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Articles 1 - 30 of 58
Full-Text Articles in Spanish and Portuguese Language and Literature
Family /War: A Cautionary Tale, Irene Kacandes
Becoming Aurora: Translating The Story Of Arshaluys Mardiganian, Shushan Avagyan
Becoming Aurora: Translating The Story Of Arshaluys Mardiganian, Shushan Avagyan
Dissidences
No abstract provided.
Signs Of State Terrorism In Post-Authoritarian Santiago: Memories And Memorialization In Chile, Carolina Aguilera, Gonzalo Cáceres
Signs Of State Terrorism In Post-Authoritarian Santiago: Memories And Memorialization In Chile, Carolina Aguilera, Gonzalo Cáceres
Dissidences
No abstract provided.
El Sujeto De La Lengua Sujeto A La Lengua: Reflexiones Sobre La Dramaturgia Performativa Contemporánea, Stephan Baumgärtel, Miguel Ángel Zamorano, Karen Basaure
El Sujeto De La Lengua Sujeto A La Lengua: Reflexiones Sobre La Dramaturgia Performativa Contemporánea, Stephan Baumgärtel, Miguel Ángel Zamorano, Karen Basaure
Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies
Partiendo de un breve análisis de la performatividad escénica contemporánea, este artículo investiga procedimientos formales de una escritura teatral que muestra rasgos más performativos que representacionales. Para tal fin, analiza aspectos performativos de la dramaturgia de Valére Novarina, Rainald Goetz e Heiner Müller. Enfoca la materialidad de la lengua y el uso desviante de estructuras lingü.sticas habituales como tácticas que predominan en una estética de escritura teatral que presenta a la propia lengua como el personaje principal. A partir del reconocimiento de la ausencia del sujeto-constituyente, muestra por qué la dramaturgia performativa puede calificarse de posmoderna y posdramática y argumenta …
Reflexiones Entorno Al Patrimonio Cinematográfico En España Y Su Protección, Gloria Camarero Gómez
Reflexiones Entorno Al Patrimonio Cinematográfico En España Y Su Protección, Gloria Camarero Gómez
Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies
El objetivo de este texto es presentar y evaluar las políticas realizadas en el marco normativo nacional e internacional, que han articulado el concepto de patrimonio cinematográfico susceptible de protección y su excepcionalidad. Igualmente, se insiste en las actuaciones concretas llevadas a cabo recientemente en España dentro del rescate, restauración y divulgación del mismo, así como en el futuro de tales intervenciones.
O Silêncio Do Subalterno Em Menino De Engenho E Bangüê, Olimpia E. Rosenthal
O Silêncio Do Subalterno Em Menino De Engenho E Bangüê, Olimpia E. Rosenthal
Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies
El presente artículo analiza la forma en que la voz del subalterno es silenciada en las novelas Menino de Engenho y Bangüê, ambas del escritor brasileño José Lins do Rego. Basándome en las teorías de Gayatri Chakravorty Spivak y Michel Foucault, examino las asimetrías entre poder y conocimiento que se evidencian en estos textos. Argumento que el tipo discurso que se construye en ambas novelas ejemplifica un patrón común de la literatura brasileña de comienzos del siglo XX, por medio del cual la representación de judíos, mujeres y afrobrasileños buscaba propagar ideologías de la clase dominante masculina de la …
Estudio Formal E Intertextual De Buried, Modelo De Eficiencia Narrativa Y Eficacia Constructiva, Valeriano Piñeiro Naval, Raquel Crespo Vila
Estudio Formal E Intertextual De Buried, Modelo De Eficiencia Narrativa Y Eficacia Constructiva, Valeriano Piñeiro Naval, Raquel Crespo Vila
Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies
El objetivo de este artículo radica en poner de manifiesto el carácter novedoso y la originalidad de los planteamientos narrativo y constructivo de Buried, cinta atípica no solo en la cinematografía española sino también internacional. Por tanto, y de forma muy concisa, nuestro propósito consiste en resaltar los aspectos que hacen de este filme una de las mayores y más agradables sorpresas del cine español de las últimas décadas.
