); the self as oppressing (the current); and the self as an emancipator (future). Although …
Un Cuento Satírico En Medio Del Debate Sobre El Darwinismo En México, Miguel A. Fernández Delgado Mafd
Un Cuento Satírico En Medio Del Debate Sobre El Darwinismo En México, Miguel A. Fernández Delgado Mafd
Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía
Charles Darwin's theory of biological evolution of species was accepted or rejected by Mexican scientists, including Gabino Barreda, representative of Comte's philosophy. It was also included by Justo Sierra in a history book for the Escuela Nacional Preparatoria, a decision which raised a lot of criticism from conservative groups. It is also discussed the implications of social Darwinism in the early Twentieth Century Mexico. The document we offer is a satire published in those years, which resembles the tone of Swift's Gulliver Travels.
Relocating The Cowboy: American Privilege In "All The Pretty Horses", Maia Y. Rodriguez
Relocating The Cowboy: American Privilege In "All The Pretty Horses", Maia Y. Rodriguez
Global Tides
American novelist Cormac McCarthy published the first installment of his Border Trilogy, a novel entitled All The Pretty Horses, only a decade before the turn of the 21st century. Within a few months, essays by Alan Cheuse and Vereen M. Bell would set the tone for scholarship on McCarthy's work for the decade to follow. However, in 2012 Jordan Savage revolutionized the conversation on the concept of "border" within the Border Trilogy, identifying it as an ideological myth. This paper will further Savage’s analysis using Jacques Derrida’s Deconstructionist theory in order to analyze the binaries created by the border …
It’S My (National) Stage Too: Sabina Berman And Jesusa Rodríguez As Public Intellectuals, Stuart A. Day
It’S My (National) Stage Too: Sabina Berman And Jesusa Rodríguez As Public Intellectuals, Stuart A. Day
Studies in 20th & 21st Century Literature
Based on interviews with Sabina Berman and Jesusa Rodríguez, this article offers a view of artists as public intellectuals in Mexico. These two prominent figures, in addition to staging biting commentaries on Mexican politics, have reached beyond the traditional theater to take on the role of public intellectuals (artists, activists, professors, performers, writers, among others, who speak truth to power) on the national stage, Berman through a book on the 2006 elections and her television program, Shalalá, and Rodríguez as the stage director for the massive public demonstrations of Andrés Manuel López Obrador. Both artists see the importance of reaching …
Hybridity And The Space Of The Border In The Writing Of Norma Elia Cantú, Ellen Mccracken
Hybridity And The Space Of The Border In The Writing Of Norma Elia Cantú, Ellen Mccracken
Studies in 20th & 21st Century Literature
The creative and scholarly writing of Norma Elia Cantú focuses centrally on the tensions of borders that are eroding yet firmly in place. Cantú's border pivots on the geographic space in which Mexico and the United States physically intersect, yet she probes at the same time several of the other tenuous cultural borders that postmodernity has brought into focus. Transcending distinctions between genres, languages, and cultures, Cantú undertakes innovative genre hybridity, visual-verbal hybridity, and the recombination of distinct cultural codes. Whether writing cultural criticism, autobioethnography, creative fiction, or poetry, Cantú locates herself at the intersection of the geographical and epistemological …
Gorgeous Pedagogy, Debra Castillo
Gorgeous Pedagogy, Debra Castillo
Studies in 20th & 21st Century Literature
Elena Poniatowska's recent Luz y luna, Ias lunitas immediately impresses the reader with its beauty; it is akin to a "coffee table book" in its sheer gorgeousness. I intend to explore the question of how to read the gorgeous object within the context of Poniatowska's oeuvre and within the frame of a pedagogical endeavor. Poniatowska, of course, represents the epitome of the elite but socially conscious Latin American author. As in certain of her other works (but perhaps more obviously here, because of the very nature of this book), the mix of elitism and social consciousness undergoes a multiple displacement. …
Dynamics Of Change In Latin American Literature: Contemporary Women Writers, Adelaida López De Martínez
Dynamics Of Change In Latin American Literature: Contemporary Women Writers, Adelaida López De Martínez
Studies in 20th & 21st Century Literature
Over the last twenty-five years Latin American societies have undergone profound changes. Where once the legalized abuses of dictatorships gave new meaning to the word "silence" for both men and women, now large segments of the population fight hard to sustain democratic regimes throughout the Continent. Repressive governments are being replaced, and shattered economies have begun to recover. Encouraged by the ever-increasing strength of international feminism, Latin American women (from Chiapas, Mexico, to Plaza de Mayo in Argentina) have risen to play key roles in this socio-political reformation. The writing of female authors has proliferated in this environment, and the …