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Spanish and Portuguese Language and Literature Commons™
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Full-Text Articles in Spanish and Portuguese Language and Literature
“Those Who Don’T Remember Don’T Exist Anywhere:” Historical Redemption In Patricio Guzmán’S Nostalgia For The Light (2010), Cristina Ruiz-Poveda Vera
“Those Who Don’T Remember Don’T Exist Anywhere:” Historical Redemption In Patricio Guzmán’S Nostalgia For The Light (2010), Cristina Ruiz-Poveda Vera
Journal of Religion & Film
The poetic aesthetic of Patricio Guzman’s documentary Nostalgia for the Light (2010) ponders the nature of memory and history. The film uses a metaphysical approach to explore the traumatic past of Chile, creating a sense of historical redemption as defined by Walter Benjamin (1940). Contemporary Latin American documentaries have abandoned the idea of objectivity to focus on subjective portrayals of memory as a way to capture the plurality of personal experiences of historical events. As a result, these documentaries have become more artistic and formally innovative than the previous epic informative films of the region. In the case of Guzman’s …
Santería And Resistance In Tomás Gutierrez Alea And Juan Carlos Tabío’S Strawberry And Chocolate And In Fernando Pérez’S Life Is To Whistle, David S. Dalton
Santería And Resistance In Tomás Gutierrez Alea And Juan Carlos Tabío’S Strawberry And Chocolate And In Fernando Pérez’S Life Is To Whistle, David S. Dalton
Journal of Religion & Film
The 1990s were a politically, socially, and economically turbulent decade for Cuba. It is neither surprising that it was during these years that the state amended its approach to religious freedom nor that it was during this time that Pope John Paul II made his historic visit to the island. Following the pontiff’s visit, the state amended the constitution and declared itself secular rather than Marxist, thus removing much of the stigma that believers had previously faced. In this article I analyze the relationship between the national cinema and religious freedom by showing that many Cuban directors challenged official constructs …
There Will Come A Day, Dereck Daschke
There Will Come A Day, Dereck Daschke
Journal of Religion & Film
This is a film review of There Will Come a Day (2013) directed by Giorgio Diritti.