Cine Mexicano Y Su Representación Periférica: La Representación De Las Luchas Armadas Contemporáneas, Guillermo Martínez Sotelo
Cine Mexicano Y Su Representación Periférica: La Representación De Las Luchas Armadas Contemporáneas, Guillermo Martínez Sotelo
Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies
El cine mexicano ha sido históricamente ligado al centro cultural del país, la Ciudad de México; y la cinematografía que se produce en la periferia regularmente toma una forma crítica en contra del sistema. El objetivo del análisis de estas dos películas es dar a conocer a más profundidad una vertiente del cine mexicano que hace crítica a dicho sistema establecido, sin necesidad de estar dentro del centro de poder. En este ensayo se analiza la temática y la construcción visual que hacen dos películas mexicanas y que cuya temática se desarrolla enfocada en los conflictos armados que se han …
Motivos Y Estrategias Del Futurismo, José Alberto Conderana Cerrillo
Motivos Y Estrategias Del Futurismo, José Alberto Conderana Cerrillo
Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies
Estudio crítico de la visión del mundo generada por el Futurismo en los ámbitos de las artes plásticas y la arquitectura, con especial atención al triunfo de la orientación “necromorfa”, auspiciada por el culto de la modernidad, la guerra y el clima político radicalizado.
Don Quijote En El Cine: ¿Un Sueño Imposible?, Rafael De España
Don Quijote En El Cine: ¿Un Sueño Imposible?, Rafael De España
Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies
De las muchas adaptaciones cinematográficas y televisivas de la novela de Cervantes nos vamos a centrar en aquellas que recogen la interpretación "trágica" del personaje, al que presentan como una figura crística que quiere llevar a un mundo dominado por la maldad y el egoísmo un mensaje de amor y justicia. Pese a su origen esencialmente eslavo (ruso), este "Quijote trágico" ha tenido una extraordinaria aceptación en el cine internacional y ha contribuido a darle una imagen popular que en gran medida desvirtúa el concepto original cervantino.
Reseñas
Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies
No abstract provided.
The Incertitude Of Language And Life In The Poetry Of Olvido García Valdés, Sharon Keefe Ugalde
The Incertitude Of Language And Life In The Poetry Of Olvido García Valdés, Sharon Keefe Ugalde
Studies in 20th & 21st Century Literature
Two of Ludwig Wittgenstein’s formulations serve as guideposts for the analysis of the poetry of García Valdés: the concept of language-game and the Creation Mystic Experience, or seeing the world as a miracle. The paper first considers the language-game in terms of “unbound” or exempt language. The poet, recognizing the metamorphic nature of language, frees it from predetermined cultural content and, most notably, from grammatical rigidity, toying with ambiguity and fluidity through such techniques as juxtaposition, pronoun vagueness and ellipsis. The second part of the study considers the poet’s exploration of the ineffable, which embraces both the astonishment of being …
Beyond The Pale: “Poesía Postpoética” In Agustín Fernández Mallo’S Joan Fontaine Odisea, W. Michael Mudrovic
Beyond The Pale: “Poesía Postpoética” In Agustín Fernández Mallo’S Joan Fontaine Odisea, W. Michael Mudrovic
Studies in 20th & 21st Century Literature
In a recent article defining his concept of “poesía postpoética,” Agustín Fernández Mallo chides and challenges his contemporaries for being behind the times. While not completely eschewing more traditional techniques of intertextuality and imagery, Fernández Mallo does stress the need to incorporate scientific and mathematical imagery. His book-length poem, Joan Fontaine Odisea (mi deconstrucción) (2005), exemplifies his “poesía postpoética” in its use of allusions to high and popular culture, and scientific concepts, along different types of discourse, to disrupt the commonplace perception of a unified poetic voice. This article will focus on Joan Fontaine Odisea as a modern poetic sequence …
Migration And The Foreign In Contemporary Spanish Poetry: El Sueño De Dakhla (Poemas De Umar Abass) By Manuel Moya, Debra Faszer-Mcmahon
Migration And The Foreign In Contemporary Spanish Poetry: El Sueño De Dakhla (Poemas De Umar Abass) By Manuel Moya, Debra Faszer-Mcmahon
Studies in 20th & 21st Century Literature
