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Articles 1 - 3 of 3
Full-Text Articles in Spanish and Portuguese Language and Literature
The Imitation Of Ecuadorian Assibilated Rhotics By Naïve Andalusian Speakers From Seville, Maria De La Esperanza Ruiz-Peña
The Imitation Of Ecuadorian Assibilated Rhotics By Naïve Andalusian Speakers From Seville, Maria De La Esperanza Ruiz-Peña
Electronic Thesis and Dissertation Repository
The purpose of the present thesis is to establish whether Flege’s “equivalence classification” (Flege, 1995, p. 239) operates in the same way in auditory imitation of an unfamiliar dialect as it does in second language (L2) acquisition of speech. In order to do so, this study investigates how Andalusian Spanish speakers imitate assibilated rhotics produced in Ecuadorian Spanish. Despite substantial growth in interest in D2 phonological acquisition in later years (e.g., Babel, 2009; Nielsen, 2011), little research has been done to determine whether the mechanisms that underlie the production of L2 are also responsible for the auditory imitation of an …
El Argumento Para Una Tercera Opción De Género Neutro En La Lengua Española (The Argument For A Third Gender-Neutral Option In The Spanish Language), Fiona Siobhan Bean
El Argumento Para Una Tercera Opción De Género Neutro En La Lengua Española (The Argument For A Third Gender-Neutral Option In The Spanish Language), Fiona Siobhan Bean
Undergraduate Theses, Professional Papers, and Capstone Artifacts
All nouns, determiners, and many adjectives in the Spanish language are grammatically designated as either masculine or feminine, and the default is always the masculine form. For example, “the tall boy” in Spanish is “el chico alto”, “the tall girl” is “la chica alta”, and if there is a group of tall children the plural form is the masculine “los chicos altos” even if there are females in the group. This binary gender division and masculine default can cause harm, however, when used in reference to women and non-binary people. This paper explores the recent movement to include a third …
La Sensibilidad De La Lente Crítica: Las Dinámicas De Poder Y Los Papeles De Género En El Cine Mexicano Contemporáneo, China Campagnuolo
La Sensibilidad De La Lente Crítica: Las Dinámicas De Poder Y Los Papeles De Género En El Cine Mexicano Contemporáneo, China Campagnuolo
Honors Theses
This project explores the socio-cultural evolution of gender dynamics through the analysis of four contemporary Mexican films: Amores perros (2000) directed by Alejandro González Iñárritu, Y tu mamá también (2001) directed by Alfonso Cuarón, Las elegidas (2015) directed by David Pablos, and Roma (2018) also directed by Cuarón. These directors are part ofMexico’s cinematic “New Wave,” a modern resurgence of Mexican film that depicts a realistic side of the nation’s political, social, and economic issues. In the opening chapter, I analyzeAmores perros and Y tu mamá también, two earlier films of the “New Wave.” These movies areheavily focused on toxic …