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Spanish and Portuguese Language and Literature Commons™
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Articles 1 - 6 of 6
Full-Text Articles in Spanish and Portuguese Language and Literature
Undocumented Crime In Juan Mayorga’S Animales Nocturnos, Jeffrey K. Coleman
Undocumented Crime In Juan Mayorga’S Animales Nocturnos, Jeffrey K. Coleman
Studies in 20th & 21st Century Literature
The link between criminality and immigration is often personified in the undocumented immigrant. As nations have constricted the flow of immigrants, laws have inscribed a criminal culpability attached to the lack of documentation. The lack of papers becomes such a part of their persona that in Spanish the colloquial term for an undocumented immigrant is a sin papeles ‘illegal immigrant.’ Juan Mayorga’s chilling 2003 play Animales nocturnos (Nocturnal) explores the lengths to which laws can be used to criminalize and psychologically abuse undocumented immigrants. This paper will explore how immigration law manifests itself in the play and how …
When The Bubble Bursts: A Spatial Interrogation Of Spanish Crisis In José Ángel Mañas’ Sospecha, Nick Phillips
When The Bubble Bursts: A Spatial Interrogation Of Spanish Crisis In José Ángel Mañas’ Sospecha, Nick Phillips
Studies in 20th & 21st Century Literature
José Ángel Mañas’s detective novel Sospecha investigates the consequences of the 2008 economic crisis by focusing on the unsustainable development of the Madrid urban area. I argue that the novel’s depiction of the Spanish capital serves as a case study for coming to terms with the identity and effects of crisis. By employing elements of the police procedural, Sospecha creates multiple trajectories through these suburban communities, allowing the novel to trace the impacts of a globalized economic model that presents these spaces as products of consumption. In turn, it is the spatial production of the city’s urban periphery that becomes …
Seeing (As) The Eroticized And Exoticized Other In Spanish Im/Migration Cinema: A Critical Look At The (De)Criminalization Of Migrants And Impunity Of Hegemonic Perpetrators, Maureen Tobin Stanley
Seeing (As) The Eroticized And Exoticized Other In Spanish Im/Migration Cinema: A Critical Look At The (De)Criminalization Of Migrants And Impunity Of Hegemonic Perpetrators, Maureen Tobin Stanley
Studies in 20th & 21st Century Literature
This article examines cinematic perspective in six Spanish im/migration films to show that by resituating the identification from an alignment with that of a hegemonic character (who accepts the systematic bias that confers impunity to perpetrators) to identification with a criminalized migrant subject, these films 1) denounce systemic intersectionality that confers impunity to perpetrators and criminalizes the racialized and/or feminized other and 2) aim at fostering empathy in the hegemonically identified viewer. Parameters for the selection of the six films are: immigration to Spain, African (whether geographic or ethnic) origins, eroticization of the migrant, objectification/(ab)use/commodification/victimization of the Other, criminalization of …
Special Focus Introduction. Set Up And Shut Out: Immigration And Criminality In Contemporary Spanish Fiction, Diana Aramburu, Jeffrey K. Coleman
Special Focus Introduction. Set Up And Shut Out: Immigration And Criminality In Contemporary Spanish Fiction, Diana Aramburu, Jeffrey K. Coleman
Studies in 20th & 21st Century Literature
The beginning of the twenty-first century has seen mass immigration from the Global South to the Global North. Unfortunately, the geopolitical and racial dynamics of this migration flow often lead to a purported nexus between immigration and criminality. In immigrant-receiving nations, this is especially the case, where sometimes the government, the media, and even the population support a xenophobic perspective based on the interconnection between immigration and criminality. Spain serves as an interesting case study for understanding how cultural productions reflect and/or critique that tendency because between 2000 and 2010 it had the world's second largest net immigration rate. The …
Migration And The Foreign In Contemporary Spanish Poetry: El Sueño De Dakhla (Poemas De Umar Abass) By Manuel Moya, Debra Faszer-Mcmahon
Migration And The Foreign In Contemporary Spanish Poetry: El Sueño De Dakhla (Poemas De Umar Abass) By Manuel Moya, Debra Faszer-Mcmahon
Studies in 20th & 21st Century Literature
Many critical studies have addressed the issue of immigration in contemporary Spanish narrative and film, but far fewer have analyzed this topic within the context of poetry. The representation of immigrant experience in poetic texts is significant not only because poetic works have received less attention, but also because of the significance of poetry within North African and Islamic culture. Manuel Moya’s recent award-winning collection places the question of North African immigration as a central concern. The text purports to offer a compilation of poetry produced by the Western Saharan immigrant Umar Abass, who currently resides in Madrid. The work …
"Soy Tú. Soy Él": African Immigration And Otherness In The Spanish Collective Conscience, Michael Ugarte
"Soy Tú. Soy Él": African Immigration And Otherness In The Spanish Collective Conscience, Michael Ugarte
Studies in 20th & 21st Century Literature
The commonly heard statement "Spain is different" contains a series of contradictions, paradoxes, and questions concerning Iberia's place within the global community, a community that is itself deeply contradictory—more and more the same and yet more and more fragmented. Immigration highlights the sameness/otherness dichotomy in Spanish culture, and the situation of African immigrants has especially caused the Spanish national consciousness an ethical quandary. Here I examine four recent cultural representations of African immigration in Spain—two journalistic works: Mikel Azurmendi's Estampas del Ejido and Antonio Elorza's articles in El País; and two documentary films: Básel Ramsis's El otro lado: un …