Many critical studies have addressed the issue of immigration in contemporary Spanish narrative and film, but far fewer have analyzed this topic within the context of poetry. The representation of immigrant experience in poetic texts is significant not only because poetic works have received less attention, but also because of the significance of poetry within North African and Islamic culture. Manuel Moya’s recent award-winning collection places the question of North African immigration as a central concern. The text purports to offer a compilation of poetry produced by the Western Saharan immigrant Umar Abass, who currently resides in Madrid. The work …
The Song Of Disappearance: Memory, History, And Testimony In The Poetry Of Antonio Gamoneda, Daniel Aguirre-Oteiza
The Song Of Disappearance: Memory, History, And Testimony In The Poetry Of Antonio Gamoneda, Daniel Aguirre-Oteiza
Studies in 20th & 21st Century Literature
This essay explores Antonio Gamoneda’s poetry as an Adornian form of testimony. With its enigmatic foregrounding of lies, the book-length poem Descripción de la mentira ‘Description of the Lie’ can be read as a “contradictory testimony” in which the act and memory of witnessing go, as it were, underground—only to resurface, rife with loss, years after Spain’s transition from dictatorship to democracy. Yet the abstruse character of this poetic writing prevents readers from drawing straightforward political truths about Spanish history from the poem. Losses are inscribed in the text catachrestically, as they truly are: losses. Gamoneda’s poetry has been read …
Memorials, Shrines And Umbrellas In The Rain: Poetry And 11-M, Jill Robbins
Memorials, Shrines And Umbrellas In The Rain: Poetry And 11-M, Jill Robbins
Studies in 20th & 21st Century Literature
This project examines the representations in recent Spanish poetry of violence, solidarity, and memory, as these intersect with ethnic, linguistic and religious otherness, globalization, communication technology, and nationalisms. The lens through which the analysis is refracted is the poetic response to the Islamist terrorist bombings of working-class commuter trains in Madrid on March 11, 2004 (known in Spain as 11-M). This event, which occurred days before national elections, exposed the contradictory cultural forces that underlie notions of the national identity, economic transformation, the role of the media, and the social contract in Spain today. This became apparent in the massive …
Poetry Wars, Sylvia R. Sherno
Poetry Wars, Sylvia R. Sherno
Studies in 20th & 21st Century Literature
The status of poetry in Spain over the last several decades has provided fodder for a surprisingly contentious dispute, perhaps particularly remarkable for devotees and critics on these shores, where poetry has a limited readership…
Cernuda In Current Spanish Poetry, Salvador J. Fajardo
Cernuda In Current Spanish Poetry, Salvador J. Fajardo
Studies in 20th & 21st Century Literature
The poet Luis Cernuda (Spain, 1902-Mexico, 1963) has left his mark on much of the poetry written in Spain since the sixties. First rediscovered in the Peninsula in the late fifties and early sixties by, among others, Francisco Brines, José Angel Valente, and Jaime Gil de Biedma, his influence became pervasive both through the work of these poets, and, through the reading of Cernuda’s poetry itself, available since 1975 in Harris and Maristany edition. Referring in particular to Biedma, whose impact on younger poets has been significant, this paper examines the presence of Cernuda in certain approaches to language and …
“No Es Mi Madre La Tierra” ‘The Earth Is Not My Mother’: Ecology In Gloria Fuertes’S Last Poetry, Douglas K. Benson
“No Es Mi Madre La Tierra” ‘The Earth Is Not My Mother’: Ecology In Gloria Fuertes’S Last Poetry, Douglas K. Benson
Studies in 20th & 21st Century Literature
Since the 1930s, Gloria Fuertes’s poetry has attracted listeners and readers to her unique combination of verbal play, witty juxtapositions of erudite and popular sources, and uncanny linguistic virtuosity. Thirteen years after her death in 1998, her popularity continues to grow as new printings of her best-selling books and new editions of her early poetry appear in print. The last book over which she had editorial control, Mujer de verso en pecho (1995) ‘Woman with Verse on her Chest,’ is her most provocative, expanding considerably the thematic range to which she applied her unconventional poetic strategies. One previous thematic element …
Reading Sara Pujol Russell’S Poetry Of Contemplation And Connection, Anita M. Hart
Reading Sara Pujol Russell’S Poetry Of Contemplation And Connection, Anita M. Hart
Studies in 20th & 21st Century Literature
Sara Pujol Russell’s poetry captures a process of expanding consciousness and personal renewal. Through contemplation and attention to nature, the poet-speaker in her works generates a sense of connection that moves her beyond daily concerns. Pujol’s poetry is both metaphysical and also different in that it resists easy classification and is not representative of mainstream trends. This essay approaches the distinctiveness of Pujol’s work by studying selected poems from her third book of poetry in Spanish, Para decir sí a la carencia, sí a la naranja, al azafrán en el pan (2004) ‘To Say Yes to Lack, Yes to the …
In The Heideggerian Tradition: Acontecimiento By Concha García, Martha Lafollette Miller
In The Heideggerian Tradition: Acontecimiento By Concha García, Martha Lafollette Miller
Studies in 20th & 21st Century Literature
Critics Sharon Keefe Ugalde and Tina Escaja have called the poetry of Concha García “enigmatic,” “unique,” and “avant-garde.” Studies of her work to date tend to attribute the fragmentation and discontinuity of her poetic discourse to her rejection of phallologocentric language. While one of her work’s chief concerns is indeed her speaker’s sense of a radical difference and alienation based on gender, her poetry at the same time directs her reader’s attention to more general ontological considerations. Rather than clearly recounting the events of the life of her poetic protagonist, she rejects the distillations and simplifications that linear narration presupposes …
Syntactically Silent Subjects: Luis Muñoz And The Poetry Of Ellipsis, Judith Nantell
Syntactically Silent Subjects: Luis Muñoz And The Poetry Of Ellipsis, Judith Nantell
Studies in 20th & 21st Century Literature
Luis Muñoz (1966) is one of contemporary Spain’s most salient poets. His work has been described as demonstrating a discourse of ellipsis; yet no study has examined in detail his masterful use of syntactic and figurative omission. In fact, even though Muñoz’s published collections to date span two centuries, no single study has been devoted to his decidedly innovative expressivity. His work has been commented on in various panoramic essays considering contemporary poetry published in Spain at this temporal intersection and a number of his poems have been gathered into noteworthy anthologies of this same era. His poetry has been …
Mysticism, Meditation, And Monologue In Poemas Del Ser Y Del Estar By Ernestina De Champourcin, Catherine G. Bellver
Mysticism, Meditation, And Monologue In Poemas Del Ser Y Del Estar By Ernestina De Champourcin, Catherine G. Bellver
Studies in 20th & 21st Century Literature
Between 1954 and 1972, Ernestina de Champourcin wrote a series of six books centering on her poetic persona’s quest for God and expressions of love toward Him. Poemas del ser y el estar is in many ways the culmination of her religious phase not only because it is the last in the series, but also because in it she reaches the serenity acquired when the search for God is over and the soul can dwell in the blissful state of illumination. Many have found implications of mysticism in her religious poetry. However, in spite of the evidence of a goal …
Poetic Vision And (In)Visible Pain In Antonio Méndez Rubio’S Trasluz, Paul Cahill
Poetic Vision And (In)Visible Pain In Antonio Méndez Rubio’S Trasluz, Paul Cahill
Studies in 20th & 21st Century Literature
Since the 1980s, visibility has played a key role in debates surrounding Spanish poetry. Novísimo ‘very new’ poets have highlighted and explored the instability and uncertainty of the gaze, while poetas de la experiencia ‘poets of experience’ have more readily accepted the visible without questioning it or the mechanisms used to construct it. Poets who entered the literary scene in the mid to late 1990s have also entered this discussion. Antonio Méndez Rubio, the author of twelve poetry collections and numerous critical and theoretical works, is a poet whose work does not fit easily within the categories usually employed to …
Motivos Y Estrategias Del Impresionismo, El Expresionismo Y El Cubismo, José Alberto Conderana Cerrillo
Motivos Y Estrategias Del Impresionismo, El Expresionismo Y El Cubismo, José Alberto Conderana Cerrillo
Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies
Estudio de las primeras vanguardias centrado en un motivo común, la inestabilidad de lo real, generador de estrategias artísticas diferenciadas desarrolladas a través del Impresionismo –“visión original”-, el Expresionismo –“lógica de la sensación”- y el Cubismo –“visión simultánea”, “conquista de la ubicuidad”-.
Entre El Público Y Poeta En Nueva York De Federico García Lorca, Francisco Acuyo Donaire
Entre El Público Y Poeta En Nueva York De Federico García Lorca, Francisco Acuyo Donaire
Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies
Aproximación comparativa entre la obra teatral, El público, y el libro de poemas, Poeta en Nueva York, de Federico García Lorca. Se observarán las relaciones textuales e intertextuales entre ambas obras, así como sus influjos y diferencias de la tradición y las vanguardias. La lógica poética como vía de estructuración y la indagación y búsqueda del amor y la verdad como nexo de entendimiento común en las dos obras.
Reseñas
Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies
No abstract provided.
Vanguardias Históricas Y Lenguajes Artísticos En El Mundo Occidental Contemporáneo: Aspectos Teóricos, Ángel Berenguer
Vanguardias Históricas Y Lenguajes Artísticos En El Mundo Occidental Contemporáneo: Aspectos Teóricos, Ángel Berenguer
Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies
La propuesta de este trabajo se sitúa en el plano de los estudios culturales, dado el enfoque plural desde el que estudiamos la génesis de los lenguajes artísticos. El modelo teórico que utilizo aquí está en varios trabajos anteriores en los que el acercamiento filológico había dejado ya de ser eficaz, y lo sustituí por el modelo Motivos y estrategias. Precisamente, en mi opinión, fueron los lenguajes vanguardistas que estudié en mis primeros años de investigador, los que me dieron la posibilidad de intentar integrar lo que Lucien Goldman llamó la “creación cultural”, y que yo he procurado aclarar en …
El Público: Surrealismo Y Metateatro Como Vías De Expresión De Un Drama Interno, Ana Garriga Espino
El Público: Surrealismo Y Metateatro Como Vías De Expresión De Un Drama Interno, Ana Garriga Espino
Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies
En El público, comedia imposible en palabras del propio Lorca, el autor granadino se sirve de una suerte de surrealismo herético y de un teatro autorreflexivo para llevar a escena una investigación introspectiva sobre su propia persona. Se deshace de la tiranía de la palabra e inaugura, al mismo tiempo, un nuevo teatro auténticamente vanguardista: un teatro bajo la arena, que subvertirá los roles otorgados por el teatro tradicional, de un lado, a público y actores y de otro, a realidad y ficción.
Leyendo Al Incoherente Jules Lévy, Victor Lope Salvador
Leyendo Al Incoherente Jules Lévy, Victor Lope Salvador
Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies
El presente trabajo es un estudio de un texto que puede ser considerado como un manifiesto de la incoherencia publicado por Jules Lévy en 1885. El método empleado es el del análisis textual promovido por Jesús González Requena consistente en el detallado deletreamiento del escrito. A partir del análisis podemos considerar la incoherencia como un movimiento con rasgos tanto del romanticismo como de la vanguardia.